{"title":"Avant Garde \/ Experimental","description":"","products":[{"product_id":"skullflower-voltigeurs-black-sun-roof-split-12","title":"Skullflower \/ Voltigeurs \/ Black Sun Roof - Split 12\"","description":"\u003cp\u003eThree way split featuring 3 projects from Matthew Bower and Samantha Davis. 'Hexenturm' from Voltigeurs is a vortex of basement black metal terror, caaried by furious percussion buried beneath layers of metalic riffs and distortion. This leads directly into Black Sunroof's 'Pal Beach Violation', with a crushing distorted layers of guitar and effects. The flip is Skullflower's 'PSH', a tribute to one of the finest actors of our generation. 'PSH' is a much more psych-upped affair than the previous tracks, but remains layered in metaliic effects and swirling dark cosmic tones. It's an interesting listen to have three spearate projects performed by the two core performers, but each have different styles, sounds and approaches.\u003cbr\u003ePressed on 180 gram red vinyl in an edition of 333 copies packaged in full colour UV gloss sleeve.\u003cbr\u003ePlay at 45 or 33. Includes download.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Blackest Rainbow\u003c\/p\u003e","brand":"Seven Steps Music","offers":[{"title":"Default Title","offer_id":3851065989,"sku":"","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/SKULLFLOWER_SHOPIFY.jpg?v=1571438789"},{"product_id":"sunn-o-kannon-lp","title":"Sunn O))) 'Kannon' LP","description":"\u003cp\u003e\u003cstrong\u003eONE OF BEAR TREE'S ALBUMS OF THE YEAR, 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.4;\"\u003eOver the last two years SUNN O))) has released critically acclaimed collaboration albums with SCOTT WALKER and ULVER.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKannon is an album which was composed in the aftershadow of SUNN O)))’s most recent successes in immersive collaboration (the group worked with Scott Walker on Soused, Ulver on Terrestrials in 2013 and 2014) and also from the broad and influential wake of their epitimous Monoliths \u0026amp; Dimensions.\u003c\/p\u003e\n\u003cp\u003eKannon emerged both independently as a conceptual entity and with roots in the legacies of those projects, yet was fully realised years later, in 2015. The album is 36 minutes in length and consists of three pieces of a triadic whole : Kannon 1, 2 and 3.\u003c\/p\u003e\n\u003cp\u003eThe black vinyl LP is packaged in immaculate tip on gatefold sleeve by long time comrades Stoughton Printing, and pressed at Cascade in Portland, Oregon.\u003c\/p\u003e\n\u003cp\u003eThe album celebrates many SUNN O))) traditions ; Kannon was recorded and mixed with SUNN O)))’s close colleague and coproducer Randall Dunn in Seattle, in Studio Litho, Aleph and Avast! ; and the LP includes performances by long term allies and collaborators Attila Csihar, Oren Ambarchi, Rex Ritter, Steve Moore and others. And at the core the composition centers around the dynamic and intense guitar and bass interplay of SUNN O)))’s founders : Stephen O’Malley \u0026amp; Greg Anderson.\u003c\/p\u003e\n\u003cp\u003eIt’s possibly the most figurative album SUNN O))) has created, which is unusual as they usually dwell in layers of abstraction and subjectivity. On the other hand the album is the most outright “metal” in years, drawing personal associations and memories of cherished albums like Panzerfaust and Twilight of the Gods again to the forefront of consciousness.\u003c\/p\u003e\n\u003cp\u003eAt the third time it is very close to the cyclical character of mantra which the band has evolved into as a living creature, the enormity of intense sensate detail and manifestation of the live in concert face of SUNN O))), the organism that has flourished, metamorphosed and transcended tremendously over the past ten years.\u003c\/p\u003e\n\u003cp\u003eThe literal representation of Kannon is as an aspect of Buddha : specifically “goddess of mercy” or “Perceiving the Sounds (or Cries) of the World”. She is also sometimes commonly known as the Guanyin Bodhisattva (Chinese: 庥錼嗌葑) amongst a plurality of other forms. There is a rich lineage behind this idea tracing back through many asian belief systems, with as many names and cultural personifications of the idea . \u003c\/p\u003e\n\u003cp\u003eSUNN O))) commissioned critical theorist Aliza Shvartz to write a text \/ liner notes around these ideas and topics. She also explores the relations and perceptions to their approach to these ideas via the metonym of music and SUNN O)))’s place\/approach within the framework of music and metal overall.\u003c\/p\u003e\n\u003cp\u003eSUNN O))) also commissioned Swiss designer\/artist Angela LaFont Bollinger to create the cover artwork, an abstracted sculpture of vision of Kannon, and the French photographer Estelle Hanania to capture portraits of the core trio (Csihar, Anderson, O’Malley) in the impressive and obscurant Emanuel Vingeland mausoleum in Oslo.\u003c\/p\u003e\n\u003cp\u003e- Stephen O’Malley \u0026amp; Greg Anderson \/ SUNN O))), 11 September 2015\u003c\/p\u003e\n\u003cp\u003eCatalogue number: SUNN250LP\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eYear of release \/ Country of release: 2015 \/ US\u003c\/p\u003e\n\u003cp\u003eLabel: Southern Lord\u003c\/p\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":7950201861,"sku":"SUNN250LP","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/155927.jpg?v=1571438790"},{"product_id":"stars-of-the-lid-and-their-refinement-of-the-decline-3xlp","title":"Stars Of The Lid 'And Their Refinement Of The Decline' 3xLP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003e*\"I simply feel that they are making the most important music of the 21st\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ecentury.\" Ivo Watts-Russell - 4AD label founder.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e*The long awaited new album from Stars of the Lid is finally ready for your\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esonic immersion, and it's truly outstanding.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e*Painstakingly recorded, processed and assembled over the last five years,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSOTL once again deliver a massive work filling two compact discs and three\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003evinyl albums, clocking in at over two hours.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e*On this new record SOTL have placed an emphasis on melodic development, moving \u003c\/span\u003e\u003cspan\u003etheir epic soundscapes beyond mere drone and subsequently frustrating all the \u003c\/span\u003e\u003cspan\u003etypical ambient cliches associated with their music.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e*Perhaps the best references for this current work would be found in the score\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eof the film Le Mepris by Georges Delerue, the orchetral works of Zbigniew\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePreisner, or the 1958 CSO\/Fritz Reiner recording of Hovhaness' Mysterious\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMountain, specifically the third movement.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e*But in the final analysis, such comparisons are superfluous at best, as Stars\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eof the Lid have created a musical universe in which they are the sole inhabit\u003c\/span\u003e\u003cspan\u003eant. 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These two souls bravely let us look through the keyhole.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eIncludes download card with bonus tracks.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan\u003eSC289LP\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Secretly Canadian\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":22658837317,"sku":"SC289LP","price":18.49,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/MI0002924842.jpg?v=1571438851"},{"product_id":"stars-of-the-lid-avec-laudenum-lp","title":"Stars Of The Lid 'Avec Laudenum' LP","description":"\u003cdiv\u003e\n\u003cp\u003eAvec Laudenum was originally released on the Belgian Sub Rosa label in 2000. 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While Two Solo Pieces serves up further evidence of Gibson's centrality to American minimalism – witness its inclusion in Alan Licht's famed Minimal Top Ten list – this profoundly intimate record also reveals the beauty of enclosed spaces and infinite harmonic vistas.\u003c\/p\u003e\n\u003cp\u003eAs its unadorned title suggests, Two Solo Pieces consists of a pair of side-long tracks featuring the composer alone. 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Propellers In Love, the Orchestra's second album – originally released in 1986 on the Stasch imprint, in conjunction with the contemporary art space Künstlerhaus Bethanien – develops Dreyblatt's rhythmically exacting exploration of the glittering resonances and overtones generated by an ensemble of uniquely-altered stringed instruments and drums.\u003c\/p\u003e\n\u003cp\u003eOn Propellers In Love, simple song titles – \"Odd \u0026amp; Even,\" \"Harmonics,\" \"Bowing\" – belie intricate harmonic structures. Dreyblatt's modified instruments – a contrabass and miniature piano fitted with piano wire along with violin, all tuned in just intonation – undergo the Orchestra's rapid, staccato attacks. Sparkling timbres dance above interlocking rhythmic patterns moored by sparse yet propulsive percussion (\"Pedal Tone Dance\" and the title track). Throughout, the Orchestra's perpetual motion achieves a tremulous and exquisite density.\u003c\/p\u003e\n\u003cp\u003eThirty years since its initial release, Propellers In Love remains a peerless work of second-generation American minimalism. 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His shambolically virtuosic guitar playing stumbles from music hall tune- smithery to spidery swatches of noise-colour, swathed in amp static and teetering on the edge of feedback.\u003c\/p\u003e\n\u003cp\u003e• His songs are both chucklesome and tragic, rooted in a febrile imagination that references worlds held dear and worlds unknown.\u003c\/p\u003e\n\u003cp\u003e• ‘Nothing Important’, released by Weird World, hypnotises from its tender dark whispers to its wild screams, an unparalleled voice in today’s over-preened and manufactured music world.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan\u003eWEIRD048LP\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Weird World\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"*SIGNED* Vinyl LP","offer_id":41155112534184,"sku":"WEIRD048LPSIGNED","price":21.49,"currency_code":"GBP","in_stock":false},{"title":"Vinyl LP","offer_id":41155112566952,"sku":"WEIRD048LP","price":21.49,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/WEIRD048LP.jpg?v=1571438892"},{"product_id":"richard-dawson-peasant-2xlp","title":"Richard Dawson 'Peasant'","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e\u003cstrong\u003e***LIMITED SIGNED COPIES AVAILABLE***\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBEAR TREE ALBUMS OF THE YEAR 2017 #1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack vinyl.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRichard Dawson will release new album Peasant via Weird World \/ Domino on 2nd June 2017. Coinciding with the announcement, Dawson has shared a video for the album’s first single ‘Ogre’, directed by Matt Stokes.\u003c\/p\u003e\n\u003cp\u003e“A crack team of physicists, leather-workers, synchronised swimmers, sausage-sellers, professional wrestlers and computer games-designers assembled in a remote cleft of the Tyne Valley to portray a community fraying at the edges, eaten from the inside by some fearful sickness, searching for answers in the all the wrong places,” says Dawson of the new video. “Matt Stokes is a fabulous video artist. I've loved his work ever since seeing 'The Gainsborough Packet' almost ten years ago now. I'm very happy that we were able to work together to present to you the first song from the album Peasant. It is only one panel of a larger mural. I hope you will enjoy and find something to take from it.”\u003c\/p\u003e\n\u003cp\u003eNo listener to Dawson’s earlier music has ever discerned a lack of artistic ambition. Whether they got on at the last stop - the 4 track Tyneside-Trout-Mask-through a-Vic and Bob-filter of Nothing Important - or earlier in the journey, with The Glass Trunk’s visceral song cycle or The Magic Bridge’s sombre revels, devotees of his earlier recordings will be at once intrigued by and slightly fearful of the prospect of a record that could make those three landmark releases look like formative work.\u003c\/p\u003e\n\u003cp\u003ePeasant is that album. From its first beguilingly muted fanfare to its spectacular climax exploring a Dark Ages masseuse’s dangerous fascination with a mysterious artefact called the Pin of Quib, it will grab newcomers to Dawson’s work by the scruff of the neck and refuse to let them go until they have signed a pledge of life-long allegiance.\u003c\/p\u003e\n\u003cp\u003eDriven forward by exhilarating guitar flurries, Qawwali handclaps and bursts of choral ferocity, Peasant’s eleven tracks sustain a momentum worthy of the lyrics’ urgent subject matter. Dawson describes the themes of these songs as “Families struggling, families being broken up by circumstance, and - how do you keep it together? In the face of all of these horrors that life, or some system of life, is throwing at you?” The fact that these meticulously wrought narratives all unfold in the pre-mediaeval North Eastern kingdom of Bryneich - “any time from about 450AD to 780AD, after the withdrawal of the Roman Empire”- only makes their contemporary relevance more enduring and vital.\u003c\/p\u003e\n\u003cp\u003eDawson’s objective was to create “A panorama of a society which is at odds with itself and has great sickness in it, and perhaps doesn’t take responsibility – blame going in all the wrong directions”. 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Comprised of both film installation and minimalist score for amplified strings, Ten Years leaps across genre and medium to connect his revolutionary structural filmmaking with the experiments in long-duration sound that Conrad had begun in the 1960s as part of the Theatre of Eternal Music.\u003c\/p\u003e\n\u003cp\u003e\"Ten Years began with image before sound,\" writes Andrew Lampert, \"a row of quadruple projections arranged side-by-side, all the shuffling stripes cascading into each other. Over the next two hours the music throbbed and the projectors incrementally shifted inwards, their beams gradually uniting to form one pulsating, overlapping picture.\"\u003c\/p\u003e\n\u003cp\u003eFor its 1972 premiere at New York's The Kitchen, Ten Years included Conrad on violin as well as Rhys Chatham and Laurie Spiegel performing on instruments of the composer's own making. Chatham played the Long String Drone – a 6-foot long strip of wood with bass strings, electric pickup, tuning keys, tape, rubber band and metal hardware – while Spiegel carried out an arrhythmic bass pulse throughout.\u003c\/p\u003e\n\u003cp\u003eSuperior Viaduct is honored to present this previously unreleased recording of Ten Years Alive On The Infinite Plain's breathtaking premier performance. As Chatham recounts in the liner notes, \"When I first listened to this recording after not hearing it for over 40 years, it transported me back to the early Kitchen and the heyday of early minimalism, played outside the Dream Syndicate.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: SV049\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Superior Viaduct\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":38149630032,"sku":"SV049","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/SV049.jpeg?v=1571438892"},{"product_id":"keiji-haino-watashidake-lp","title":"Keiji Haino 'Watashi Dake?' 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Through a vast number of recordings and performances Haino has staked out a ground all his own- creating a language of unparalleled intensity that defies any simple classification. For all this, his 1981 debut album \u003c\/span\u003e\u003ci\u003eWatashi Dake?\u003c\/i\u003e\u003cspan\u003e has remained enigmatic. Originally released in a small edition by the legendary Pinakotheca label, the album was heard by only a select few in Japan and far fewer overseas. Original vinyl copies became impossibly rare and highly sought after the world over. \u003c\/span\u003e\u003ci\u003eWatashi Dake?\u003c\/i\u003e\u003cspan\u003e presents a haunting vision – stark vocals, whispered and screamed, punctuate dark silences. Intricate and sharp guitar figures interweave, repeat and stretch, trance-like, emerging from dark recesses. Written and composed on the spot – Haino’s vision is one of deep spiritual depths that distantly evokes 1920’s blues and medieval music- yet is unlike anything ever committed to record before or since. 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On this eponymous record, Orcutt mines the expansiveness and sustain possible on the electric guitar, letting notes spin out and decay at the edge of feedback. His pachinko-parlor pacing, marked by unraveling clockspring accelerandos crashing into unexpectedly suspended tones, is still in evidence. But here, his developing melodicism maps a near-contemplative mental realm, orbiting St. Joan-era Loren Connors more than the cascading treble clatter of his duo LPs with Chris Corsano and others. From the first notes of Ornette Coleman’s “Lonely Woman,” there’s a lucidity and slow-burning lyricism that make Orcutt’s plunges into barbed-wire fingerpicking all the more striking. While no one’s about to mistake Orcutt for Jim Hall, you could probably play this for your jazzbo friends (should you be unlucky enough to have them) without raising any eyebrows.\u003c\/p\u003e\n\u003cp\u003eOrcutt’s track selection mirrors his obsession with American popular song in its most banal manifestations, as radically reimagined via acoustic guitar on a variety of releases, including 2013’s exhaustive Twenty Five Songs 7” box set, and the Mego LP A History of Every One. Many of the songs from those two releases are here–but stretched into new arrangements that explore the upper regions of the guitar neck (hitherto unexplorable on his shakily-intonated acoustic Kay), and lighting up new corners of each arrangement with a sensitivity born from years of reinterpretation. The result is a languid, freeform drift through Orcutt’s internal cosmos into galaxies unknown to their original interpreters–and occasionally, Orcutt himself. Most striking is “White Christmas,” its careening low-register melodies crashing into complex chords that transcend Orcutt’s primitive four-string fretboard.\u003c\/p\u003e\n\u003cp\u003eOrcutt’s original compositions are equally striking. 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The two-track 12-inch from the long-running Michigan trio follows this year's \u003c\/span\u003e\u003ci\u003eUndertow\u003c\/i\u003e\u003cspan\u003e album.\u003c\/span\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: LF002\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.4;\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eLabel: Lower Floors Music\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":41273682000,"sku":"LF002","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/LF002.jpg?v=1571438921"},{"product_id":"loren-connors-angels-that-fall-lp","title":"Loren Connors 'Angels That Fall' LP","description":"\u003cp\u003eConnors is an avant-garde legend, his singular alien take on the blues is considered on par with John Fahey’s rewrite of American string music. A haunting and volcanic suite of electric guitar and piano from the modern master of the avant blues and the abstract -- Loren Connors. Angels That Fall slips deeper into Loren’s headspace where vocalists in glissando and the swelling romanticism of chamber strings echo from beyond this mortal plane. Transcribed through Connors’ effect-laden six strings, he carries the listener from bluesy violence to sadness, hope and eventually a piano coda. Angels That Fall was recorded May 2016 at First Unitarian Congregational Society in Brooklyn, NY.\u003c\/p\u003e\n\u003cp\u003eThis 500 edition 1-sided LP features cover art by Connors and a full-color inner sleeve with portraits of Connors. Includes download coupon.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cdiv id=\"reviews\" class=\"visible-lg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: FV100LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Family Vineyard\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":41923664656,"sku":"FV100LP","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/FV100LP.jpg?v=1571438925"},{"product_id":"nazoranai-beginning-to-fall-in-line-before-me-so-decorously-the-nature-of-all-that-must-be-transformed-lp","title":"Nazoranai 'Beginning To Fall In Line Before Me, So Decorously, The Nature Of All That Must Be Transformed' LP","description":"\u003cp\u003eNazoranai is the supergroup of Keiji Haino, Oren Ambarchi and Stephen O'Malley. For close to four decades, Haino has been a legendary figure in Japan's avant-garde community through his commanding presence in the band Fushitsusha and numerous solo ventures. Ambarchi, a prolific electro-acoustic composer of heavy ambience and hypno-rock, has long stood at the leading edge of Australia's experimental music scene, while O'Malley remains a principle architect for the drone \/ doom metal project Sunn O))) in harnessing extreme sub-harmonic frequencies.\u003c\/p\u003e\n\u003cp\u003eCollectively, Nazoranai operates as a live recorded collaboration, although Haino is quick to point out the difference between the words \"nazoranai\" (which in Japanese calligraphy means \"not repeating,\" as in developing a distinct, individual style) and \"sokkyō\" (referring specifically to improvisation). In this parsing of terms, the group separates themselves from the free-music scene, which can be just as convention-bound as the established genres from which improvisers hope to escape.\u003c\/p\u003e\n\u003cp\u003eOn the trio's third album, Beginning To Fall In Line Before Me, So Decorously, The Nature Of All That Must Be Transformed, Nazoranai explore two side-long tracks of superb abstraction. Ambarchi and O'Malley provide the perfect brute-rock rhythm section to Haino's wrecklessly pure expression through instrument and voice. Blurred noise, dark hurdy-gurdy and thunderous harmonics build an accretive mantra of jagged electricity.\u003c\/p\u003e\n\u003cp\u003eWhile Haino's extensive discography resists easy interpretation, he constantly challenges himself to further his art by channeling the unknown. Shifting from his native Japanese to English, he asks: \"Do you still have a mystery?\" This existential plea could apply to the artist's own deep inquisitions or stand to confront his audience about that which eludes their understanding.\u003c\/p\u003e\n\u003cp\u003eW.25TH \/ Superior Viaduct is proud to present Nazoranai's latest work, recorded at SuperDeluxe in Tokyo, which marks the band's first release on an American label.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"cat_number\"\u003eW25-02\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: W. 25th\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":43369635088,"sku":"W25-02","price":27.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/W25-02.jpg?v=1571438961"},{"product_id":"david-grubbs-creep-mission-lp","title":"David Grubbs 'Creep Mission' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eIf ‘mission creep’ refers to a long haul fatigue cited with increasingly regularity in the present political moment, David Grubbs imagines ‘creep mission’ to be a talismanic utterance in the effort to turn this ship around.\u003c\/p\u003e\n\u003cp\u003e‘Creep Mission’ is an album of instrumental compositions with Grubbs’s effortlessly recombinant electric guitar at its core, and its modus operandi is to go both deep and wide. The album goes deep in the sense that the guitar becomes the relentless, meditative focus of these songs without words and it goes wide in that these pieces utilize a discontinuous set of arrangements that make the most out of an extraordinary group of musicians convened for the mission at hand.\u003c\/p\u003e\n\u003cp\u003eDrummer and most simpatico sparring partner Eli Keszler picks up where his brilliant contributions to Grubbs’s 2016 ‘Prismrose’ left off; trumpeter Nate Wooley defies you to identify his range of sounds as coming from a single player; and Jan St. Werner (Mouse on Mars, Lithops) can hardly contain his joy in transforming the proceedings into electro-prismatic splinters. For his part, Grubbs’ guitar playing has never before so confidently mangled commonsensical distinctions between composed and improvised music.\u003c\/p\u003e\n\u003cp\u003eThe album’s opener, ‘Slylight’, wends its way through a sequence of instrumental combinations in a manner redolent of Gastr del Sol’s ‘Camoufleur’. Before the album has concluded with the melancholy country raga of ‘The C In Certain’, waystations between have assumed the character of sludge- rock power trio (‘Creep Mission’, ‘Return Of The Creep’), pointillistic electroacoustic improv (‘Jeremiadaic’), and bejeweled nylon string guitar miniatures (‘The Bonapartes Of Baltimore’, ‘Jack Dracula In A Bar’).\u003c\/p\u003e\n\u003cp\u003eDavid Grubbs’s solo albums often have a “the band has left the building” quality of dramatic left turns in the final act; on ‘Creep Mission’, peripatetic playing is basic strategy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: BC29\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Blue Chopsticks\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":43433389968,"sku":"BC29","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/BC29.jpg?v=1571438961"},{"product_id":"throbbing-gristle-the-second-annual-report-of-throbbing-gristle-40th-anniversary-lp","title":"Throbbing Gristle 'The Second Annual Report Of Throbbing Gristle (40th Anniversary)' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eLimited white vinyl with stickers, 8 page booklet and download including additional material.\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eThrobbing Gristle's first album - the 'second' refers to it coming out at the end of their second year together - must have sounded like it came from another planet upon its 1977 release. Later industrial bands arguably introduced too much 'normal' musical content, but very little about \u003ci\u003eSecond Annual Report\u003c\/i\u003e could be called normal. From its deadpan sleeve to the peculiar choice of structuring the album with three live versions of the horrific \u003ci\u003eSlug Bait\u003c\/i\u003e and four of the more straightforward \u003ci\u003eMaggot Death\u003c\/i\u003e, it's a startling document. Simply essential.\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eThrobbing Gristle are Chris Carter, Peter 'Sleazy' Christopherson (who sadly passed away on 25 November 2010), Cosey Fanni Tutti and Genesis Breyer P-Orridge, their impact on music, culture and the arts is immeasurable and still felt today.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: TGLP2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Mute\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":43575400656,"sku":"TGLP2","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/TGLP2.jpg?v=1571438963"},{"product_id":"throbbing-gristle-the-taste-of-tg-a-beginners-guide-to-the-music-of-throbbing-gristle-2xlp","title":"Throbbing Gristle 'The Taste Of TG (A Beginner's Guide To The Music Of Throbbing Gristle)' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eThrobbing Gristle are Chris Carter, Peter 'Sleazy' Christopherson (who sadly passed away on 25 November 2010), Cosey Fanni Tutti and Genesis Breyer P-Orridge, their impact on music, culture and the arts is immeasurable and still felt today.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: TGLP14\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Mute\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":43575726800,"sku":"TGLP14","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/TGLP14.JPG?v=1571438963"},{"product_id":"john-duncan-klaar-lp","title":"John Duncan 'Klaar' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eBlack Truffle is thrilled to announce the first ever vinyl reissue of legendary performance and sound artist John Duncan’s forgotten gem Klaar, originally released by Extreme in 1991 and partly created in collaboration with Andrew McKenzie (The Hafler Trio).\u003c\/p\u003e\n\u003cp\u003eDuncan is perhaps most well known for his notorious early performances pieces, which explored violence, self-denial, and the establishment of extreme psychological and physical states in both artist and audience. Alongside these transgressive experiments, Duncan began to create audio works primarily using short wave radio. Where some of Duncan’s earlier recordings are composed of magnificently sculpted but abrasive walls of noise, Klaar, recorded while Duncan was living in Amsterdam, occupies a more meditative territory.\u003c\/p\u003e\n\u003cp\u003eOpening with ‘Delta’, which layers long tones seemingly sourced from slowed down voices over a distant, watery field recording, the remainder of the first side is occupied with the epic title piece, which arranges shortwave radio abstraction, vocal experiments, and field recordings (street sounds, fireworks, monastic chants) into an episodic cinema for the ear. The second side is dominated by the long, brooding ‘The Immense Room’, where layers of shortwave interference and field recordings are gradually built up into a pulsing, wavering bed of sound infused with a subtly disturbing sense of psychological unrest. This rises to the surface near the end of the piece as sexual moans and ominous rumbles crisscross the stereo image before being abruptly brought to a halt.\u003c\/p\u003e\n\u003cp\u003eA singular work of electroacoustic composition, Klaar is both compositionally sophisticated and infused with a sense of mystery and a vital reality often lacking in more academic experimental music; it sits proudly alongside contemporaneous recordings by Duncan’s friends and collaborators Jim O’Rourke and Christoph Heemann and is a must for anyone interested in their work.\u003c\/p\u003e\n\u003cp\u003e- Francis Plagne\u003cbr\u003e- Klaar sits proudly alongside contemporaneous recordings by Duncan’s friends and collaborators Jim O’Rourke and Christoph Heemann and is a must for anyone interested in their work.\u003cbr\u003e- Cover image and John Duncan portrait by Traianos Pakioufakis. 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Charles Hayward on drums and Thurston Moore on guitar.\u003c\/p\u003e\n\u003cp\u003eThis LP is the result.\u003c\/p\u003e\n\u003cp\u003eImprovisations is a vinyl only release, limited to 500 copies worldwide.\u003c\/p\u003e\n\u003cp\u003eThe seven tracks are unnamed but are identified by the side and order in which they appear ie., A1-3 and B1-4.\u003c\/p\u003e\n\u003cp\u003eThis was the third time Hayward and Moore played together. The session was recorded at Lynchmob studios through the famous 1969 Neve console originally built for the BBC.\u003c\/p\u003e\n\u003cp\u003eCharles Hayward has been a prominent figure in British music over the last 40 years: Gong at 19 years of age, Quiet Sun with Phil Manzanera and Brian Eno, Camberwell Now and of course the revered This Heat now touring the world in its phoenix-like rebirth as This Is Not This Heat.\u003c\/p\u003e\n\u003cp\u003eThurston Moore spent thirty years fronting the groundbreaking and massively influential Sonic Youth, in addition to numerous collaborative and experimental side-projects and running the SYR imprint as well as his own Ecstatic Peace label.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: CARE112LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Care In The Community\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":43827566224,"sku":"CARE112LP","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/CARE112LP.jpg?v=1571438965"},{"product_id":"hogni-two-trains-lp","title":"Hogni 'Two Trains' LP","description":"\u003cdiv class=\"modal-body\"\u003eLimited coloured vinyl.\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eIntroducing Icelandic composer and singer Högni, better known as the front man of indie rock band Hjaltalín and previous member of electronic group GusGus, as the newest addition to Erased Tapes with his solo debut album Two Trains – available worldwide on October 20th 2017.\u003c\/p\u003e\n\u003cp\u003eAmidst destruction on the mainland, the two locomotives Minør and Pionér transported wagons full of rock and gravel to the Icelandic seaside during the construction of the Reykjavík harbour in 1913-1917. The two metallic giants ushered in a new age in Iceland. However, soon after construction ceased the two trains were parked and have never driven since. Now they only serve to remind us of the grandeur of a bygone future. They are the only trains ever to have graced the Icelandic landscape.\u003c\/p\u003e\n\u003cp\u003eThe music in Two Trains embraces the spirit of the original European avant-garde and invokes these concepts in its chugging rhythms, metallic clangs and brooding choral arrangements (men's choruses are a distinctly Icelandic phenomena related to the national\/romantic politics of the 19th and 20th century) while the lyrics speak of ominous clouds on the war-ridden eastern horizon and freight cars filled with gravel and dreams.\u003c\/p\u003e\n\u003cp\u003eWords from Högni, July 2017:\u003c\/p\u003e\n\u003cp\u003e“The music on Two Trains is a blue-print of a period in my life where I collided with my own self, and at that point I felt the indifference between the personal and the universal, the absolute consciousness of life’s unconsciousness. Perhaps it’s a feeling that cannot be conveyed, like watercolours that just seem to wash off into the sea. But also a flashing mirage that you can enjoy before you arrive at your last destination.\"\u003c\/p\u003e\n\u003cp\u003eAs time went on, the two trains also began to bear a psychological implication to Högni and came to represent the different incarnations of his persona during a difficult period in his life. As a society we are also quite often faced with a fork in the road and a decision to make, and most importantly the acceptance of one’s self.\u003c\/p\u003e\n\u003cp\u003eToday, the real Minør and Pionér are unemployed, mere relics. Minør is on display near the Reykjavík waterfront and Pionér is parked in an outdoor museum on a hill. 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A quizzical composer\/lyricist, Battiato turned pop music upside down in the early '70s with three classic LPs – Fetus, Pollution and Sulle Corde Di Aries – that formed a confluence of avant-folk sensibilities and analog electronics.\u003c\/p\u003e\n\u003cp\u003ePollution from 1972 is the captivating follow-up to Fetus. Like its predecessor, the album features Baroque textures, motorik rhythms, weird tape effects and Battiato's perfectly oblique vocals. Upon hearing Pollution, Frank Zappa joyfully proclaimed it \"genius.\"\u003c\/p\u003e\n\u003cp\u003eWhile Battiato's core group of collaborators remains largely the same as on his debut, this phenomenal band (joined by an eighteen-year-old Roberto Cacciapaglia on keys) appears even more in the foreground on Pollution. Out of the Ash Ra Tempel-like riffs and urgent guitar strumming emerge hypnotic grooves and cinematic flourishes, suggesting a futuristic meeting point between Stereolab and Ennio Morricone.\u003c\/p\u003e\n\u003cp\u003eDedicated to the Centro Internazionale Studi Magnetici, Pollution touches on themes of environmental catastrophe. Futurist allusions seep in through eccentric lyrics (at times sung backwards) about hydraulics, magnetic fields, etc., yet listeners don't need to speak the artist's language to grasp his melancholy vision. With Pollution, Battiato solidifies not only his cult figure status, but also many of his forward-thinking ideas on rock 'n' roll.\u003c\/p\u003e\n\u003cp\u003eSuperior Viaduct is honored to present the first-time domestic release of Pollution on vinyl. Reproducing the original gatefold jacket, this reissue is part of an archival series that chronicles Franco Battiato's masterful body of work from 1971 to 1978.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cdiv id=\"reviews\" class=\"visible-lg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: SV132\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Superior Viaduct\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":118627663888,"sku":"SV132","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/SV132.jpg?v=1571438969"},{"product_id":"otto-lindholm-alter-lp","title":"Otto Lindholm 'Alter' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eAlter is the new album from Belgium-based double bass player and electronic producer Otto Lindholm.\u003c\/p\u003e\n\u003cp\u003eDivided into four colour-inspired, long-form movements, Alter takes off from Lindholm’s previous work - a self-titled album released in 2015 on Icarus Records, and pushes the already abundant palette of sounds even further. This new work is more brooding and hypnotic. A deep, resonating bass is present - hinting at the likes of Greek, chamber-doom merchants Mohammad but perhaps with more attention placed upon textures and melody.\u003c\/p\u003e\n\u003cp\u003eThe record moves at a funereal pace and opener Fauve hits abyssal depths from the outset. A bowed melody is coaxed through the throbbing bass with dissonant harmonics drawing you in and holding you close. The ghostly beginnings of Alyscamps create an overwhelmingly tense atmosphere where acoustic and electronic elements collide and evolve into a heaving, ceremonious drone. Shafts of light emerge through the fog but the tone remains a haunted one. Closer, Heliotrope, strikes a more hopeful note. A lighter, more open feel emerges - bringing to mind early work of The Rachels or perhaps Deaf Center.\u003c\/p\u003e\n\u003cp\u003eAlter is a triumphant record in its entirety. Seamlessly moving from light to shade and back again, experimenting in heavy atmosphere and ultimately drawing you into its deep and mysterious world.\u003c\/p\u003e\n\u003cp\u003eSome words from Otto Lindhom on the album:\u003cbr\u003e“My original idea was to work on the melody and the play of the arco, looking for expressive music from this combination. To do it, I first decided to work on 'modes' and their specific color. With these modes I could work on tensions, frictions and color shading. Working on the melody aspect, I was looking to go beyond the romantic, easy listening or sentimentalizing, trying to suggest more than an expression of concrete emotions.\u003c\/p\u003e\n\u003cp\u003eNaturally, a kind of impressionist, musical approach appeared to me where I could simply develop and enhance the music I was playing\/writing. With my daughter about to born and my strong wish to record new music, this spurred me to work efficiently. I had no time or space for deviations, forcing me to sculpt the music as it came out, enjoying and contemplating a sort of rawness in my play and direction.”\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eCatalogue number: GZH78\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Gizeh\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":475544715280,"sku":"GZH78","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/GZH78.jpg?v=1571438996"},{"product_id":"various-highlights-of-vortex-lp","title":"Various 'Highlights Of Vortex' LP","description":"\u003cp\u003eThe brainchild of visual artist Jordan Belson and electronics polymath Henry Jacobs, the Vortex Experiments ran from 1957 to 1960, first at San Francisco's Morrison Planetarium and later at the SF Museum of Art. The very name of these events announced their aim: a swirling totality of sensory experience. Around Belson's richly-colored visuals – making use of the planetarium's entire dome and featuring luminous, sharply geometric imagery projected through an array of devices – Jacobs ringed a system of roughly 40 multidirectional loudspeakers, each of which could be precisely controlled to produce, in the words of one reviewer, \"a living theater of sound and light.\"\u003c\/p\u003e\n\u003cp\u003eA landmark recording in the history of electronic tape music and an engrossing artifact of proto-psychedelia, Highlights Of Vortex gathers recordings designed for the Vortex system by Jacobs and collaborators David Talcott, William Loughborough and Gordon Longfellow. Source material including free improvisation, field recording, classical Indian instrumentation, West African polyrhythms and musique concrète is transmogrified through tape manipulation, atomizing swathes of reverb and delay, and other live and recorded effects, making dramatic use of the monumental Vortex soundsystem.\u003c\/p\u003e\n\u003cp\u003eAn unprecedented marriage of image and sound, Vortex Experiments exercised immeasurable impact on the imagination and practice of countless experimental visual and sonic artists so this album is a must for fans of such visionaries as Stan Brakhage, Tony Conrad and Jack Smith.\u003c\/p\u003e\n\u003cp\u003eLimited edition of 500 numbered copies on clear vinyl.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number: ETAT01\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Etats-Unis\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":475787395088,"sku":"ETAT01","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ETAT01.jpg?v=1571438996"},{"product_id":"circuit-breaker-hand-returns-to-shake-lp","title":"Circuit Breaker 'Hand Returns To Shake' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e\"Circuit Breaker are a band split in half. On the one hand, there is the jagged guitar and maudlin singing of Peter Simpson, which slots into the lineage of expansive and gothic punk ala Killing Joke, Bauhaus, Wire , etc. Pushing against it is the production approach of his brother Edward. Washes of glassy FM Synth melodies are counterbalanced with bursts of electronic harshness, recalling artists such as Autechre \u0026amp; Pan Sonic. “Hands Return To Shake” is the second full length from the London based group and also their second release for longstanding outlier label Harbinger Sound. Moving on from the previous record, “My Descent Into Capital”, “Hands Return…” is a much more personal and emotive work. Simultaneously a re-affirmation and a deconstruction of influences, the orthodoxies of minimal-synth and post-punk are stretched and squeezed to breaking point.\u003c\/p\u003e\n\u003cp\u003eCircuit Breaker are a band who relish in holding together contradictions. Both a rock band and an electronic act, they have a blunt and direct production approach which, nether-the-less, is full of technical detail. ‘Hands Return To Shake’ will likely win them fans from a vast array of genres, from Industrial-Rock to IDM and everything in-between, providing it is dark, synthetic and angular.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan\u003eHARBINGER178\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"google__url\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Harbinger Sound\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":542729175056,"sku":"HARBINGER178","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/HARBINGER178.jpg?v=1571439013"},{"product_id":"pierre-henry-messe-pour-le-temps-lp","title":"Pierre Henry 'Messe Pour Le Temps' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eThis is the much admired, somewhat groovy and extremely experimental Messe Pour Le Temps Present from French composer Pierre Henry - one of the pioneers of the music concrete movement. Recorded in 1967, Messe Pour Le Temps Present was originally scored for a Maurice Bejart ballet, Henry being an ardent admirer of the French choreographers work. Messe Pour Le Temps Present was one of a handful of collaborations with Bejart and Pierre Henry even travelled the world as sound engineer with Bejart's group. The first five tracks of this LP are really nice and groovy (with some cool electronics thrown in!) and the rest, as you can expect from one of the original exponents of music concrete, is very experimental. Philips. 2005.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: 28948003778\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Decca\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":609941782544,"sku":"28948003778","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/28948003778.jpg?v=1571439018"},{"product_id":"eric-chenaux-slowly-paradise-lp","title":"Eric Chenaux 'Slowly Paradise' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 1\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eEric Chenaux makes conceptual music that’s not meant to sound conceptual. He operates among various ‘traditions’ but perhaps most broadly, Chenaux’s records grapple with the relationship between improvisation and structure in very particular, unique, idiosyncratic ways – and quite without irony or cynicism, through love. Because fundamentally, Chenaux writes love songs, which he sings in a voice honeyed and clear, while his guitar gently bends, frazzes, chortles, diverges and decomposes. This juxtaposition of his mellow, dexterous crooning and his highly experimental (and equally dexterous) guitar explorations, explodes even unconventional notions of singing and accompaniment, of tonal and timbral interplay between guitar and voice. As a solo artist, Chenaux’s improvisation methods are in certain literal ways solipsistic: as a singer-songwriter, he plays his guitar around and against his voice, challenging easy notions of harmony\/harmoniousness, improvising ‘with himself’ in pursuit of surprising himself (and his listeners) as he unfurls ribbons of voice and instrument often to the point of seeming independence, all the better to capture – and be captured by – unforeseen, intimate moments of interdependence: a definition of freedom, as a profoundly intentional state of openness, presence and play. Even within avant-garde currents of folk and jazz balladry, Eric Chenaux feels like an outlier. Yet his music remains wonderfully warm, generous and fundamentally accessible in spite of its irrefutable iconoclasm. Slowly Paradise is Eric Chenaux’s new solo record. It is a lovely collection of mostly long songs guided by soothing, buttery singing and bent, fried fretwork. It is arguably Chenaux’s most assured and essential solo work, building on the critical acclaim his previous releases Guitar \u0026amp; Voice and Skullsplitter have rightly garnered.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: CST131LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Constellation\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":613338185744,"sku":"666561013110","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/666561013110.jpg?v=1571439018"},{"product_id":"tashi-dorji-and-tyler-damon-leave-no-trace-live-in-st-louis-lp","title":"Tashi Dorji and Tyler Damon 'Leave No Trace (Live In St Louis)' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eAs live albums go, Tashi Dorji and Tyler Damon nail it down. No matter the crowd -- head thrashers, Instagram zombies, shaken jazzniks -- the shadow lines of feedback and bombastic percussive bombs are always at peak intensity. Through telepathic engagement the Bhutanese-born guitarist Dorji and Midwestern drummer Damon act with one-mind destruction as Leave No Trace: Live In St. Louis perfectly captures. It's a pure sound for these disruptive, politically tumultuous times. Or Marc Master's describes it as, a power lurching at you \"in ways that feel dangerously uncontrolled, like someone playing with a plugged-in toaster over a filled-up bathtub.\" Leave No Trace -- a companion release to their hyper-acclaimed debut Both Will Escape -- was recorded at Gaslight in St. Louis.\u003c\/p\u003e\n\u003cp\u003eThe 500-edition LP features jacket designed by the hand\/razor of Jeremy Kannapell; comes with a download coupon.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"YEAH YEAH YEAHS have announced details of a vinyl reissue of their seminal, ground-breaking debut, Fever To Tell. The release will be the original album newly remastered by Stephen Marcussen on black 180g audiophile vinyl for the first time ever and five newspaper lyric posters with exclusive photos by Nick Zinner, Spike Jonze, Lance Bangs, Julian Gross, Patrick Daughters and Cintamani Calise.\",\"6\":1}' data-sheets-userformat='{\"2\":47612,\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":1,\"11\":4,\"14\":[null,2,16711680],\"15\":\"Arial\",\"16\":10,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: FV103LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Family Vineyard\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":617939140624,"sku":"FV103LP","price":17.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/FV103LP.jpg?v=1571439018"},{"product_id":"jacqueline-humbert-david-rosenboom-j-jasmine-my-new-music-lp","title":"Jacqueline Humbert \u0026 David Rosenboom 'J. Jasmine: My New Music' LP","description":"\u003cdiv class=\"modal-body\"\u003ePrivately pressed to LP in 1978 under the name J. Jasmine and made especially for the Ann Arbor Film Festival, with artistic collaboration from the festival’s founder and Once Group artist, George Manupelli, My New Music is the debut album by Jacqueline Humbert and David Rosenboom.\n\u003cp\u003eFeaturing a cast of Mills College personalities like David Behrman and Sam Ashley on backup vocal duties, this song cycle is at every turn boundary-pushing and gender-busting, yet still hilarious, sweet, and genuine, all delivered in a post-genre, art-song, cabaret musical style that happens to boast some serious avant-garde chops, courtesy of Rosenboom. If it weren’t so spot on, you’d swear it was a guilty pleasure.\u003c\/p\u003e\n\u003cp\u003eAs J. Jasmine writes, My New Music is a collection of personal stories and private desires, exposed, articulated, performed and dedicated to the hope that one person's fantasies can contribute to another person's freedom. Get lost in J. Jasmine’s world for a little long while.\u003c\/p\u003e\n\u003cp\u003e- First-time vinyl reissue\u003cbr\u003e- Bonus track “Oasis in the Air”\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: UW16LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Unseen Worlds\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":628741963792,"sku":"UW16LP","price":18.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/UW16LP.jpg?v=1571439019"},{"product_id":"fire-the-hands-lp","title":"Fire! 'The Hands' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv title=\"Page 7\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor 20 years Rune Grammofon have made a habit of releasing music that is beyond easy classification, in later years typified by Swedish trio Fire!, consisting of Mats Gustafsson, Johan Berthling and Andreas Werliin. All three are highly accomplished musicians, but Fire! music is not \"difficult\" in the sense that jazz and especially free jazz is often perceived. Very much a tight knit unit with three equal players, Fire! has been likened to powerful guitar led trios such as Cream and The Jimi Hendrix Experience, but with Berthling´s heavy, doom laden basslines being such a typical identifier, we can´t help but thinking of Black Sabbath´s debut album when it comes to hypnotic impact. The Hands is the trio´s sixth album and once again displays a totally uncompromising and intriguing mix of (mostly) heavy, dark and intensely burning music whether one decide on calling it jazz or rock. The album closes on a quiet and reflective note with the appropriately titled \"I Guard Her To Rest. Declaring Silence\". And we say it´s easily their best so far. Gustafsson, Berthling and Werliin came together in 2008 with the idea of a fresh approach to improvised music, with a number of influences from free jazz, psychedelic rock and noise. Their debut album, You Liked Me Five Minutes Ago, was released the following year to wide international acclaim. The trio is also their vehicle for rekindling their instrumental skills and playing outside their comfort zones, or collaborating with prestigious guests such as Jim O´Rourke (Unreleased? 2011) and Oren Ambarchi (In The Mouth A Hand 2012). A parallel but no less powerful project is their gargantuan Fire! Orchestra, previously a 30 piece behemoth. Now scaled down to a \"mere\" 13 piece, and for the first time including a string section, a new album is expected in autumn 2018.\u003c\/p\u003e\n\u003cp\u003eMats Gustafsson: Tenor, baritone and bass saxophones, live electronics\u003cbr\u003eJohan Berthling: Electric and double bass\u003cbr\u003eAndreas Werliin: Drums, percussion and feedback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: RLP3197\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Rune Grammofon\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":646680608784,"sku":"RLP3197","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/fire.jpg?v=1571439020"},{"product_id":"steve-reich-pulse-quartet-lp","title":"Steve Reich 'Pulse\/Quartet' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eHeavyweight, 140 gram high-performance vinyl, with download card \u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: 0075597932454\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Nonesuch\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Warner","offers":[{"title":"Default Title","offer_id":7049487679554,"sku":"0075597932454","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/0075597932454.jpg?v=1571439039"},{"product_id":"various-musique-experimental-lp","title":"Various 'Musique Experimental' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003eFurther concrète explorations from the second generation of forward-thinking sonic auteurs that would push the boundaries of experimental music known collectively as the Groupe de Recherches Musicales - founded by the father of musique concrète, Pierre Schaeffer - which has influenced generations of artists across the world. Featuring early works from some of the most important and respected experimental composers of the 20th Century, including Luc Ferrari, Michel Philippot and François-Bernard Mâche, overseen by Pierre Schaeffer. Beautifully remastered with the original liner notes translated here for the first time.\u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: 21CACKLP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Cache Cache\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":7187699138626,"sku":"21CACKLP","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/21cacklp.jpg?v=1571439041"},{"product_id":"oren-ambarchi-grapes-from-the-estate-2xlp","title":"Oren Ambarchi 'Grapes From The Estate' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003eBlack Truffle is pleased to make Oren Ambarchi’s \u003ci\u003eGrapes from The Estate\u003c\/i\u003e available once more on vinyl. Originally released on CD on Touch in 2004 and reissued on Southern Lord as a limited double LP in 2006 during Ambarchi’s tenure as a member of Sunn O))), \u003ci\u003eGrapes from the Estate\u003c\/i\u003e was a landmark release for Ambarchi, seeing him expand his sonic palette beyond the clipped, bass-heavy electric guitar tones he was known for at that point. Incorporating subtle layers of strings, keyboards, percussion over a bedrock of his signature guitar tones, in retrospect this album can be seen as the beginning of a broadening and evolution in Ambarchi’s work that would lead to his acclaimed, densely layered epics for Editions Mego, \u003ci\u003eQuixotism\u003c\/i\u003e (2014) and \u003ci\u003eHubris\u003c\/i\u003e (2016).\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"help-block small\"\u003eBlack Truffle 036 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Black Truffle\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":7503825240130,"sku":"Black Truffle 036","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Black_Truffle_036.jpg?v=1571439045"},{"product_id":"zu-mats-gustafsson-how-to-raise-an-ox-lp","title":"ZU \u0026 Mats Gustafsson 'How To Raise An Ox' LP","description":"\u003cdiv class=\"modal-body\"\u003eMats Gustafsson: baritone saxophone\u003cbr\u003eLuca Tommaso Mai: baritone saxophone\u003cbr\u003eMassimo Pupillo: bass\u003cbr\u003eJacopo Battaglia: drums\u003cbr\u003eMastering by: Andy Moor (The Ex) \u0026amp; Colin McLean\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"help-block small\"\u003eTR171\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Trost\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":7503987146818,"sku":"TR171","price":18.49,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/TR171.jpg?v=1571439045"},{"product_id":"wolf-eyes-dread-lp","title":"Wolf Eyes 'Dread' LP","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eWAS £17.49 NOW £10.00\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“Necessary reissue of this crucial side by the greatest underground band of your lifetime. Still sounds like nothing else.” - David Keenan (This Is Memorial Device \/ Volcanic Tongue) \u003cbr\u003e\n\u003cdiv title=\"Page 18\"\u003e\n\u003cbr\u003eOriginally released on Hanson Records, American Tapes and Bulb Records in 2001. A sought after early Wolf Eyes album back on vinyl and CD for the first time in 17 years. \u003cbr\u003e \u003cbr\u003eFilters circuit bent electronics, fried dub and the dystopian proto-punk of Cabaret Voltaire and Suicide through a distinctly Midwest USA sensibility. The result is a freak classic for the ages. \u003cbr\u003e \u003cbr\u003eThis release continues to establish Lower Floor Music as a new home for the Wolf Eyes’ cultural vision, highlighting both new and archival work. Last year the label was minted with the release of their harrowing ‘Undertow’ album and the slowed down techno-meets-freeform jazz devastation of the follow-up ‘Strange Days II’ 12”. \u003cbr\u003e \u003cbr\u003eThis is the latest fork in a path the band started forging in 1998, releasing a massive amount of small run DIY basement recorded tape and CD-R missives, as well as higher profile albums for the likes of Sub Pop, Third Man and De Stijl. \u003cbr\u003e \u003cbr\u003eThe vinyl edition comes with a double-sided fold-out A2 newsprint poster and digital download code. \u003cbr\u003e \u003cbr\u003eBonus track ‘Sandpapered Eyes’ included as a ‘hidden’ track on CD and on the digital download card with the vinyl format. \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: LFLP003\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Lower Floor Music\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":12535629447234,"sku":"LFLP003","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/LFLP003.png?v=1571439088"},{"product_id":"delphine-dora-sophie-cooper-divine-ekstasys-lp","title":"Delphine Dora \u0026 Sophie Cooper 'Divine Ekstasys' LP","description":"\u003cdiv\u003e\"First vinyl evidence of the dizzying, ongoing collaboration between France's Delphine Dora and West Yorkshire's Sophie Cooper. Delphine's piano, organ, vocals and extended improvisation techniques have been documented in various places, and always serve up oceanic slabs of pure aural mystery. Comparisons have been made to Charlemagne Palestine, Marian Zazeela and other experimentalists, although Ms. Dora has long maintained her compositions are structurally rooted in folk music. Suffice to say the results are usually otherworldly and stunning. Cooper's guitar, electronics, vocals and trombone have caused similar reactions (I am especially fond of her recent Globokar-like 'bone-investigations). And the pair's collusions (of which there have been several) are always eagerly anticipated. The main themes of the two sides of the LP are 'Invisible Gesture' and 'Sublime Gesture.' The 'Invisible' seems to involve more entwined vocals and a certain space-oid twinkle to the keys. There are also occasional flare-ups that recall Third Ear Band's music for Macbeth or some unknown collaboration between Comus and Paul Rutherford. The 'Sublime' adds heavier drone action to the process, as well as insertion of noise and classical 'events' to interact with the ghost vocals. It is a truly delirious spin.\" --Byron Coley, 2018 Edition of 300.\u003cbr\u003e\n\u003cdiv title=\"Page 18\"\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: FTR342LP\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Feeding Tube\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":12608042664002,"sku":"FTR342LP","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/delphinecooper.jpg?v=1571439095"},{"product_id":"throbbing-gristle-journey-through-a-body-lp","title":"Throbbing Gristle 'Journey Through A Body' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eRecorded as a piece of art for Italian National Radio RAI in Rome March 1981.\u003cbr\u003eOn the recommendation of Robert Wyatt, RAI originally commissioned Cosey Fanni Tutti to create a sound work based on the theme of ‘A Journey Through The Body’. It became a Throbbing Gristle project which was later broadcast by RAI.\u003cbr\u003eThis was the last studio recording by Throbbing Gristle. It was recorded in five days, a day per body section. No tracks were re-recorded or added to after their day. Each track was mixed immediately after recording. No tracks were pre-planned all tracks were invented directly to tape.\u003cbr\u003eRecorded at RAI Studios in Rome, Italy in March 1981.\u003cbr\u003eUnavailable on vinyl since 1983 now repressed on Silver vinyl with foil blocked cover and featuring photos from the session.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: TGLP8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Mute\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":12632192090178,"sku":"TGLP8","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/TGLP8.jpg?v=1571439096"},{"product_id":"throbbing-gristle-mission-of-dead-souls-lp","title":"Throbbing Gristle 'Mission Of Dead Souls' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003eRe-released on White vinyl\u003cbr\u003eRemastered.\u003cbr\u003eThe final performance of Throbbing Gristle before their initial breakup, at the Kezar Pavillion, San Francisco on 29 May 1981.\u003cbr\u003eUnavailable on vinyl since the early 1990’s, pressed on limited edition White vinyl, recreating the original sleeve and using a silver ink with a new inner sleeve with photos and a passage by Jon\u003cbr\u003eSavage.\u003cbr\u003eFollowing the release of this album and public statement by Throbbing Gristle of ‘This Mission Is Terminated’ the legend of the band began and influence upon generations started to be felt.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cbr class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number: TGLP6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Mute\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":12632226889794,"sku":"TGLP6","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/TGLP6.jpg?v=1571439096"},{"product_id":"lww-3pe-lp","title":"LWW '3PE' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eFeatures the track ‘PNO' released to coincide with Piano Day 2018 (it made Nils Frahm’s official playlist).\u003cbr\u003e \u003cbr\u003e 3PE is the first in a series of releases by Portland, OR, based Luke Wyland under his new LWW moniker. In contrast to his previous work as AU, these are spontaneous explorations in repetition, alternate tuning systems and, for the most part, tempered minimalism. \u003cbr\u003e \u003cbr\u003e After the spiritual rush of ‘CTP’, there are never more than two or three sounds interacting. Unadorned single takes unfold organically to explore the textural and rhythmic possibilities within those limitations. \u003cbr\u003e \u003cbr\u003e Each piece has a distinct palette; from the rolling triumphant piano polyrhythms of ‘PNO’ (included on Nils Frahm’s official Piano Day 2018 playlist) to the unsettling oblique synthesiser angles on ‘DTE’ – Wyland stretches the boundaries of cadence and melody before snpping it all back into line. A direct link can be drawn from the tuned percussion work of ‘PRC’ to AU’s contribution to the influential Tradi-Mods vs. Rockers compilation series, which features the likes of Deerhoof and Juana Molina’s takes on the ‘Congotronics’ music of Kinshasa. \u003cbr\u003e \u003cbr\u003e Many of these recordings date back to the period shortly after AU’s final release Both Lights. The bubbling energy remains, while Wyland’s musical dexterity is all the more startling in these stripped down, unrestricted forms. “There’s a certain fleeting magic to capturing unselfconscious improvisations to tape,” Wyland explains. “A quality that is often lost when tracking an album you intend to release to the public.” Opening epic ‘CTP’ serves to bridge the gap between AU and LWW – “the first track is the only improvisation that I’ve dissected and evolved into a more maximalist composition. The rest of these songs are simple one take snapshots into my process of research - essentially conversations with myself.”\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: BAY87V\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: The Leaf Label\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":12706228371522,"sku":"BAY87V","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/BAY87V.jpg?v=1571439098"},{"product_id":"tim-hecker-konoyo-lp","title":"Tim Hecker 'Konoyo' LP","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eExperiential composer Tim Hecker’s ninth official full-length, Konoyo (“the\u003cbr\u003eworld over here”) was largely recorded during several trips to Japan where he\u003cbr\u003ecollaborated with members of the gagaku ensemble Tokyo Gakuso, in a temple\u003cbr\u003eon the outskirts of Tokyo.\u003cbr\u003eInspired by conversations with a recently deceased friend about negative\u003cbr\u003espace and a sense of music’s increasingly banal density, Hecker found himself\u003cbr\u003edrawn towards restraint and elegance, while making music both collectively\u003cbr\u003eand alone.\u003cbr\u003eAs with the Icelandic choir he arranged on 2016’s Love Streams, the heights of Hecker’s talent emerge in his manipulation of source material, bending and burnishing it into fantastical new forms. Keening strings are stretched into surreal, pixelated mirages; woodwinds warble and dissipate as fractal whispers of spatial haze; sparse gestures of percussion are chopped, isolated, and eroded, like disembodied signals from the afterlife.\u003cbr\u003eBoth in texture and intent, Konoyo conjures a somber, ceremonial mood, suffused with ritual and regret. Visions flutter and fade; dreams gleam and decay.\u003cbr\u003eHecker will stage a series of special performances in tandem with the album\u0026amp;#39;s release, featuring members of the gagaku ensemble on shō, ryuteki and hichiriki, accompanied by Kara-Lis Coverdale.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: KRANK219LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Kranky\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":12961169244226,"sku":"KRANK219LP","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/KRK219D.jpg?v=1571439102"},{"product_id":"raul-lovisoni-and-francesco-messina-prati-bagnati-del-monte-analogo-lp","title":"Raul Lovisoni and Francesco Messina 'Prati Bagnati Del Monte Analogo' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"col-md-8 col-sm-8 col-xs-12 full-product\"\u003e\n\u003cdiv class=\"cHJvZHVjdC0=body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"col-md-8 col-sm-8 col-xs-12 full-product\"\u003e\n\u003cdiv class=\"cHJvZHVjdC0=body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eOf all the releases on Italy’s legendary Cramps Records, Raul Lovisoni and Francesco Messina’s seminal LP from 1979 has long remained among the most beloved. \u003ci\u003ePrati Bagnati Del Monte Analogo\u003c\/i\u003e not only introduced the world to the work of two gifted composers, but also is notable for being produced by electronic pioneer Franco Battiato. A sister album to \u003ci\u003ePrati Bagnati \u003c\/i\u003ewould be Giusto Pio’s breathtaking \u003ci\u003eMotore Immobile\u003c\/i\u003e, likewise graced with the maestro’s gentle hand around the same time. Lovisoni and Messina are both central figures within the Italian avant-garde. Part of a generation of artists who contributed to a radical rethinking of musical practices and composition, they reveal Minimalism as it’s rarely known: delicate melodies, subtle harmonic interplay, incorporating diverse creative traditions and slowly giving way to an ever-expanding open space. \u003ci\u003ePrati Bagnati Del Monte Analogo’s \u003c\/i\u003emeditative title track, inspired by René Daumal’s surrealist novel Le Mont Analogue, features Messina on synthesizer and Michele Fedrigotti’s impressionistic piano, while on Lovisoni’s \u003ci\u003eHula Om\u003c\/i\u003e and \u003ci\u003eAmon Ra\u003c\/i\u003e, solo harp, crystal glasses and\u003cbr\u003eJuri Camisasca’s radiant vocal drones further ascend into the stratosphere. Skirting the outer edges of ambient, new age and experimental music,\u003ci\u003e Prati Bagnati\u003c\/i\u003e has a transformative beauty unlike anything else. Superior Viaduct’s edition reproduces the original sleeve design and is recommended for fans of Jon Hassell, Luciano Cilio and Popol Vuh.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"cat_number\" id=\"variant_227459\" style=\"display: inline;\"\u003eSV130\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Superior Viaduct\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":13307378630722,"sku":"SV130","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/SV130_web_1024x1024_4e569357-8ac6-45f7-9d20-986d2cda6727.jpg?v=1571439109"},{"product_id":"consumer-electronics-the-weight-hostility-blues-7","title":"Consumer Electronics 'The Weight \/ Hostility Blues' 7\"","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 13\"\u003eTwo all-new studio tracks by the experimental electronic trio of Philip Best, Sarah Froelich and producer Russell Haswell. Limited edition ‘album-style’ picture sleeve with printed card inner sleeve containing full lyrics to both tracks. It’s late 2018. President’s Health Club, USA. Time to plot a hazy progress from Al’s Spa Tub Motel to the Free Speech Cafe before termination at Pilgrim Drugs. Sahara Sue’s been diagnosed with ‘Closing Down Syndrome’ and has retreated ghost-like to a queasy mirage of bleached-out condos and multi-lane freeways basking under great wheels of light. Long hours in dim warehouses scanning shelves and trying not to notice the declining shadow or gathering rot on display. Airless back rooms piled high with stacks of handwritten pages, academic journals and unfathomable tracts - ‘Human Remains Index,’ ‘Keep Christ in Chains,’ ‘Mortuary Therapy Explained.’ Outside the use-of-force team waits primed. She remembers a childhood visit to Atmosphere, the highest restaurant in the world, maybe from up there she did, in fact, look down and see a plan to it all. How blessed and fragile and perfectly planned everything truly was. The floor tips down and away. For the Jane and John Does. PB \/ Austin, TX 2018\u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: HARBINGER180\u003c\/div\u003e\n\u003cdiv title=\"Page 13\"\u003e\n\u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Harbinger Sound\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":13484183191618,"sku":"HARBINGER180","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/HARBINGER180.jpg?v=1571439113"},{"product_id":"holger-czukay-radio-wave-surfer-lp","title":"Holger Czukay 'Radio Wave Surfer' LP","description":"\u003cdiv\u003e\n\u003cbr\u003e\n\u003cdiv title=\"Page 14\"\u003eUpon examining the eventful life of Can bassist Holger Czukay, one might conclude that this intrepid musician was a loner. His turbulent career exuded an enduring eccentricity governed by a boundless free spirit. Yet Czukay, who passed away unexpectedly last year at the age of 79, constantly emphasized that his creativity was always contingent upon a musical partner, whether that was a skin-and-bones counterpart or an anonymous manifestation that interacted with him through radio waves or, as happened later, the internet. Nonetheless, most of his partners were of flesh and blood. \u003cbr\u003e \u003cbr\u003eHis oeuvre, which is in itself cinematic in nature, boasts a cast worthy of a Martin Scorsese film. Only the most interesting character actors were cast: Brian Eno, Phew, Rolf Dammers, David Sylvian, Annie Lennox, Jah Wobble, his Can bandmates... the list could go on and on. \u003cbr\u003e \u003cbr\u003eMany of these masterpieces are now out of print, so Groenland Records, who already released the highly acclaimed retrospective ‘CINEMA’ to mark the occasion of Holger’s 80th birthday at the beginning of the year, has taken it upon themselves to release reissues of Holger’s music in order to make it accessible once again. \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: LPGRON199\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Groenland\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":13484879872066,"sku":"LPGRON199","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/LPGRON199.jpg?v=1571439113"},{"product_id":"tashi-wada-with-yoshi-wada-and-friends-nue-lp","title":"Tashi Wada with Yoshi Wada And Friends 'Nue' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cp\u003eComposer Tashi Wada has performed for years with his father Yoshi Wada—artist, composer, and early member of the Fluxus movement. However, they have rarely appeared together in studio settings. Nue, the fourteenth entry in RVNG Intl.’s intergenerational FRKWYS series, finally brings Tashi and Yoshi, along with an eclectic group of close friends and extended family, together on tape.\u003c\/p\u003e\n\u003cp\u003eNue draws on aspects of Tashi’s background for his widest vision to date—among them the minimalist bagpipe music of Yoshi, who co-composed three of the tracks, the psychoacoustic and perceptual explorations of his mentor, composer James Tenney, and reimagined forms of ancient and devotional music. The album, however, is not a tribute to the past or a recapitulation of familiar sounds. Instead, Nue is an intertwining of people and ideas as a means of growing, of looking inward to move outward, and of looking back to move forward.\u003c\/p\u003e\n\u003cp\u003eTo achieve this growth, Tashi assembled a core group of fellow travelers, including Yoshi, composer Julia Holter, producer Cole MGN, and percussionist Corey Fogel, to give life to this multifaceted suite. As an experience, Nue subtly navigates the interactions, intimacy and spaciousness of this group.\u003c\/p\u003e\n\u003cp\u003eThe album’s title itself is a nod to Tashi’s abiding interest in duality and the unknown: nue is a mythological Japanese chimera with the face of a monkey, the legs of a tiger, and a snake for a tail, a composite form, at once disturbing and otherworldly. But, as the composer points out, nue is also French for naked—stripped of complexity, bare and exposed, but also raw and essential.\u003c\/p\u003e\n\u003cp\u003eFrom the doubling of tones—and the world of harmonic nuances such an action produces—to the rich interplay between individual musicians, all baring their own personalities and experiences through shared performance, Tashi’s compositions allow space for these elements to join and grow. The multipartite creature that is an ensemble melds in the simplicity and purity of the music itself.\u003c\/p\u003e\n\u003cp\u003eAs explained by Tashi, each part was written with an individual in mind, not simply an instrument. And each individual performer makes their mark, from Holter’s vocal performances on the cresting, oceanic “Mutable Signs” and “Ondine” with guest vocalists Simone Forti, Jessika Kenney and Laura Steenberge, to Fogel’s resonant, precise percussion on “Bottom of the Sky.” Producer Cole MGN, who has worked extensively with artists like Beck and Ariel Pink, helped to create a world of sound with minimal yet multi-dimensional materials. Like many of its influences, Nue uses deceivingly simple means to create complex, coherent worlds and narratives.\u003c\/p\u003e\n\u003cp\u003eTashi notes the influence of legendary Brazilian writer Clarice Lispector, whose work looked inward, investigating memory and emotion and dream, to understand the often overwhelming world outside the self. Like Lispector’s classic novel Near to the Wild Heart, Nue cleaves these archetypal dualities—world\/self, old\/new, complex\/simple—to create a work that allows them to coalesce into something singular.\u003c\/p\u003e\n\u003cp\u003eAs Tashi states in his liner notes: “My desire was to create something both old and new sounding—ancient and futuristic—and ultimately something of its own world and other. 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Kath taught herself guitar during shifts as a janitor at a New Haven cemetery, while Loren's free-form idiosyncratic style had been developing since the late 60s. Between 1981 and 1984, the duo recorded two live and four studio albums, mostly self-released in tiny quantities. Early on, their music mixed folk and blues traditionals with a handful of Kath's vulnerable, moving originals. By the later albums the songs were all Kath's - her fragile voice and subdued finger-picking set against Loren's abstract but always supportive playing. Together the duo created a sound almost impossibly emotional and haunting. \u003ci\u003eRestless Faithful Desperate\u003c\/i\u003e emerged in 1984, in an edition of 200-300 copies. As her creativity accelerated, Kath's songs became looser and more intuitive, but \u003ci\u003eRestless\u003c\/i\u003e contains one of her most gorgeously realised composition's \u003ci\u003eLook at Me\u003c\/i\u003e. 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After reissuing four of Kath and Loren's albums on CD in the late 2000s, Chapter now embarks on the first ever vinyl reissues for these remarkable records. \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: \u003cspan class=\"cat_number\" id=\"variant_231256\"\u003eCH155LPC1 \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Chapter Music\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":13692391948354,"sku":"CH155LPC1","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/CH155LPC1.jpg?v=1571439121"},{"product_id":"yoshinori-hayashi-ambivalence-2xlp","title":"Yoshinori Hayashi 'Ambivalence' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003eSmalltown Supersound\u003c\/strong\u003e is proud to be releasing \u003cstrong\u003eYoshinori Hayashi\u003c\/strong\u003e’s debut album, \u003cstrong\u003e\u003cem\u003eAmbivalence\u003c\/em\u003e\u003c\/strong\u003e, on \u003cstrong\u003eOctober 26th\u003c\/strong\u003e. Previous work by the Tokyo-based producer has been called “a complex patchwork of studio gear, live instruments, dusty jazz records and smartly cut library sounds, whose textures are soft and inviting. But its arrangements are constantly ruffled, squeezed, brushed and pinched—which is to say, nothing stays still for long” (\u003cem\u003eResident Advisor\u003c\/em\u003e).\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHayashi presents his self-described “collage expression” throughout \u003cem\u003eAmbivalence\u003c\/em\u003e, which he produced and played in its entirety. Album opener, “Overflow,” is a club track inspired by Cecil Taylor. It’s freeform nature sets the tone for the album’s cosmic, hypnotic, and almost ritualistic approach.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHayashi has studied under Japanese avant-classical composer Mica Nozawa. When not DJing, he works in a record store in Tokyo. 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Musical interpretations on a ‘intergalactic’ theme influenced by a vast array of space-age TV shows and movies from yesteryear, aliens, androids, interplanetary travel and universes yet to be discovered. The tracks cover a vast amount of ground including austere orchestral pieces, vocoders, cheesy 80’s soundtracks, 70’s synths, bleeps and bloops and much, much more.\u003c\/p\u003e\nNarration comes from \u003cstrong\u003eAlex Jako\u003c\/strong\u003e and \u003cstrong\u003eMelon Liles\u003c\/strong\u003e.\u003c\/div\u003e\n\u003cdiv title=\"Page 4\"\u003e\n\u003cbr\u003e\n\u003cp\u003eThe amazing front cover comes from \u003cstrong\u003eGraham Humphreys\u003c\/strong\u003e (the revered British designer and illustrator responsible for some of the best film posters of the 1980’s including Evil Dead, Nightmare on Elm Street and album covers for The Cramps and The Lords of the New Church).\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: \u003cspan class=\"cat_number\" id=\"variant_231944\" style=\"display: inline;\"\u003eBRR669\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 4\"\u003e\n\u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Blackest Rainbow\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Darkcrystal trading","offers":[{"title":"Default Title","offer_id":13904503177282,"sku":"BRR669","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/IMG_7421.JPG?v=1571439133"},{"product_id":"current-93-the-stars-on-their-horsies-lp","title":"Current 93 'The Stars On Their Horsies' LP","description":"\u003cdiv\u003e\n\u003cp title=\"Page 5\"\u003eTHE STARS ON THEIR HORSIES is not the new C93 album, just a lateral peek into her sidereal creek. This 39.39 minute CD contains only one track. Textually based around two NightMares David Tibet nightmared recently, of which he recorded accounts of as soon as he woke from them in the Middle of the Night Road, The Stars On Their Horsies may be seen as a SideShowPeek, or perhaps a GasStationCarnival, and a slide into October’s new C93 album.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp title=\"Page 5\"\u003eCatalogue number : THESPHERES21LP\u003c\/p\u003e\n\u003cp title=\"Page 5\"\u003e\u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: The Spheres\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":13963177197634,"sku":"THESPHERES21LP","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/current93.jpg?v=1571439137"},{"product_id":"drew-mcdowall-the-third-helix-lp","title":"Drew McDowall 'The Third Helix' LP","description":"\u003cdiv\u003eLimited coloured vinyl.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor this third release on Dais, Drew McDowall reaches into concept, ritual, and immersion, in an exercise of unravelling the DNA of hallucination. The Third Helix is McDowall’s product of deconstructive exploration, twisting the fibers of being into new structure, shape, pattern, and pulse, without reconstituting its inscribed template.\u003c\/p\u003e\n\u003cp\u003eThe result is a true “third act,” in McDowall’s career, that has seen him peregrinate from the late-’70s art-punk of the trio Poems to his work with Psychic TV and Coil throughout the ‘80s and ‘90s, into his current home of New York City, where he has composed with CSD, Compound Eye, as well his solo work. That triangulation is central to The Third Helix, as it begins with his dive into the existence of a sensory toolkit unique to McDowall before twisting faculties and reconfiguring consciousness by honoring inherent power, cognizant of memory yet agnostic of context.\u003c\/p\u003e\n\u003cp\u003eWith the tenet that journey is rarely linear, but rather an omnipresent oscillation of matter, sound is stripped to salient and primal, propelled by McDowall’s boring into the core of memory and impulse, suturing together the silent awareness of excogitating experience.\u003c\/p\u003e\n\u003cp\u003eFeaturing eight new tracks of McDowall’s dark, experimental electronics, including the opener “Rhizome”, The Third Helix is a churning descent into emotion, provoking thought and reflection while carving out haunting space only to fill it with baffling and wondrous structures of layered sound. 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Aurelius (Ascetic House\/Marshstepper).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp title=\"Page 5\"\u003eCatalogue number : DAIS122LPC\u003c\/p\u003e\n\u003cp title=\"Page 5\"\u003e\u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Dais\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":13995455905858,"sku":"DAIS122LPC","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/DAIS122LPC.jpg?v=1571439139"},{"product_id":"jim-wilson-gods-chorus-lp","title":"Jim Wilson 'God's Chorus' LP","description":"\u003cdiv style=\"left: 802.967px; top: 477.908px; font-size: 15px; font-family: sans-serif; transform: scaleX(1.008);\"\u003e\n\u003cdiv title=\"Page 5\" style=\"left: 516.6833333333333px; top: 477.90833333333325px; font-size: 14.999999999999998px; font-family: sans-serif;\"\u003e\n\u003cdiv title=\"Page 5\"\u003e\u003cstrong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 5\"\u003e\u003cstrong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eEXTRAORDINARY AMBIENT \/ MINIMAL MASTERPIECE MADE JUST USING THE SOUNDS OF CRICKETS. SOUNDS LIKE HEAVEN. OR BEAUTIFUL DEATH. OR ANGELS SINGING. OR A CHOIR IN\u003c\/p\u003e\n\u003cp\u003eTHE WORLDS MOST AMAZING CATHEDRAL. Well let’s hear what Tom Waits has to say:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“I heard a recording recently of crickets slowed way down. It sounds like a choir, it sounds like angel music. Something sparkling, celestial with full harmony and bass parts - you wouldn't believe it. It's like a sweeping chorus of heaven, and it's just slowed down, they didn't manipulate the tape at all… …and there's something to be said for slowing down the world.\" Tom Waits (Daily Bruin, 2002)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHISTORY:\u003c\/p\u003e\n\u003cp\u003eA few years ago (2014 to be precise) I was alerted to a strange recording on-line. I think it was on Mixcloud, but it might have been Soundcloud. I can’t remember exactly which cloud, but I do remember other more important things: the recording was called God’s Chorus and millions of people had listened to it. And thousands of those millions of people had left comments. Some had praised the mesmerising, angelic sounds, (“OMG it’s actually angels singing!”) some deciding that this may indeed be the music you hear as you die and your soul rises to heaven. Others more cynical thought it was a total hoax, all made up, just a musical con. Some had their own theories about how it was made and why it sounded so incredible, some had educated ideas and many just didn’t care as they loved it so very much.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThere was also a name associated to the creation of God’s Chorus; Jim Wilson. I listened. I listened more. I found myself immediately intrigued. And within a couple of days had licensed the recording. I believed it would really suit being on vinyl and not just on a cloud waiting for more comments.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe story behind the God’s Chorus recording is short and simple. It begins with the aforementioned Jim Wilson, a song writer, musician and enthusiast for Native American sound, nature, ambiance and the new age. Jim had recorded the crickets. He then recorded more crickets. He then took one of these cricket recordings, slowed it right down (just like Basil Kirchin would) and then simply played the slowed down recording over the top of the normal speed version. If you want to get technical “the sound created is a simple diatonic 7-note scale chord progression and melody with a multi-layered structure”.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe original result became part of a Native American “animal lore” inspired work in 1994 (released only on cassette), the cricket sequence was then later extended, made available on CD and eventually put on-line. This is what you hear on this LP except for a faded break to give us Side One and Side Two.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSonically God’s Chorus is really unlike anything else. Leave it on and it quickly becomes a bizarre hypnotic drone, somewhat like a modern minimal composition. The controversy surrounding this natural wonder lies with people who think this is just a cunningly engineered sound, a cheat, a fraud, a natural musical impossibility that has been manipulated by computer and includes human voices. But people have tried to recreate it with modern tech and choir sounds and have failed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eI originally licensed God’s Chorus back in 2014. It is now 2018. The delay in pressing is due to the difficulty I had in working out a cover. In my head I’d imagined a photo of a field, with lots of speech bubbles coming out of the field from all the little crickets. I then thought that drawing or painting was actually the way to go. And then I slowly came to the decision that the cover should be provided by a young artist. The job landed in Cornwall, and to the talented young Bess Kirby (currently aged 14) who paints postcards and sells them out of the window in her house to rambling passers by walking the coastal path.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eI shall leave you to draw your own conclusions about God’s Chorus. Real or fake? True or false? 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One of absorbing and reflecting the environment in which we live.\u003c\/p\u003e\n\u003cp\u003eThe list included; Degradation of memory, decay, change, loss, the beauty of abandoned buildings and places, post-industrial wastlelands, 'edgelands', 'unofficial countryside', grass verges, woodland between housing estates.\u003c\/p\u003e\n\u003cp\u003eFrom these somewhat ethereal starting points, Richard set about recording an album.\u003c\/p\u003e\n\u003cp\u003eMemory Ain't No Decay is not a concept album. It is merely the sound of Richard Youngs stretching out over long one chord songjams. 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With an unrestricted approach to improvisation that embraces the philosophy of ‘freedom’, as an affront to oppression in all its modern-day manifestations. If you think you have heard improvised music, think again.Stewart Lee should need no introduction, as undoubtedly the most original stand-up comedian in more than 30 or so years. He is also a highly regarded writer, and director. Stewart has been involved in numerous interesting musical projects and maintains a strong association with the avant-garde and improvised scene. It’s not often that something can genuinely be described as “unique”. This can be though, there is nothing like it. Anywhere.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: DPROMLP143\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Dirter\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":14262585950274,"sku":"DPROMLP143","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/DPROMLP143.jpg?v=1571439154"},{"product_id":"richard-youngs-dissident-lp","title":"Richard Youngs 'Dissident' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eStrong follow up to 2018’s \u003ci\u003eBelief\u003c\/i\u003e (O’Genesis) and \u003ci\u003eEndless Futures\u003c\/i\u003e (Glass Redux RSD release) from Richard Youngs (Also a member of Amor). \u003ci\u003eDissident\u003c\/i\u003e is a hallucination of a legendary lost Samizdat-style recording of the legendary lost Richard Youngs Band. \u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: GLAMLP007\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Glass Modern\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":14262593323074,"sku":"GLAMLP007","price":19.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/GLAMLP007.jpg?v=1571439154"},{"product_id":"cosey-fanni-tutti-tutti-lp","title":"Cosey Fanni Tutti 'Tutti' LP","description":"\u003cp\u003eTUTTI is comprised of eight soundscapes: an audio self portrait comprising of manipulated sound recordings from Cosey’s life, music and art:\u003cbr\u003e“It’s the only album I’ve made that is an all encompassing statement expressing the totality of my being. A sense of the past in relation to the present and everything in between.”\u003c\/p\u003e\n\u003cp\u003eThese eight pieces were originally conceived as the soundtrack to the autobiographical film ‘Harmonic Coumaction’, and performed live in February 2017, part of a series of events that accompanied the COUM Transmissions retrospective which opened Hull UK City of Culture 2017. Later that year, ‘Harmonic Coumaction’ was presented as an audio-visual installation for Cosey Fanni Tutti’s solo exhibition at Cabinet Gallery, London.\u003cbr\u003eCosey Fanni Tutti explains: “Working on the COUM Transmissions exhibition also coincided with writing my autobiography - collating archive material and re engaging with my past. My work is a continuum, the past feeding the present and vice versa. The album is an interpretation of my past and present, of my understanding the shifting perceptions of how they inform one another. One form creating another through a metamorphic process.”\u003c\/p\u003e\n\u003cp\u003eOn TUTTI, the music has been updated and enhanced with elements of the original tracks re-recorded and further processed specifically to create a unique stand-alone document, separate to the live performance and installation. Recorded at Cosey Fanni Tutti’s studio in Norfolk, the album, as on her debut release, Time To Tell, merges Cosey’s art activities with her exploration of sound: The album’s autobiographical theme is not locked into any specific time or place, the ‘voices’, instruments and sounds together span decades of my life, music and art. In this context my name 'TUTTI’ shifts from its role as a noun to perfectly represent the concept of the album, also acting as sign for me the artist.\u003cbr\u003eTUTTI is Cosey Fanni Tutti’s only solo album release since 1982’s Time To Tell. Time To Tell was recently given its first release on vinyl, on a long awaited official deluxe edition. The interim years between solo releases has seen a blisteringly prolific output as an artist and musician. Renowned for her art, her work in the sex industry, as co-founder of Industrial music and Throbbing Gristle, and her pioneering electronic music solo and as Chris \u0026amp; Cosey, Carter Tutti and Carter Tutti Void, she has created throughout with the motto “my life is my art, my art is my life”.\u003c\/p\u003e\n\u003cp\u003eCosey’s autobiography ART SEX MUSIC was published to worldwide acclaim by Faber \u0026amp; Faber in 2017, a Japanese edition has just been published with further translations and an audio book to follow. 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In response, the rhythmic aggressions of her music have grown even more determined and psychedelic, drawing a line in fire between Jimmy Jam’s turnt industrialism on Control and the furious unease of Red Mecca-era Cabaret Voltaire.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith a palate equal parts chrome and dirt, ice and depth, Lafawndah’s finesse with song architecture imbues the LP with an uncanny addictiveness: anthems loaded with trap doors. 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Reverberations 1 is the first release in an ongoing series dedicated to releasing the entire 12 CD box set on vinyl. Organized chronologically by studio, the complete Reverberations not only documents Pauline's earliest electronic music but it also functions as an early history of electronic music itself. Pauline Oliveros, composer, performer and humanitarian was an important pioneer in American Music. Acclaimed internationally, for four decades she explored found, forging new ground for herself and others. Through improvisation, electronic music, ritual, teaching and meditation she has created a body of work with such breadth of vision that it profoundly effects those who experience it and it eludes many who try to write about it. In partnership with the Pauline Oliveros Trust, Imprec will be releasing essential titles from Pauline Oliveros' catalog on vinyl including the complete Reverberations box set, Tara's Room, Sounding\/Way (with Guy Klucevsek) and many more.\u003c\/p\u003e\n\u003cspan style=\"left: 862.167px; top: 547.108px; font-size: 15px; font-family: sans-serif; transform: scaleX(1.00684);\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: IMPREC470\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Important Records\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":14550382772290,"sku":"TG174LPC1","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/IMPREC470.jpg?v=1571439167"},{"product_id":"elaine-radigue-geelriandre-arthesis-lp","title":"Eliane Radigue 'Geelriandre \/ Arthesis' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eEliane Radigue's Geelriandre \/Arthesis was pressed at RTI in this first edition of 1000 copies.\u003c\/p\u003e\n\u003cp\u003eGeelriandre\/Arthesis is named for the pieces that fill its two sides. 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His compositional pursuit of human synthesis with computerized forms was realized in its fullest potential alongside Satsuki Shibano, a pianist renowned for her interpretations of Erik Satie and Claude Debussy. Together, they were among a handful of influential Japanese artists whose innovations still resonate, if not more vibrantly than ever, well beyond the tightly-knit scene’s original core. In the early 90s, Ojima was among the programmers of the influential satellite radio experiment St. Giga, a constantly-evolving sonic landscape that combined field recordings and sound collage with occasional readings of Japanese poetry. Satsuki was a regular reader for the station. This musical terrarium bloomed out of sight in a small Tokyo studio, a greenhouse of sound with no set start or finish time that audiences could tune into, absorb, and immerse.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe perpetual flow state of St. Giga — recordings of which Ojima shared with Visible Cloaks — would be highly influential to serenitatem’s constitution. As Visible Cloaks, the Portland, Oregon duo of Spencer Doran and Ryan Carlile have developed their own set of creative strategies that form an aesthetic fuse point between human intention, aleatoric composition, and improvisation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThese are notions most recently reflected in 2017’s Reassemblage and Lex, a respective album and EP in which the duo combined generative software and virtual representations of global instruments into lacy, interlocking patterns. Long time admirers of Ojima’s work on albums like 1988’s Une Collection Des Chainons, Doran and Carlile discovered after an online introduction that they shared with Yoshio and Satsuki an abiding interest in pre-classical composers, the Lovely Music, Ltd. label, and the British avant-garde, as well as a mutual respect for one another’s techniques and processes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe four musicians met in Tokyo, Japan at Sounduno Studios in December 2017, at the tail end of Visible Cloaks’ first Japanese tour, to commence work on serenitatem. Leading up to the studio sessions, Doran and Carlile sent Ojima processed sound sketches recorded while on a European tour, which Yoshio would add to and return. Visible Cloaks would then fold Yoshio’s edits back into the original compositions, which Doran and Carlile brought to the exploratory recording session. During that week together in Tokyo, the quartet made use of a number of creative strategies — “echoing sound together,” as Yoshio puts it. Among the strategies, MIDI randomization gave the quartet melodic lines and what Doran calls “randomized clouds,” or “tightly grouped notes that become smeared tonal clusters functioning more like chords in themselves.” Carlile would also feed Ojima and Satsuki’s text into Wotja, a generative music software which produced a MIDI language around which the quartet expanded their compositions.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“The aim,” Doran says of serenitatem, “was to make a work that was not specifically ambient (or environmental), but something more multi-hued, weaving these deconstructive concepts into an album that has a deeper architecture underpinning it.” Accordingly, serenitatem is a marvelously sharp record, its sutures between human and machine virtually impossible to find but suggested everywhere you turn. The collaboration among Ojima, Satsuki, and Visible Cloaks is both musically and conceptually inseparable from the technology that made it possible. Throughout the album, Shibano’s playing resonates like Satie’s, her rhythms cascading like drops from leaves an hour after the rain. Overtones are stretched and warped like modeling clay, then spun around and shown off from multiple angles.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA single soaring note might seem to be suddenly plunged underwater, its richness of sound made shallow and its sharp edges blunted. Pittering chimes and rapidly warping vocal samples hang in the luxuriously glossy space, water trickles from ear-toear, familiar melodies rise from nothing and dissolve before they can be traced. With the depth of its emotional charge, serenitatem burns away the easy cynicism of the day, presenting itself as the kind of delocalized work of art the internet promised us decades ago — a synthesis of artistic visions, technological sophistication, futurist ambition, and, occasionally, ancient polyphony. Listening to it can feel a bit like tuning in to a 21st Century version of St. Giga: It’s a place where the future still grows.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVisible Cloaks, Yoshio Ojima, and Satsuki Shibano’s serenitatem, FRKWYS Vol. 15, will be available across LP, CD, and digital formats on April 5, 2019. The quartet will perform select live shows throughout 2019.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist Highlights\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e15th installment in RVNG Intl.’s long-running FRKWYS series, which fosters intergenerational collaboration between pioneers and new torchbearers.\u003c\/li\u003e\n\u003cli\u003eserenitatem was recorded in Tokyo in 2017 at the end of Visible Cloaks’ first Japanese tour. Principal songwriting came from Visible Cloaks, Yoshio Ojima and Satsuki Shibano. Midori Takada performed percussion on the album.\u003c\/li\u003e\n\u003cli\u003eFRKWYS15 follows a compilation of Japanese new age \/ ambient music compiled by Spencer Doran (Visible Cloaks), Kankyō Ongaku, set for release in early 2019 via Light In The Attic.\u003c\/li\u003e\n\u003cli\u003eVisible Cloaks, Yoshio Ojima and Satsuki Shibano will perform serenitatem live in Europe and Japan in spring 2019 and at the Guggenheim Museum in NYC in fall 2019. • A 30-minute documentary of the collaboration was filmed in Tokyo 2017 by a local videographer and will be released digitally and at select screenings in spring 2019.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: FRKWYS15LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: RVNG\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":14826473128002,"sku":"FRKWYS15LP","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/a2044720127_10.jpg?v=1571439169"},{"product_id":"alice-coltrane-radha-krsna-nama-sankirtana-lp","title":"Alice Coltrane 'Radha-Krsna Nama Sankirtana' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003eRadha-Krsna Nama Sankirtana was the first of two albums Alice Coltrane released in 1977 (the other being Transcendence). Coltrane’s music during this period grew out of an epiphany in which she would renounce secular life and don the orange robes of a swamini (spiritual teacher in the Hindu tradition). Musically, this meant leaving jazz behind (at least partially) and embracing the chants and rhythms of devotional music. The first half of Radha-Krsna is mostly filled with simple arrangements of bhajans (Hindu devotional songs) and features the singing of students from the Vedantic Center, the Ashram that Coltrane founded in 1975. The group bounces with the joy of a gospel choir (not coincidentally, some had backgrounds in Southern Baptist churches).A rapturous aura permeates opener “Govinda Jai Jai” with Alice leading on Fender Rhodes. On “Prema Muditha,” she returns to acoustic piano (her main instrument in the early part of her career) to deliver a powerful and poignant theme. Sidelong “Om Namah Sivaya” beams with probing organ improvisations accompanied by the drumming of her 13-year-old son Aruna John Coltrane, Jr. This closing track offers a strong indication that even if Alice Coltrane was turning toward new traditions for inspiration, her music was still something that only she could make.\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cdiv title=\"Page 3\"\u003e  \u003cbr\u003e \u003cbr\u003eCatalogue number: ASH312\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Antarctica Starts Here\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":15399083049026,"sku":"ASH312","price":28.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ASH312.jpg?v=1571439187"},{"product_id":"alice-coltrane-trancendence-lp","title":"Alice Coltrane 'Trancendence' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003eHer third album for Warner Bros - originally released in 1977. First-time vinyl reissue. Featuring uplifting chants, light handclaps and bluesy organ. Liner notes by Mark Richardson. \u003ci\u003eTranscendence\u003c\/i\u003e was not only Alice Coltrane’s last studio album for Warner Bros., it would also be her last studio work for nearly three decades. While Eternity and Radha-Krsna Nama Sankirtana followed the composer’s muse through an exciting range of musical styles and influences, Transcendence is perhaps the most fully realized of the three LPs, synthesizing the best elements of each into a monumental whole. Side one consists of intimate compositions with Alice’s pointillist harp enhanced by intricate string arrangements. At times, the emotional climaxes in \u003ci\u003eRadhe Shyam \u003c\/i\u003eand the title track sound like the score to an epic film. This would be the closest Coltrane ever came to chamber music, yet rendered with her uniquely spiritual tint. Side two moves into celestial territory with uplifting chants, light handclaps and bluesy organ. These call-and-response chants, featuring members from her Ashram, completely embody both African-American gospel and Hindu devotional traditions, an uncanny fusion that is transformed through Alice’s pure spirit. What runs through the album’s two musical halves is a powerful sense of devotion and discovery. At this point in her life, Coltrane was on a journey toward truth through sound, and Transcendence gives the listener a front row seat to this quest.\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cdiv title=\"Page 3\"\u003e  \u003cbr\u003e \u003cbr\u003eCatalogue number: ASH313\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Antarctica Starts Here\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":15399148552258,"sku":"ASH313","price":28.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ASH313.jpg?v=1571439187"},{"product_id":"charles-hayward-begin-anywhere-lp","title":"Charles Hayward 'Begin Anywhere' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e\u003cstrong\u003eColoured vinyl limited to 300 copies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 4\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eCharles Hayward is an English drummer and was a founding member of the experimental rock groups This Heat and Camberwell Now. He also played with Mal Dean's Amazing Band, Dolphin Logic, and gigged and recorded with Phil Manzanera in the group Quiet Sun project as well as a short stint with Gong. He was a session musician on The Raincoats' second album, Odyshape, and on one occasion played drums for the anarchist punk band Crass. Since the late 1980s he has concentrated on solo projects and collaborations, including Massacre with Bill Laswell and Fred Frith. His first solo record, Survive the Gesture, was released in 1987. Since then, he has released 10 more long players, and has been touring with the reformed This is not This Heat. Begin Anywhere is his brand new solo album and shows a different side to the Charles Hayward we know. The drum set is left in the corner, and instead we get fragile yet powerful songs on piano and voice.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: GOD046\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: God Unknown Records\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":15607923277890,"sku":"GOD046","price":19.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ch3.jpg?v=1571439196"},{"product_id":"various-tokyo-flashback-p-s-f-psychedelic-speed-freaks-4xlp","title":"Various 'Tokyo Flashback P.S.F. - Psychedelic Speed Freaks' 4xLP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eBlack Editions is proud to present a monumental 4LP collection of 22 exclusive tracks by 22 of the most important artists to emerge from the Japanese underground over the last 40 years. Directed by Ghost's Masaki Batoh and produced in tribute to the late Hideo Ikeezumi, founder of P.S.F. Records, the Modern Music record store and G-Modern Magazine.\u003c\/p\u003e\n\u003cp\u003eDeluxe triple gatefold, heavy tip-on edition with metallic inks and spot finishes. Includes printed inner sleeves. Pressed to high quality vinyl at RTI; Digital download included.\u003c\/p\u003e\n\u003cp\u003eFew label founders loom as large in the history of underground music as P.S.F Record's Hideo Ikeezumi. Over three decades and more than 200 titles, Ikeezumi's intensely critical ear guided and assembled a body of music that transcended genre; he exclusively championed artists that were uncompromising in their visions, unconcerned with trends or commercial success. This four-LP compilation, selected by Ghost's Masaki Batoh, is a primer of Ikeezumi's curation: a kaleidoscopic collection of previously unreleased gems from the Japanese underground. Running the full stylistic gamut from the hushed tones of Kim Doo Soo and Go Hirano to the psychedelic rock splendor of Overhang Party and High Rise this set connects the dots between generations and movements, all linked by the common thread of Ikeezumi's panoramic musical vision. The most original voices in the avant garde, psychedelia, folk, free jazz, and rock all found a home with P.S.F. Records.\u003c\/p\u003e\n\u003cp\u003eFeaturing exclusive music from Fushitisusha, Ghost, Acid Mothers Temple \u0026amp; The Melting Paraiso U.F.O., Keiji Haino, Kazuo Imai, Maher Shalal Hash Baz, .es, á qui avec Gabriel, Shizuka, Masayoshi Urabe, Ché-SHIZU, White Heaven, Keiko Higuchi, Reizen, Makoto Kawashima, Niseaporia, Hasegawa-Shizuo, and Hideaki Kondo.\u003c\/p\u003e\n\u003cp\u003eIncludes essays by Masaki Batoh and Alan Cummings along with artist profiles, all in English and Japanese.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAcid Mothers Temple \u0026amp; The Melting Paraiso U.F.O. \"Pink Lady Lemonade\", Kazuo Imai \"Delay 160715\", Maher Shalal Hash Baz \"ikeezumi-san\", .es \"Akatsuki No Uta\", Kim Doo Soo \"Wild Flower\", Keiji Haino \"Tozakariwashinai\", Overhang Party \"Now Appearing! Naked Existence\", á qui avec Gabriel \"has come\", Shizuka \"Lunatic Pearl\", Masayoshi Urabe \"Alto Saxophone Solo\", High Rise \"Outside Gentiles\", Ché-SHIZU \"Emperor\", \"Notify\", Fushitsusha \"Omae\", White Heaven \"Out\",Keiko Higuchi \"Nothing Is Real 002\", Reizen \"Untitled\", Makoto Kawashima \"Madokarano Kagayaki\", Niseaporia \"Sora No Ao Ni Somazu Utau\", Ghost \"Blue Link\", Go Hirano \"For Rains\", Hasegawa-Shizuo \"Low Blues\", Hideaki Kondo \"Bach: Sonata #1 In G Minor For Solo Violin, BWV 1001 - 1. Adagio\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv id=\"reviews\" class=\"visible-lg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: BE-1001\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Black Editions\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":15615194202178,"sku":"BE-1001","price":63.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/BE1-1001.jpg?v=1571439196"},{"product_id":"consumer-electronics-airless-space-lp","title":"Consumer Electronics 'Airless Space' 2xLP","description":"\u003cdiv\u003e\n\u003cstrong\u003eC\u003c\/strong\u003eonsumer Electronics return with a double album of all new studio recordings produced by Russell Haswell. Some wondered how the songwriting team of Philip Best and Sarah Froelich would fare after leaving their London home to take up residency in the United States. Well, here’s the answer.\n\u003cdiv title=\"Page 12\"\u003e\n\u003cp\u003eRecorded in San Francisco, CE deliver “Airless Space”, a state-of-the-union address that does for our American cousins what the band’s earlier “Estuary English” album did for a British audience poised upon the coming madness of Brexit. Unusually for CE, “Airless Space” clocks in at 60 minutes, a hexed induction for a country labouring under a presidency, that like Brexit itself, few saw coming or contemplated having to endure. Soundwise, CE have maybe mellowed the tone a touch, allowing their electronics to stretch out and breathe, whereas the frenzied and anxious vocals of Best and Froelich remain as snatched and breathless as ever. Stunningly produced by Russell Haswell and gorgeously mastered by award-winning cutting engineer Matt Colton, “Airless Space” by Consumer Electronics is their most complete and rounded statement yet.\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: HARBINGER200\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Harbinger Sound\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":15618417852482,"sku":"HARBINGER200","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/HARBINGER200.jpg?v=1571439197"},{"product_id":"bruce-russell-and-luke-wood-visceral-realists-lp","title":"Bruce Russell and Luke Wood 'Visceral Realists' LP","description":"Debut LP by the New Zealand duo of Bruce Russell (Dead C, Handful of Dust, etc) and Luke Wood. Visceral Realists is a high-concept commentary on the state of vinyl, analogue recording, music culture, art, etc. A 45-rpm bullet of short bursts of free electric sound, the music here is tactile and rough but not “noise music.” Russell and Wood play over loops of scratchy records, with their guitars and electronics surging to get over the wall. Russell’s guitar sound from his vintage transistor amp and anti-style is instantly recognizable from countless classic Dead C sides, but the tracks are more painterly than recent DC epics – these are celebratory vignettes of thoughts – singles, if you will. Originally made as an unfindable edition of 20 by Wood’s Ilam Press label to accompany an exhibit of NZ lathe-cut records, this new edition is beautifully packaged in a debossed and letterpress printed sleeve designed by Wood and printed by Stumptown in Portland. Two color risographs printed by Wood in NZ are tipped onto the jacket, and an additional two inserts provide revelatory notes by Russell and glam shots of the instruments that made the sounds. Also includes download slip.\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e“There’s more information encoded in an old record than in a new one. Every crack, every pop, a tree ring of recovered time. A life-time. Time again for life. Like the revenants, come from the grave warm; and once again walking. But still just blood in a bag. The glow of the vacuum at the heart of a market-place – where art goes to fetch bread. That is how we’ve warmed our hands for this work. To know we are alive” – Bruce Russell\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: VHF146\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: VHF\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":15650950479938,"sku":"VHF146","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/bruce.jpg?v=1571439198"},{"product_id":"david-rosenboom-brainwave-music-2xlp","title":"David Rosenboom 'Brainwave Music' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"pt-0\"\u003eBlack Truffle is honoured to announce the first ever vinyl reissue of David Rosenboom’s legendary \u003ci\u003eBrainwave Music\u003c\/i\u003e, originally released on A.R.C. Records in 1975 and here expanded to a double LP with the addition of over 40 minutes of contemporaneous material. Pioneer of live electronics, innovator in music education, collaborator with artists as diverse as Jon Hassell, Jacqueline Humbert, Terry Riley and Anthony Braxton, Rosenboom is renowned for his ground-breaking experiments with the use of brain biofeedback to control live electronic systems.\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eEach of the three pieces that make up the original \u003ci\u003eBrainwave Music\u003c\/i\u003e LP integrates biofeedback with musical technology in different ways. In the side-long opening piece\u003ci\u003e Portable Gold and Philosophers’ Stones\u003c\/i\u003e, four performers have electrodes and monitoring devices attached to their bodies to receive information about brainwaves, temperature, and galvanic skin response. This information is analysed and fed into a complex set of frequency dividers and filters, manned by Rosenboom, but essentially played by each of the performers through their psychophysiological responses to the situation. The result is a slowly unfolding web of filtered electronic tones over a tanpura-esque fundamental, possessing the unhurried, stately grandeur ofan electronic raga. In \u003ci\u003eChilean Drought\u003c\/i\u003e, three different variations of a text about a drought in Chile, eachread by a different voice in a different style, are associated with the Beta, Alpha, and Theta brainwave bands. Alongside an insistent piano accompaniment, we hear a constantly shifting combination of the three vocal recordings controlled by the relative preponderance of each of the brainwave bands in the soloistwhose brainwaves are being monitored. \u003ci\u003ePiano Etude I (Alpha)\u003c\/i\u003e, the earliest piece included here, is basedon research into the link between Alpha brain wave production and the execution of repetitive motor tasks. As Rosenboom plays a very rapid, incessantly repeated pattern in both hands – deliberately designed to be difficult to execute without being in an alert, non-thinking state similar to that associated with strong Alpha brainwave production – two filters controlled by monitoring his brainwaves process the piano sound, moving gradually higher in frequency as the average Alpha amplitude increases, resulting in a hypnotic, constantly shifting blur of repeated notes reflected through the shimmering, watery lights of the filters.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eFor this reissue, the original LP is supplemented with an additional LP containing an unreleased 1977 liverecording of Rosenboom’s \u003ci\u003eOn Being Invisible\u003c\/i\u003e, in which the composer himself performs on an array ofelectronics that are fed information from his brainwaves. Stretching out over 40 minutes, the piece begins in similar territory to \u003ci\u003ePortable Gold and Philosophers’ Stones\u003c\/i\u003e but eventually becomes far wilder, building up topointillistic bleeps and dense layers of electronic fizz that unexpectedly cut to near-silence. As Rosenboom explains, the piece creates a situation in which the ‘performer’s active imaginative listening became one ofthe ways to play their instrument, as well as an active agent in how self-organizing musical forms mightemerge.’ Enriched with archival images and new notes from the composer, this expanded reissue of \u003ci\u003eBrainwave Music\u003c\/i\u003e is essential listening for anyone interested in the history of live electronic music and alive to the possibilities it might still contain.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"cat_number\" id=\"variant_251199\"\u003eBLACKTRUFFLE048 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Black Truffle\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":15713738358850,"sku":"BLACKTRUFFLE048","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/BLACKTRUFFLE048.jpg?v=1571439201"},{"product_id":"john-zorn-pellucidar-a-dreamers-fantabula-lp","title":"John Zorn 'Pellucidar:A Dreamers Fantabula' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eA beautiful vinyl pressing of Zorn’s most delightful and popular instrumental unit The Dreamers performing nine compos\u003c\/span\u003e\u003cspan\u003eitions inspired\u003c\/span\u003e\u003cspan\u003eby the imaginary worlds of fantasy literature. Featuring some of Zorn’s catchiest hooks and plenty of fiery solos from Ribot, \u003c\/span\u003e\u003cspan\u003eSaft and Wollesen, Pellucidar blends soul, surf, jazz, minimalism, rumba, tango, samba, exotica and more in classic Dreamers style. Bathed in a \u003c\/span\u003e\u003cspan\u003efabulous gatefold jacket filled with colorful original art by Tzadik’s exclusive designer Chippy, this long\u003c\/span\u003e\u003cspan\u003e-awaited vinyl version of this modern exotica classic was lovingly remastered and is pressed on virgin vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number: TZA6006\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Tzadik\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":15721602056258,"sku":"TZA6006","price":31.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/zorn.jpg?v=1571439201"},{"product_id":"laurence-pike-holy-spring-lp","title":"Laurence Pike 'Holy Spring' LP","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLimited transparent blue vinyl.\u003c\/p\u003e\n\u003cp\u003e“I hope,” says Laurence Pike, “the listener is as excited – and at times confounded – by this music as I am.” \u003cbr\u003eHoly Spring is an “article of faith” for Pike, expressing the sense that “The ritual of performance can transcend the confines of style, structure and concept to connect with something universal.”\u003c\/p\u003e\n\u003cp\u003eThe name of the album is beautifully ambiguous, evoking a wellspring, but also rebirth, and more besides. It sounds constantly, effervescently fresh, just as it should when its creation was a series of surprises to its own creator. And that happens not just with one listen, but with many: each time you hear it, it’s as if this music has been created anew. The listener, just like the musician, are privy to what Pike describes as “the music simply playing itself, achieving what I now understand to be, and can only describe as ‘freedom’.”\u003c\/p\u003e\n\u003cp\u003eImprovisation has played a role throughout Pike’s long and diverse career in music. Whether as part of PVT, Triosk or Szun Waves, or collaborating with Liars, legendary jazz pianist Mike Nock, DD Dumbo or the mighty Bill Callahan, he has long been a responsive musician for whom sensitive listening leads to spontaneous invention. Every motion, from the most minuscule flicker to a primal groove, is an expression of what’s happening around him. Which is precisely how he, and the ensembles he’s been part of, have been able to navigate so deftly between the poles of the familiar. Pike’s work has always skirted around electronica, spiritual jazz, post-rock and many other recognisable sounds, without ever converging on one single style or resorting to obvious fusions.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cdiv title=\"Page 17\"\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: BAY114VX\u003c\/div\u003e\n\u003cdiv title=\"Page 17\"\u003e\n\u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Leaf\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":15748290609218,"sku":"BAY114VX","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/BAY114V.jpg?v=1571439201"},{"product_id":"current-93-invocations-of-almost-lp","title":"Current 93 'Invocations Of Almost' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eCurrent 93 have dreamt a new album, \u003ci\u003eInvocations Of Almost,\u003c\/i\u003e using music from her Future Past and her Past Future, to accompany David Tibet’s art exhibition,\u003ci\u003e Invocations Of Almost,\u003c\/i\u003e which opens on March 9 at The Begovich Gallery, Fullerton, CA and lasts for around 2 months. \u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: THESPHERES24\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: The Spheres\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":15781168021570,"sku":"THESPHERES24","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/THESPHERES24.jpg?v=1571439203"},{"product_id":"black-to-comm-before-after-lp","title":"Black To Comm 'Before After' LP","description":"\u003cdiv\u003e\n\u003cbr\u003e\n\u003cdiv title=\"Page 4\"\u003e“An impressive balancing act evident of an artist in complete command of his medium” - The Quietus \u003cbr\u003e \u003cbr\u003eBlack To Comm masterfully manipulates sound, his alterations rendering sources unidentifiable and serving as a sort of portal to new realities. Composer Marc Richter collapses the past, present and future of recorded music into kaleidoscopic pieces that transcend genre, bristling with detail, an intense sensory sonic experience. \u003cbr\u003e \u003cbr\u003e‘Before After’ charts a hallucinogenic journey through polar extremes of emotion and to the outer reaches of sound; a perfect companion to the darker ‘Seven Horses For Seven Kings’. \u003cbr\u003e \u003cbr\u003e‘Before After’ was written during the same sessions that gave birth to Richter’s recent, highly acclaimed ‘Seven Horses For Seven Kings’. The intentionally crafted companion pieces mine similar raw sonic materials to yield radically different results. \u003cbr\u003e \u003cbr\u003eWhere ‘Seven Horses For Seven Kings’ was a dark work focused on anger and desperation, ‘Before After’ finds faint glimmers of hope in the same sources. By reappraising the past, Richter divines new futures, opening up parallel timelines and sonic universes. \u003cbr\u003e \u003cbr\u003eThe album bookends the current phase of Richter’s output as Black To Comm, a decisive statement piece that leaves the future of the project tantalisingly open- ended. \u003cbr\u003e \u003cbr\u003eLP pressed on virgin vinyl and packaged with free digital download card. \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: THRILL496LP\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Thrill Jockey\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":15825525964866,"sku":"THRILL496LP","price":17.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/THRILL496LP.jpg?v=1571439204"},{"product_id":"dean-hurley-anthology-resource-vol-ii-philosophy-of-beyond-lp","title":"Dean Hurley 'Anthology Resource Vol. II: Philosophy Of Beyond' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eAPRIL FLASH SALE\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eWAS £21.49 NOW £11.99\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003ePhilosophy of Beyond, the second volume in Sound Supervisor Dean Hurley’s Anthology Resource series, continues Hurley’s experimental soundscape work into more ethereal and celestial territory. 12 tracks weave together a rich sonic tapestry built in part from comb-filtering experiments, tape loops, and sampled field excursions into unique acoustical environments. A bulk of the LP is assembled from Hurley’s sonic contributions to the recent feature film Perfect (2018, director Eddie Alcazar) as well as material made in residency for Art Gallery of New South Wales’ event Masters of Modern Sound...all of which are threaded together into a singular, cohesive dissertation on the afterlife.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOutlining a landscape beyond physical reality, the record serves as a soundtrack to the mysterious and immortal voyage of the soul into depths beyond the known and back again. What lies beyond physical reality? Beyond intellect and the system of the five senses? What do accounts of near death experiences, alien encounters, psychedelic drugs, astral projection, even strokes all have to do with this and why do each seem to share a core architecture of description?\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA long time David Lynch collaborator, Hurley operated and managed Lynch’s Asymmetrical Studio from 2005-2018 where he worked closely with Lynch on the sound and music for his feature films, commercial work and albums; most recently providing material for the third season of Twin Peaks (Showtime). Hurley inaugurated the Anthology Resource series with a compilation of his licensed material from the show in 2017.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWhat is Anthology Resource? Anthology Resource is an ongoing compendium curated both from and for film and television in the library \/ production music tradition. 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He made music for all sorts of uses – he even made library music – and of course this very album of his music for two of his ballets.\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eTowards the end of his life Ernest Berk gifted his entire collection of works, tapes, documents and all to the Historical Archive Of The City Of Cologne. Tragically, in 2009, a large part of the archive collapsed (due to the construction of an underground railway) destroying 90% of the everything. Berk’s tapes have tragically never been recovered. They are assumed lost forever.\u003c\/p\u003e\n\u003cp\u003eSo these two recording – issued privately circa 1970 – remain precious to say the least. There were no masters, this new pressing was simply transferred from the original copy held by his family. We have done our best to restore the sound. I have also reproduced the original notes, and from what I can gather this album may well have been pressed and given away as promotion for the Dance Theatre Commune.\u003c\/p\u003e\n\u003cp\u003eThe original album came with a small piece of paper with a geometrical squiggle stuck on the front. 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The trio first \u003c\/span\u003e\u003cspan\u003ecame together as a collective for a live performance, invited by Mute for the Short Circuit Festival in 2011 and released their acclaimed debut, the live album Transverse the following year. Carter Tutti Void went on to release f(x) (Industrial Records, 2015), their first studio recording and performed a handful of selected shows, culminating in their final live performance in Hull, part of a series of events for Hull City of Culture 2017 centred around the COUM Transmissions retrospective at Humber Street Gallery. For some time Carter, Tutti and Void have been awaiting an oppo\u003c\/span\u003e\u003cspan\u003ertunity when all three artists were able to gather at Carter and Tutti’s Studio47 in Norfolk, where\u003c\/span\u003e\u003cspan\u003ethe album was recorded, produced and mastered. Triumvirate was approached with the improvisational spirit of previous Carter Tutti Void albums. 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Here is an island country in a state of flux; a society on the edge of mental meltdown.\u003c\/p\u003e\n\u003cp\u003eOn \u003cem\u003e2020\u003c\/em\u003e, Dawson introduces us to grand themes through small lives. His are portraits of human beings struggling with recognisable (and dare we say it, relatable) concerns, conflicts and desires, each reminding us that tragedy and gallows humour are not mutually exclusive, and that the magical can sit next to the mundane. Lyrically it is by far Dawson’s hardest-hitting and unflinchingly honest album to date. 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The Third And Final Report Of Throbbing Gristle’ is, along with ‘20 Jazz Funk Greats’, the band’s most famous and sought after album and is now back in print and on coloured vinyl after being unavailable for far too many years. \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e Transparent green vinyl with eight-page 12” booklet plus digital download with the bonus tracks from CD2. \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: TGLP3\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Mute\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":16347383267394,"sku":"TGLP3","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/TGLP3.jpg?v=1571439219"},{"product_id":"throbbing-gristle-throbbing-gristle-s-greatest-hits-lp","title":"Throbbing Gristle 'Throbbing Gristle’s Greatest Hits' LP","description":"\u003cdiv\u003e\n\u003cbr\u003e‘Throbbing Gristle’s Greatest Hits’, the classic TG Greatest Hits album, back in print and on orange vinyl after being unavailable for many years. \u003cbr\u003e \u003cbr\u003e Transparent orange vinyl with eight-page 12” booklet and digital download with the bonus tracks from CD2. \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: TGLP7\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Mute\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":16347413348418,"sku":"TGLP7","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/TGLP7.jpg?v=1571439219"},{"product_id":"keiji-haino-sumac-even-for-just-the-briefest-moment-keep-charging-this-expiation-plug-in-to-making-it-slightly-better-2xlp","title":"Keiji Haino + SUMAC 'Even for just the briefest moment Keep charging this “expiation” Plug in to making it slightly better'  2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cspan\u003ePost-metal sludge avantgarde powerhouse SUMAC around Aaron Turner (Isis, Old Man Gloom) follow up their collaboration with legendary japanese guitarist and singer\/performer Keiji Haino on Thrill Jockey (American Dollar Bill – Keep Facing Sideways, You are too Hideous to Look at Face on) with another monolith - heavy and experimental at the same time!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eCatalogue number: TR183LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Trost\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":16477627646018,"sku":"TR183LP","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/keiji_3ac20050-9ce2-4780-af43-f37e15bfe5b3.jpg?v=1571439226"},{"product_id":"minor-pieces-the-heavy-steps-of-dreaming-lp","title":"Minor Pieces 'The Heavy Steps of Dreaming' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"m_1722576625245965949gmail-\"\u003e\n\u003cdiv class=\"m_1722576625245965949gmail-public-DraftStyleDefault-block m_1722576625245965949gmail-public-DraftStyleDefault-ltr\"\u003e\u003cspan style=\"color: #1b95e0;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eLimited clear vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Heavy Steps Of Dreaming\u003c\/em\u003e is the brilliant debut album from Vancouver-based Minor Pieces, a new songwriting partnership comprising acclaimed singer \/ composer Ian William Craig and newcomer Missy Donaldson, a singer and multi-instrumentalist. Retaining some of the textural play and experimentation of Ian’s solo material whilst channeling it squarely within the domain of tangible songwriting, the pair utilise guitar, modified tape decks, bass and synths to fashion deeply-felt songs with their beautifully matched male \/ female vocals standing resolutely centre-stage. Taking influence and inspiration from the likes of Low, Grouper, Mazzy Star, Portishead, My Bloody Valentine, Talk Talk and Cat Power, \u003cem\u003eThe Heavy Steps Of Dreaming\u003c\/em\u003e sounds at once familiar whilst forging something new, unique and beyond the sum of its influences.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRothko\u003c\/em\u003e opens the album on Ian and Missy’s interlocked voices, before the steel-strung strumming breaks down into a tape-manipluated hall-of-mirrors. \u003cem\u003eThis House\u003c\/em\u003e switches to Missy’s vocal lead and a heavily muffled \/ distorted bass pulse, over which veils of synth sound emerge and gradually deteriorate. The beautiful \u003cem\u003eBravallagata\u003c\/em\u003e recounts memories of a Christmas spent in Rejkjavik, whilst \u003cem\u003eGrace\u003c\/em\u003e – the sole song on the LP written by Missy moments after leaving the hospice where she had said goodbye to her beloved grandmother, who passed away an hour later – is flooded with duplicated layers of voice and faltering playback. Following on, \u003cem\u003eBurden\u003c\/em\u003e works as a beautiful counterpoint - stripping everything back again to the simplicity of acoustic guitar and voice. \u003cem\u003eThe Way We are In Song\u003c\/em\u003e muses on how “we form our mouths in perfect words \/ but the sound we go to make is always gone”, how \"we’re never quite content to let the things we do stay wonderfully wrong”. A minimalist mantra, \u003cem\u003eTender Fire \u003c\/em\u003ecomes the closest to both the sacral and also to experimental dissolution. Closing the album on its most expansive track, \u003cem\u003eShipbreaking\u003c\/em\u003e is an epic, 10-minute long odyssey that winds its way through a succession of parts – from dense and distorted, to airy ambient lushness and ending in a slow and sparsely beautiful picked guitar and some of the most resonant lyrics on the album.\u003c\/p\u003e\n\u003cp\u003eFinding a coherent and beautifully measured equilibrium between the male and female; the direct and the expansive; between crystalline clarity and faltering obfuscation; the anchoring of pop hooks and the experimental pull of immersive textural density, the album is tender, graceful and emotionally powerful. Born of an intensely artistic sensibility, humble yet rendered with brilliance and utter conviction, it’s a record that manages to pull off a kind of easy intimacy, that has great depth to withstand and reward repeat listening.\u003cem\u003e The Heavy Steps Of Dreaming\u003c\/em\u003e is an immeasurably deep, warm, grainy, honest and utterly brilliant debut album. A place you’ll want to linger in and return to.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: FATLP155LTD\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\nLabel: Fat Cat\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":16551224279106,"sku":"FATLP155LTD","price":17.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/minorpieces.jpg?v=1571439229"},{"product_id":"chris-cosey-heartbeat-lp","title":"Chris \u0026 Cosey 'Heartbeat' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003ePurple \u003c\/strong\u003e\u003cb\u003evinyl.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released to much acclaim in 1981 by Rough Trade 'Heartbeat' was the first in a long line of groundbreaking albums by Chris Carter \u0026amp; Cosey Fanni Tutti. This early example of Chris \u0026amp; Cosey features cut-up sampled voices, Cosey's disto-guitar, Industrial\u003c\/span\u003e\u003cspan\u003esequences, melodious synths and cinematic sweeps. “There are moments of great beauty like ‘Moorby’ and, equally, many moments \u003c\/span\u003e\u003cspan\u003eof\u003c\/span\u003e\u003cspan\u003esheer depravity all performed with Kraftwerk’s cultured class and the hypnotic charm and deadly grace of a synthesised cobra.” Steve\u003c\/span\u003e\u003cspan\u003eSutherland Melody Maker 1982. \u003c\/span\u003e\u003cspan\u003e\"All the world loves a love story... but 'Heartbeat' still has an edge of evil among the extensions of the pair's established scenarios.” Sandy Robertson \u003c\/span\u003e\u003cspan\u003e- Sounds 1981.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eCatalogue number: CTIL001\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Conspiracy International\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":30189611909259,"sku":"CTIL001","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/heart_4c7293f3-643b-46a4-8101-933dca455f4c.jpg?v=1571439231"},{"product_id":"chris-cosey-trance-lp","title":"Chris \u0026 Cosey 'Trance' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003eGold \u003c\/strong\u003e\u003cb\u003evinyl.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThis seminal album and a long time favourites with DJs and fans alike. ‘Trance' is often cited by electronic musicians as bei\u003c\/span\u003e\u003cspan\u003eng highly influential in contemporary electronic music. Primarily an instrumental album 'Trance' covers everything from minimal electro and polyrhythmic sequences to rhythm heavy industrial dance tracks. \"High-tech sequencer dazzles mix with heavy stews of sound, teasing atmospheric piec\u003c\/span\u003e\u003cspan\u003ees with abrasive disco forgeriesʼ” John Gill \u003c\/span\u003e\u003cspan\u003e- Time Out 1982 \"No one else currently turning out commercial music has\u003c\/span\u003e\u003cspan\u003eanywhere near Chris and Coseyʼs intuitive grasp of the stimulating possibilities of electronic rhythm. Trance is just what it \u003c\/span\u003e\u003cspan\u003eclaims to be: a mesmerising chance to reassess the suggestive potential of sound, which in turn, attempts to intoxicate the listener into a\u003c\/span\u003e\u003cspan\u003ereinvestigation of surrounding environments.” Steve Sutherland \u003c\/span\u003e\u003cspan\u003e- Melody Maker 1982.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eCatalogue number: CTIL002\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Conspiracy International\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":30189612171403,"sku":"CTIL002","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/trance.jpg?v=1571439231"},{"product_id":"chris-cosey-songs-of-lust-love-lp","title":"Chris \u0026 Cosey 'Songs of Lust \u0026 Love' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003eTransparent turquoise \u003c\/strong\u003e\u003cb\u003evinyl.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eSongs of Love \u0026amp; Lust was originally released by Rough Trade Records in 1984 and at the time was considered to be quite a departure\u003c\/span\u003e\u003cspan\u003efor both Chris \u0026amp; Cosey and Rough Trade. The album contains Chris \u0026amp; Cosey’s trademark infectious rhythms, mel\u003c\/span\u003e\u003cspan\u003eodic tunes, edgy guitar, wailing cornet and of course Cosey's unique vocals - which give a dark and sensual edge to the production. \"A vice-like turn of the screw that is at once dreamy, hard and compelling. A gathering of all those forces which give electronic music a heart of its own. This is seduction!\" Adrian Jones - City Limits 1984 \"Chris \u0026amp; Cosey's alluring invitation is to try another world: their promise is that the possibilities should be endless.\" Don Watson - NME 1984\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eCatalogue number: CTIL009\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Conspiracy International\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":30189612368011,"sku":"CTIL009","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/songs.jpg?v=1571439231"},{"product_id":"chris-cosey-exotika-lp","title":"Chris \u0026 Cosey 'Exotika' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003eTransparent violet \u003c\/strong\u003e\u003cb\u003evinyl.\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 5\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThis hugely popular mid-eighties Exotika album was originally released in 1987 by Play It Again Sam. It includes such Chris \u0026amp; Cosey classics as the crowd-pleasing 'BeatBeatBeat', the haunting ballad 'Dr. John (Sleeping Stephen)' and the original version of their seminal title track 'Exotika', which was adopted as an electronica anthem, most notably on the GOA scene and in the US West and\u003c\/span\u003e\u003cspan\u003eEast Coast gay clubs of the later 1980s’. \"Chris \u0026amp; Cosey beat most of 87's main\u003c\/span\u003e\u003cspan\u003estream dance-floor contenders on their own territory of sheer pleasure, urged joy. 'BeatBeatBeat' is extreme, a revelation.\" By Ian Gittins - Melody Maker 1987 \"Chris \u0026amp; Cosey have made a great dance record, but it's their kind of dancing. No junk here. They're crazy enough to be sincere about their musical Pleasureland and they want to share their discovery. Come and feel the sound as though your life depends on it: if it were up to them, it would depend on it.\" From Rockpool 1987.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eCatalogue number: CTIL016\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Conspiracy International\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":30189612433547,"sku":"CTIL016","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/exot.jpg?v=1571439231"},{"product_id":"pan-american-a-son-lp","title":"Pan American 'A Son' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eLegacy Chicago craftsman Mark Nelson’s latest offering as Pan•American is less a distillation or divergence than it is a return to his musical and spiritual beginnings. Spare, subdued, and largely acoustic, A Son unfurls like late summer dusk on the edge of town, expansive but intimate.\u003c\/p\u003e\n\u003cp\u003eMotivated by notions of “moving backward” and tracing roots – as well as a couple years of hammered dulcimer lessons – the album’s nine songs were written and recorded in his home in Evanston, Illinois, and honed during a recent solo tour in Europe. The emphasis on uncluttered arrangements and the centrality of the guitar and vocals reveal these songs as the most direct and emotional statement of his career. \u003cbr\u003eNelson cites everything from June Tabor, The Carter Family, Suicide and Jimmy Reed as oblique inspirations, though his truest muse was creative self-inquiry: “What does music do, Where does music start? How simple can it be? How honest can it be?”\u003c\/p\u003e\n\u003cp\u003eAfter decades of mining post-rock pathways and latticework electronics in Labradford and early Pan•American, A Son strips away ornament and distraction in favor of a direct gaze into the heart of what is.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: KRANK225LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Kranky\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":30308427694219,"sku":"KRANK225LP","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/pan.jpg?v=1571439235"},{"product_id":"tr-st-the-destroyer-2-lp","title":"TR\/ST 'The Destroyer - 2' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eMarbled vinyl.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eIt has been five years since TR\/ST released 2014’s \u003c\/span\u003e\u003ci\u003eJoyland\u003c\/i\u003e\u003cspan\u003e. In an industry that prioritizes constant momentum, taking time to slow down and focus on the creative process could pose a risk of losing audiences, but for his third album, Robert Alfons challenged himself to remain patient and careful; dedicated to both healing himself and ensuring that he was delivering his most cohesive work. Now, 2019 is poised to be the most momentous year yet, and he’s just starting to see the excitement unfurl. In April, TR\/ST released Part 1 of \u003c\/span\u003e\u003ci\u003eThe Destroyer,\u003c\/i\u003e\u003cspan\u003e a double-album in two parts. In a time of impending automation, TR\/ST’s music encapsulates the erratic conflicts of the human soul. This emotional complexity is what keeps their discography relevant over many years, and their fans closely engaged. Alfons delivers a hypnotic journey, timeless nostalgia, to a resonant place of feeling that bears returning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan\u003eGRCH02LP2C\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: House Arrest\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Essential","offers":[{"title":"Default Title","offer_id":30477484556427,"sku":"GRCH02LP2C","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/tr.jpg?v=1571439238"},{"product_id":"merzbow-pulse-demon-2xlp","title":"Merzbow 'Pulse Demon' 2xLP","description":"\u003cstrong\u003eLimited Milky Clear with Butterfly Wings and Neon Violet and Green Splatter \u003c\/strong\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRelapse presents a remastered reissue from the undisputed king of Japanese noise-MERZBOW. \"Pulse Demon\" is one of the most celebrated releases of Masami Akita's storied 4 decade long career. Composed entirely by live noise concrete and the use of a fuzz box, \"Pulse Demon\" eschews all overdubs and studio trickery, laying MERZBOW bare. What follows in these recordings is the pure essence of unfettered noise. The rawness in \"Pulse Demon\" is palpable; praised as \"genuinely extreme, downright torturous sounds that are strangely compelling in their shredding intensity.\" (A.V. Club) upon its original release in 1996. Remastered by James Plotkin (ISIS, ELECTRIC WIZARD, FULL OF HELL, and more,) the \"Pulse Demon\" reissues features \"Extract 1\", a never-before released track that was recorded as part of the original \"Pulse Demon\" sessions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"page\" title=\"Page 9\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 7\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eCatalogue number: RR44311\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eLabel: Relapse \u003cspan\u003eRecords\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Essential","offers":[{"title":"Default Title","offer_id":31356124233867,"sku":"RR44311","price":20.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/merb.jpg?v=1573053017"},{"product_id":"throbbing-gristle-a-souvenir-of-camber-sands-2xlp","title":"Throbbing Gristle ‘A Souvenir Of Camber Sands’ 2xLP","description":"\u003cp\u003e\u003cstrong\u003eClear vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThrobbing Gristle announce the next phase of their reissues series with the release of ‘Part Two: The Endless Not’ \/ ‘TG Now’ and ‘A Souvenir Of Camber Sands’. \u003cbr\u003eIn 2004 Chris Carter, Peter Christopherson, Genesis P- Orridge and Cosey Fanni Tutti reformed - 23 years after their mission was originally terminated - and between 2004 and 2007 the band released 14 new studio tracks and a live album of their appearance at ATP’s Nightmare Before Christmas in Camber Sands. \u003cbr\u003e‘A Souvenir Of Camber Sands’ is a live document of Throbbing Gristle’s performance at Jake and Dinos Chapman’s All Tomorrow's Parties Nightmare Before Christmas at Camber Sands in December 2004. \u003cbr\u003eThrobbing Gristle are renowned for their documentation of live performances - ‘TG24’ (which was reissued in 2002) and ‘TG+’ (released in 2004) collated their live recordings up until the band disbanded. This release reactivated the band’s live performance documentations that include ‘Thirty Second Annual Report’ (from La Villette, Paris) and the ‘Desertshore Installation’ (from the ICA, London). \u003cbr\u003e‘A Souvenir Of Camber Sands’ is available on double CD with 6 page eco pac, for the first time on vinyl pressed on clear double LP in a gatefold sleeve with poster and digital download code and also available for the first time as a digital download album. \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: TGLP20\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Mute\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":31384068653195,"sku":"TGLP20","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/TGLP20.jpg?v=1573994483"},{"product_id":"throbbing-gristle-part-two-the-endless-not-tg-now-3xlp","title":"Throbbing Gristle ‘Part Two: The Endless Not’ \/ ‘TG Now’ 3xLP","description":"\u003cbr\u003e“‘The Endless Not’ features some of the subtlest songwriting of TG’s career, playing that knot of tension for all its worth and all the more disturbing for how pensive and restrained it feels” - Pitchfork \u003cbr\u003eThrobbing Gristle announce the next phase of their reissues series with the release of ‘Part Two: The Endless Not’ \/ ‘TG Now’ and ‘A Souvenir Of Camber Sands’. \u003cbr\u003eIn 2004 Chris Carter, Peter Christopherson, Genesis P-Orridge and Cosey Fanni Tutti reformed - 23 years after their mission was originally terminated - and between 2004 and 2007 the band released 14 new studio tracks and a live album of their appearance at ATP’s Nightmare Before Christmas in Camber Sands. \u003cbr\u003eWith ‘Part Two: The Endless Not’, the band returned to the studio after deciding they had unfinished creative business outside of the live arena. Released in 2007, over 25 years after their last studio album, the album was, as Tiny Mix Tapes put it, “...more of a rebirthing than a reunion.” Several live documents followed the album’s release but the untimely death of Peter Christopherson in November 2010 meant that this would become the final Throbbing Gristle album and 15 years since the reformation, all the albums included in this phase of the remastered reissues, ‘Part Two: The Endless Not’, ‘TG Now’ and ‘A Souvenir Of Camber Sands’, stand proudly within the influential catalogue and legacy of TG. \u003cbr\u003e‘TG Now’, originally released in 2004, was the sound of Throbbing Gristle testing the waters, seeing how it felt to work together again. The 4-track limited vinyl and CD release was available originally to attendees of the RE-TG Astoria event in 2004, their first performance together since 1981’s US tour. \u003cbr\u003e‘Part Two: The Endless Not’ and ‘TG Now’ are packaged together on double CD in 6 page eco pac, as a clear vinyl triple LP spot gloss varnish box set with poster and stickers plus digital download. ‘TG Now’ is also available as a digital download album. \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: TGLP19\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Mute\u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":31384076648587,"sku":"TGLP19","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/TGLP19.jpg?v=1573994701"},{"product_id":"the-taj-mahal-travelers-july-15-1972-lp","title":"The Taj-Mahal Travelers 'July 15 1972' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eFor over half a century, Takehisa Kosugi was one of the most unique and enduring figures in the Japanese underground. As an art student in Tokyo in the early ’60s, he joined the Fluxus-styled performance unit Hi Re Centre and founded the improvisational ensemble Group Ongaku, but his most legendary project was The Taj-Mahal Travelers—a multicellular organism that included Kosugi, Ryo Koike, Yukio Tsuchiya, Seiji Nagai, Michihiro Kimura, Tokio Hasegawa and sound engineer Kinji Hayashi. With a penchant for long psychedelic jams (some lasting 12 hours or more) The Taj-Mahal Travelers lived up to their name. Touring in a Volkswagen van across Europe and Asia in the early ’70s, they eventually reached the actual Taj Mahal in India. Upon their return to Japan, they held a concert to raise more touring funds and released their very first recordings. Their debut album, July 15, 1972, would extend the band’s matter-of-fact titling: all the tracks were named precisely for the times they began and ended. With a grab bag of instrumentation (electric violin, double bass, santoor, vibraphone, harmonica, radio oscillators, sheet iron, etc.), The Taj-Mahal Travelers weave together mesmerizing waves of sonic texture. Featuring longtone concepts that Kosugi discovered while working with sound generators in New York in the mid-’60s, July 15, 1972 remains just as much a collective tone poem as psych workout. These leader-less sounds coalesce into a unified whole that feels both subconscious and sublime, as if the waveforms bypass the listener’s ears and land directly inside one’s synapses. This first-time vinyl reissue is limited to 900 numbered copies. Comes with poster.  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: ETAT11 \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Etats-Unis\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":31419808710795,"sku":"ETAT11","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ETAT11.jpg?v=1575466621"},{"product_id":"ooioo-nijimusi-2xlp","title":"OOIOO ‘Nijimusi’ 2xLP","description":"\u003cp\u003e\u003cstrong\u003eCrystal clear vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“A monument to the endless possibilities afforded by an improvisational spirit, but more importantly it highlights Yoshimi and her band’s tireless and ever-evolving voice.” - Pitchfork \u003cbr\u003e“In the seemingly impenetrable, fantastic murkiness of Japanese experimental psych pop, more often than not, Yoshimi has been a beacon.” - FADER (cover story) \u003cbr\u003eOOIOO is a name that should be familiar to anyone who’s waded into the world of rock - and so should their leader YoshimiO’s. Percussionist and founding member for the Boredoms and Saicobab and a longtime collaborator of Kim Gordon (of Sonic Youth), Susie Ibarra and Robert Lowe, among others. \u003cbr\u003eIt’s no surprise that each OOIOO record has been as energizing and enthralling as the last, which might be the most consistent thing about their eight records - each focus on and offer listeners something new. \u003cbr\u003e‘Nijimusi’ was mainly recorded using a conventional rock ensemble of two guitars, bass and drums but often feels more than that, the phrasing and rhythms becoming something new slowly and then all at once. It’s rock but hard to pin down exactly; psychedelic, shimmering distortion, shouts and tight instrumentation giving way to a controlled burn of instrumental breakdowns. \u003cbr\u003eFounded in 1995, OOIOO continue to wow. After six years without releasing new music internationally they’ve created a new album that goes back to the roots of being a four-piece band. \u003cbr\u003eOOIOO’s members came together as musicians who move freely between the audible and inaudible, rhythm and non-rhythm, noise and silence. ‘Nijimusi’ can be considered music but it is also a work of art that stimulates the sense of touch and smell, while being atmospheric and ethereal at the same time. \u003cbr\u003ePressed on crystal clear vinyl in deluxe gatefold package designed by Qotaroo using artwork by Ooido Syoujou. \u003cbr\u003eFor fans of Boredoms, Endon, Ruins, Deerhoof. \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: THRILL509LPX\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e\u003cbr\u003eLabel: Thrill Jockey\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":31430459490443,"sku":"THRILL509LPX","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/THRILL509LPX.jpg?v=1575812845"},{"product_id":"torres-silvertongue-lp","title":"TORRES 'Silvertongue' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eGreen and silver vinyl.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA person whose words are so potent that they cause the people and beings around them to vibrate is said to have a “silver tongue.” It’s apt, then, that Mackenzie Scott—who has spent the 2010s making boundary pushing pop music under her TORRES moniker—has chosen to call her fourth album, and first release on Merge, just that.\u003c\/p\u003e\n\u003cp\u003eRecorded at O’Deer in Brooklyn, New York, Silver Tongue is a full-scale realization of the world Scott has created over TORRES’ last few albums. Even when singing in more subdued tones, Scott’s voice is fervent, her lyrics stirring and unyielding as she draws from both the divine and the everyday. It’s also the first TORRES record produced solely by Scott. After having shared production duties on her first three albums, the latter two alongside PJ Harvey collaborator Rob Ellis, she found the process liberating: “I made exactly the record I want, and it feels very ‘me.’” Silver Tongue fastidiously chronicles the impulses that make up desire from the dreamy first blushes of infatuation through the slightly terrifying wonder that accompanies connection with another. In between, Scott wrestles with the highs and lows of what “being in love” might mean over heady guitars and swirling synths. While potent vocal hooks punctuate songs like the sparkling “Dressing America,” which combines New Wave glitter with hovering frustration, and the brooding “Good Grief,” which gently pokes at the idea of fetishized sadness, the knottiness lurking underneath reflects Scott’s realtime processing of her emotions while making the record. Silver Tongue’s musical world is vast and at times seemingly infinite. Edge-of-the-world synths add gravity to the vulnerability of “Two of Everything,” and refracted guitars offer a gnarled counterpoint to Scott’s increased determination at the end of “Last Forest.” On “Gracious Day,” one of TORRES’ most forthright love songs, Scott’s voice hovers over a starlit landscape in a way that transcends the mundane and enters the otherworldly as she sings.\u003c\/p\u003e\n\u003cp\u003eTORRES’ music has long navigated the space between the physical and the metaphysical, and Silver Tongue faces that conflict head-on, examining the ways in which the actions of others can stir up deep-seated feelings and seemingly alter the space in which one exists.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eCatalogue number: MRG707LPC1\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eCondition: New\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eLabel: Merge Records\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":31736338284683,"sku":"MRG707LPC1","price":20.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/torres.jpg?v=1578493046"},{"product_id":"oliver-coates-laurie-tompkins-ample-profanity-lp","title":"Oliver Coates \u0026 Laurie Tompkins 'Ample Profanity' LP","description":"\u003cdiv class=\"modal-body\"\u003e'Ample Profanity' is composer Laurie Tompkins and cellist Oliver Coates' collaborative debut: coagulated gristle surfacing from a Beal, Brooklyn-brown, Ray V, Bangs, GAN, Rugs and Works acid bath. \u003cbr\u003e \u003cbr\u003e The EP collects 5 pieces composed by Laurie and then co-edited and performed with Olly. The former plays keys, tape player, and samples, the latter cello with effects. Both sing. \u003cbr\u003e \u003cbr\u003e Here is grazed, contorted classicism, here post-binge hallucinations, here gunky funk.\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: SLP038\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Slip\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":31758689697931,"sku":"SLP038","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/slp_f7115d0e-6aa6-48bc-a1ad-acd323a9b489.jpg?v=1578589628"},{"product_id":"iona-fortune-tao-of-i-lp","title":"Iona Fortune 'Tao Of I' LP","description":"Iona Fortune is a composer and producer from Glasgow and presents the “Tao of I” album as her debut release. \u003cbr\u003e \u003cbr\u003e Inspired by Eastern Philosophy and slated to be the first in an 8 album series exploring all the symbols of the I Ching, her music is influenced by oriental sounds and features a palette of instruments that includes the Guzheng, Gamelan and EMS Synthi AKS. \u003cbr\u003e \u003cbr\u003e The overall effect is a singular and beguiling sound that very loosely fits in with the Fourth World concept imagined by Jon Hassell, and indeed Iona Fortune has also contributed a track to Optimo Music’s recent Fourth World compilation “Miracle Steps”. \u003cbr\u003e \u003cbr\u003e The initial vinyl edition will come on a white pressing with inside sleeve and original artwork by Iona Fortune.\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: OMLP010\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Optimo\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":31758911602827,"sku":"OMLP010","price":18.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/OMLP010.jpg?v=1578589928"},{"product_id":"david-eugene-edwards-alexander-hacke-risha-lp-1","title":"David Eugene Edwards \u0026 Alexander Hacke 'Risha' LP","description":"\u003cp\u003eLimited coloured vinyl.\u003c\/p\u003e\n\u003cp\u003eWe're more than happy to announce that David Eugene Edwards and Alexander Hacke will release their first collaboration album entitled 'Risha' June 22nd via Glitterhouse Records.\u003c\/p\u003e\n\u003cp\u003eBoth know each other for ages. They have a connection since the early days of 16 Horsepower and collaborated on the reunion album 'American Twilight' by Australian Indie Rock outfit Crime \u0026amp; The City Solution (2013). Finally they found the time to record this astonishing piece of an album: “David and I have been admirers of each others work for some time. We first got to play together for The Glasshouse, a movie project initiated by my wife Danielle de Picciotto and during the brief resurrection of Crime \u0026amp; the City Solution all three of us were involved with. Shortly after I worked on Wovenhand’s Laughing Stalk album as a mixing engineer. We became close friends during these very diverse collaborations and started talking about creating music together, which would combine electronics with ethnical instruments and overdriven guitars with oriental rhythms and scales” Hacke says.\u003c\/p\u003e\n\u003cp\u003eOver the last two decades, Edwards’ prolific work in both bands, 16 Hosepower and Wovenhand has influenced and inspired a generation of musicians. His music has always had an unparalleled intensity. His rich, billowing and emotive voice is always the driving force of his music. “What I love about David is his approach to words and music, which to me seems to be all about tapping into a divine source of inspiration and to leave all profane concerns and conventions behind in order to create some true and truly great art.”\u003c\/p\u003e\n\u003cp\u003eAlexander Hacke, a musician from the start, is primarily known as a longtime member of German industrial music group Einstürzende Neubauten and one of Germany's most influential experimental artists. \"Alexander Hacke has been a part of my life for so many years, long before I ever had the pleasure to meet him. I am a fan to say the least. He has been more than an inspiration to me. He is a true talent and I have the utmost respect and admiration for him as a person and a musician and all that he has been a part of. I have listened to religiously and learned so much from. When we finally did meet the image I had of him was only made greater, in person he is so kind and patient and generous, intelligent and such an all around bad ass“ David says. Almost impossible to resist such an exotic and amazing pairing.\u003c\/p\u003e\n\u003cp\u003e“Our way of working together turned out to be really intuitive. We didn’t have to discuss a lot of conceptual strategies and rather allowed ourselves to be guided by the music, which happened to just materialize in vast chunks. All we had to do was to merrily put the pieces together and discover the tale they were telling.” - Alex Hacke\u003c\/p\u003e\n\u003cp\u003eDavid Eugene Edwards recorded all vocals, guitars and string instruments; Alexander Hacke played keyboards, bass, drums and electronics. Together they created an astonishing and hypnotical soundscape and atmosphere on their first full length LP.\u003c\/p\u003e\n\u003cp\u003e'Risha' cannot be described in traditional terms. This sound is a sweeping tapestry of Americana, Neo-Folk, Industrial, Ambient, Electronic and Arabic Music. 'Risha' - which means 'Feather' in Arabic - contains 10 parts: Beginning with the mystic 'Tryptich' which is followed by the furious beat of 'All in the Palm'. Hacke and Edwards keep the pace with 'The Tell' and its driving industrial rhythm and break it down completely with track #4, “standing stone, Helios”. 'Kiowa 5' is shaped by fascinating drum patterns and the shamanic vocals of David Eugene Edwards. 'Lily' is the song that is inspired most by early Wovenhand, followed by the dark and hypnotic 'Parish Chief' with its almost Suicide-like vintage drumbeat, the drone excursion 'Akhal', before the memorable 'Teach Us To Pray' and the final and epic 'Breathtaker'. Each one a piece of the puzzle; made to be listened in its entirety.\u003c\/p\u003e\n\u003cp\u003e„To make our own record together has always been a dream and now because of his kindness we have done so. I am so grateful and honored to play with him and so excited for the world to hear what we have created together.“ - David Eugene Edwards\u003c\/p\u003e\n\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #1a9b8b;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Glitterhouse\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RSD 2019","offers":[{"title":"Default Title","offer_id":31974278234251,"sku":"","price":23.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/risha.jpg?v=1579708471"},{"product_id":"paul-weller-in-another-room-7","title":"Paul Weller 'In Another Room' 7\"","description":"\u003cp\u003e\u003cstrong\u003e*** STRICTLY ONE PER PERSON ***\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe eclecticism of his career goes without saying and in Ghost Box Weller finds the perfect home to explore his interest in experimental tape music and early electronics. The four tracks here though are more than just experiments. Tape manipulation, field recordings and instrumental passages are artfully arranged to create a gently uncanny and psychedelic atmosphere. During the final piece Rejoice the abstraction starts to resolve into a more conventional and joyful group sound. No sooner has the melody taken shape when it suddenly collapses, deepening the magic and mystery of the whole work. In part this is musique concrète in the tradition of Pierre Schaeffer. The “sonic art” of Trevor Wishart being perhaps a closer parallel. Unlike the mid-century pioneers of avant garde music, Weller introduces subtle melodic elements and ghostly fragments of song. Pianos drift in from next-door rooms with an atmosphere not unlike the work of Virginia Astley. The resulting impression is melancholy and reflective with a dreamlike sense of loss.\u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: GBX721\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Ghostbox\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"State51","offers":[{"title":"Default Title","offer_id":31997680058507,"sku":"GBX721","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/GBX721.jpg?v=1579878515"},{"product_id":"nurse-with-wound-rock-n-roll-station-2xlp","title":"Nurse With Wound 'Rock ‘n Roll Station' 2xLP","description":"First time on vinyl since 2006 and first time with its original track listing. Limited one-off pressing with letterpress cover and a bonus track.\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eA delight of hypnotic rhythms made of slow minimal beats, industrial textures, intoxicating drones and repetitive voices that seem to merge from dreams. Everything built by two of the most brilliant industrial music minds: Steven Stapleton and Colin Potter. Rock 'n Roll Station began life with Steven Stapleton asking engineer Colin Potter to remix some of the more rhythmic elements of 'Colder Still' from 1992's Thunder Perfect Mind. As Potter gradually warped these sections into weirder and weirder pieces, a new album began to emerge. Potter himself explained it to David Keenan in England’s Hidden Reverse: “What I sometimes did in the studio was to ‘over-use’ effects and processors to totally mutate a piece into something completely different” while Stapleton observed how “it was almost as though telepathic messages were sent over to Colin. [We’d] started an album [together at IC Studio] that was never finished. He [then] sent me some vague mixes, which were just what I had in mind. So, from that basis, I started putting the album together.” Potter would quickly become a key player in Nurse With Wound’s productions, a position he continues to fulfil to this day. He was first credited as a member on 1992’s Thunder Perfect Mind, a tour-de-force of cold, at times hostile, machined atmospheres, but considers Rock ‘N Roll Station from the following year to still be his favourite. Building on percussion and drone elements, Stapleton and Potter throw in a huge range of bizarre and atmospheric elements: didgeridoos, chanting voices, and their usual selection of unidentifiable sounds. Its strong focus on rhythm was erroneously surmised by some as an attempt to join the then rising electronic dance music scene. But it was Stapleton’s recent obsession with the music of ‘King of the Mambo’ Pérez Prado that was beating at the heart of Rock N’ Roll Station’s heady rhythms. The album’s title alluded to two specifically rock-related stations of influence: the song of the same name by Jac Berrocal, of which a surprisingly straight cover opens the album in homage; and the tragic life of the Sixties British R\u0026amp;B organist Graham Bond who influenced bands such as Deep Purple and Cream. Beset by mental health problems (at one point believing he was the son of Aleister Crowley), Bond died under a train at a Tube station in 1989 and it is this tragic scene that Rock ‘n Roll Station’s closing track, ‘Finsbury Park, May 8th, 1:35 PM (I'll See You In Another World)’, sets in sound.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: ABST011\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Abstrakce\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":32394709696651,"sku":"ABST011","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/nurse_2447ae2a-0c3e-4a64-926f-83947e0ab6c8.jpg?v=1582108695"},{"product_id":"king-creosote-ky-10-lp","title":"King Creosote 'KY-10' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cspan style=\"left: 935.167px; top: 1310.34px; font-size: 20px; font-family: sans-serif;\"\u003e\u003c\/span\u003e\u003cspan style=\"left: 47.2px; top: 70.6209px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.999284);\"\u003eKing Creosote’s new experimental LP based around a comic made out of glass.\u003c\/span\u003e\u003cspan style=\"left: 580.317px; top: 70.625px; font-size: 15px; font-family: sans-serif;\"\u003eT\u003c\/span\u003e\u003cspan style=\"left: 589.317px; top: 70.625px; font-size: 15px; font-family: sans-serif; transform: scaleX(1.00203);\"\u003ehe world has no time now for a long story, a slow \u003c\/span\u003e\u003cspan style=\"left: 47.2px; top: 87.825px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.998637);\"\u003ejourney or a considered response, yet this modern life consumes and discards our natural resources as if there was too much t\u003c\/span\u003e\u003cspan style=\"left: 886.967px; top: 87.825px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.999366);\"\u003eime left \u003c\/span\u003e\u003cspan style=\"left: 47.2px; top: 105.225px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.999095);\"\u003eto clean up the mess. One inhabitant of Crail \u003c\/span\u003e\u003cspan style=\"left: 347.683px; top: 105.225px; font-size: 15px; font-family: sans-serif;\"\u003e-\u003c\/span\u003e\u003cspan style=\"left: 356.883px; top: 105.225px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.997302);\"\u003ea buoy headed entity wit\u003c\/span\u003e\u003cspan style=\"left: 518.483px; top: 105.225px; font-size: 15px; font-family: sans-serif; transform: scaleX(1.00101);\"\u003eh ridiculous knees \u003c\/span\u003e\u003cspan style=\"left: 643.117px; top: 105.225px; font-size: 15px; font-family: sans-serif;\"\u003e-\u003c\/span\u003e\u003cspan style=\"left: 651.917px; top: 105.225px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.99887);\"\u003eis woken from an aeons long slumber by \u003c\/span\u003e\u003cspan style=\"left: 47.2px; top: 122.425px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.999907);\"\u003ethe momentary, careless thrust of a fossilised pebble from the beach. As KY10 drifts out of the harbour on an ebbing tide, he\u003c\/span\u003e\u003cspan style=\"left: 876.367px; top: 122.425px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.998002);\"\u003eis joined \u003c\/span\u003e\u003cspan style=\"left: 47.2px; top: 139.625px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.998979);\"\u003eby the bipolar gull Hrafn, himself a poor substitute for Odi\u003c\/span\u003e\u003cspan style=\"left: 425.883px; top: 139.621px; font-size: 15px; font-family: sans-serif; transform: scaleX(1.00092);\"\u003en’s own ravens Thought and Memory, and the pair embark upon a westward \u003c\/span\u003e\u003cspan style=\"left: 47.2px; top: 156.858px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.999432);\"\u003ejourney propelled only by the wind, ocean currents and the occasional tow from an unsuspecting trawler. Daberlocks (Keny Drew\u003c\/span\u003e\u003cspan style=\"left: 900.967px; top: 156.858px; font-size: 15px; font-family: sans-serif; transform: scaleX(1.00672);\"\u003e) is a \u003c\/span\u003e\u003cspan style=\"left: 47.2px; top: 174.258px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.99852);\"\u003emaster of the stained glass, and while his illustrate\u003c\/span\u003e\u003cspan style=\"left: 381.683px; top: 174.258px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.998034);\"\u003ed pages are being fired in the kiln he dreams up adventures for KY10 weaving \u003c\/span\u003e\u003cspan style=\"left: 47.2px; top: 191.458px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.999886);\"\u003etogether marine science, conspiracy theories, pollution havoc and piracy. Ronnie Hughes, retired Anstruther fisherman, reads \u003c\/span\u003e\u003cspan style=\"left: 882.967px; top: 191.458px; font-size: 15px; font-family: sans-serif; transform: scaleX(1.00126);\"\u003ethese \u003c\/span\u003e\u003cspan style=\"left: 47.2px; top: 208.658px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.99907);\"\u003etales aloud with all the experience gleaned from\u003c\/span\u003e\u003cspan style=\"left: 368.483px; top: 208.658px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.99917);\"\u003ea lifetime spent battling the North Sea. Kwaing Creasite (Kenny Anderson) stays \u003c\/span\u003e\u003cspan style=\"left: 47.2px; top: 225.858px; font-size: 15px; font-family: sans-serif; transform: scaleX(0.998739);\"\u003eashore and puts it all to a soundtrack of slowly degrading tape loops, wonky samples and some not so well placed 80s keys\u003c\/span\u003e\u003cbr\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: TTLP008\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Triassic Tusk\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":33530184171659,"sku":"TTLP008","price":27.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/kingcreosote.jpg?v=1588056971"},{"product_id":"ben-lukas-boysen-mirage-lp","title":"Ben Lukas Boysen 'Mirage' LP","description":"\u003cp\u003e\u003cstrong\u003eLimited indes only clear vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBerlin based composer and producer Ben Lukas Boysen returns with his most progressive and shape-shifting work to date, the long awaited Mirage, on 1 May 2020 with Erased Tapes. The third album to be penned under his own name proceeding his Hecq moniker, Mirage follows 2013’s Gravity and the acclaimed 2016 full length Spells, a record as much admired by his peers as it was loved by fans that not only yielded remixes from Max Cooper and Tim Hecker, but also opened Jon Hopkins’ Late Night Tales compilation.\u003c\/p\u003e\n\u003cp\u003eSince the release of Spells, Ben continued to be in demand for his scoring abilities, collaborating with cellist and composer Sebastian Plano on the music for David OReilly’s landmark innovative video game Everything. It was added to the long list for the Best Animated Short at the 90th Academy Awards, making it the first video game to qualify for an Oscar. In 2019 Ben contributed to the Brainwaves project alongside fellow Erased Tapes artists Michael Price and Högni Egilsson in collaboration with a team of scientists at Goldsmiths University, London — linking states of consciousness and music. He also scored the soundtrack to the DAFF award-winning German TV show Beat, the feature film The Collini Case, and co-composed the music for the short film Manifesto with Nils Frahm, starring Cate Blanchett.\u003c\/p\u003e\n\u003cp\u003eAs with Gravity and Spells, Ben has an array of musical guests adorning Mirage, including long time collaborator, Berlin based cellist and composer Anne Müller as well as Australian saxophonist and composer Daniel Thorne — for whom Ben wrote parts specifically, having heard his 2019 solo debut Lines of Sight. Lead track Medela features both and takes the listener on a kaleidoscopic journey that slides with ease across sonic terrains. By the end it’s difficult to tell what exactly was heard; “I wanted to experiment with blending these recordings with 100% artificial elements, often to points where an instrument becomes an abstraction of what it was and the musicians’ presence in the song is much more of an important DNA string in the song rather than an obvious layer.”\u003c\/p\u003e\n\u003cp\u003eMirage, like its title suggests, feels like a sonic optical illusion — each piece containing sounds and techniques bent and processed to make them seem overexposed; the overly felt-y piano on Clarion, Daniel Thorne’s saxophone on Medela, the single note voice of Lisa Morgenstern splitting into different chords on Empyrean. It is detectable but also easily missed, like the double piano on Kenotaph that could be perceived as one, but is actually two pianos in two different rooms, separate countries even — one is digital while the other is acoustic.\u003c\/p\u003e\n\u003cp\u003eWhile on Spells Ben made programmed pieces sound indistinguishable from human playing, with Mirage he set out to do the opposite and make the human touch unrecognisable, creating something of a mystery or a mirage.\u003c\/p\u003e\n\u003cp\u003e“A lot of the elements and instruments you hear on the album are either not what you think they are, or exactly what you think they are but behave differently or they’re elements you definitely know but they are hidden, processed, or morphed into something else. With Spells and Gravity I was trying to hide the machines. On Mirage, I’m trying to hide the human” — Ben Lukas Boysen\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003eCatalogue number: ERATP132LE\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e\u003cbr\u003eLabel: Erased Tapes\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":33561396150411,"sku":"ERATP132LE","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/BBL.jpg?v=1588256855"},{"product_id":"david-grubbs-taku-unami-comet-meta-lp","title":"David Grubbs \u0026 Taku Unami ‘Comet Meta’ LP","description":"\u003cp\u003eLongtime friends and now the most simpatico of collaborators, ‘Comet Meta’ finds David Grubbs and Taku Unami fully in third-mind territory as they start the conversation anew after their touted 2018 debut, ‘Failed Celestial Creatures’ (Empty Editions). \u003cbr\u003e‘Comet Meta’ grew out of concerts in Seoul, Hong Kong and Tokyo, with ground broken for this recording on a plane 35,000 feet above the East China Sea and in a tiny Risograph studio in Tokyo where they had to be extremely quiet. \u003cbr\u003eThose familiar with Grubbs’ and Unami’s extensive discographies know them as folks who like to think and to make on their feet and on the run, with situation and surroundings profoundly generative. \u003cbr\u003eThe sound world of ‘Comet Meta’ ranges from pindrop twin- guitar focus (‘Comet Meta’ and ‘Nothing Left to Hear but the Night’) and Grubbs’ piano manoeuvring in Unami’s electroacoustic forcefields (‘Mirror Auction at Echo Décor’ and the horror homage ‘Walking Corpse in an Old House’) to unclassifiable throbs, ceiling fans and the distant exultation of the crowd at the New York City marathon. \u003cbr\u003eTaku Unami’s work is influenced by science fiction, supernatural horror and weird fiction. He’s the composer of film scores for directors including Isao Okishima and Takeshi Furusawa, is one-third of the group Hontatedori and has collaborated with, among others, Annette Krebs, Radu Malfatti, Jean-Luc Guionnet, Jarrod Fowler, Toshiya Tsunoda and Graham Lambkin. \u003cbr\u003eDavid Grubbs has played in Gastr del Sol, the Red Krayola and Squirrel Bait and performed with Tony Conrad, Susan Howe, Pauline Oliveros, Will Oldham and many others. He’s the author of the books ‘The Voice in the Headphones’, ‘Now that the audience is assembled’ and ‘Records Ruin the Landscape’.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003eCatalogue number: BC32\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Blue Chopsticks\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":35382712369320,"sku":"BC32","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/BC32.jpg?v=1595846700"},{"product_id":"sarah-davachi-cantus-descant-2xlp","title":"Sarah Davachi ‘Cantus, Descant’ 2xLP","description":"\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDarkcrystal trading ALBUMS OF THE YEAR 2020 #45\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003eThe new Sarah Davachi record is an 80-minute, 17 track double album meditation on impermanence and endings, framed by minimalistic organ études and careful harmonic layering. On two tracks the artist’s own vocals are also heard for the first time. This is the first release on the artist’s own label, Late Music. \u003cbr\u003eThe title of the record - ‘Cantus, Descant’ - has both literal and metaphorical meaning and is something of a concept album that addresses the relationship between the two. In medieval music, the Latin ‘cantus’ was used as a general term for unadorned singing or chant and by the end of the Middle Ages it came to represent the highest voice of a polyphonic choral texture, often improvised. ‘Descant’, at that time, was used in part to denote the structures of polyphony and counterpoint, the harmonious play of two or more voices against one another. \u003cbr\u003eThe instrumentation is predominantly organ-based, a combination of electric organ, reed organ and a pipe organ based on a 15th Century design. These arrangements are embellished with tape-based technologies like the Mellotron and echo devices. \u003cbr\u003eDavachi comments: “The pervading effect on the album is one that gives reverence to the suspension, the epoché, a space where we welcome and attempt to reconcile impermanence. It is an opportunity to go inside - oneself, one’s sound - in order to simultaneously commune with our comforts and that which we mourn, perhaps not unlike the function of a hymn.” \u003cbr\u003eSarah is based in Los Angeles and has previously released records with Superior Viaduct, Ba Da Bing!, Recital and Boomkat Editions. \u003cbr\u003eLP formats include digital download code. Packaged in a gatefold sleeve. \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: LMILPX\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e\u003cbr\u003eLabel: Late Music\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":35918345535656,"sku":"LMILP","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/LMILPX.jpg?v=1598352187"},{"product_id":"tashi-dorji-stateless-lp","title":"Tashi Dorji ‘Stateless’ LP","description":"\u003cbr\u003eIn the past two decades, Tashi Dorji has travelled a long road, recording several dozen albums and touring the world, playing his guitar solo and in collaboration with inspired others. Gifted with a sensitive ear to the clarion call of intuitive artistry, he is forever picking up his instrument and reaching through it to find new sounds. In this, he has distinguished himself among those who listen to improvised music as an incisive, distinctive player of moments. \u003cbr\u003eDrag City told Tashi they’d love for him to make a record for them and he said he’d love to do it. That was the end of the discussion. No parameters. He thought about it a bit, decided to make an acoustic guitar record, then he made it and here it is. Very beautifully recorded, a probing recital in which music, the texture of the instrument and the nature of the space in the moment which it is played are all of equal significance. It’s an astonishing sequence of performances - and when paired with titles like ‘Refusal’, ‘Statues Crumbles, Heroes Fall’, ‘End Of State’ and ‘The Swelling Fruit About To Shatter The Husk Of The Old World’, the music is further informed with elevated vision and purpose. \u003cbr\u003eLike a sculptor, Tashi flecks away at the guitar, percussive strikes discovering the shades of folkish melodies within, while continuously shaping other contours. A resourceful and vigorous use of techniques suggest discourse and discordance. The scraps and ricochets begin to add up, shots to the head, grazing the side, exposing ribs that grin dully red. Yet moments of his bluntest touch yield fluidly to lithe feathering, or pivot to a quiet focus on selected strings, which threatens to rise up before a moment of gentle subsiding. This is improvisation: the songs playing through Tashi, beyond choices or preference. The result only of sitting and playing, no thoughts in that moment. Yet even the shreddiest, pluckiest, out-of-mindest moments feel guided, led by a hand from beyond. \u003cbr\u003eWith the gravity of a rock-opera and the delicacy of a suite, ‘Stateless’ measures the miles on the charred highway we’re all presently stalled upon - not going home again, at time on a march for no reason, other moments insensibly in the weeds, rummaging, looking for something. \u003cbr\u003e \u003cbr\u003eCatalogue number: DC772\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e Drag City\u003cbr\u003eLabel: \u003cbr\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":36025899385000,"sku":"DC772","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/DC772.jpg?v=1598878895"},{"product_id":"penelope-trappe-eel-drip-12","title":"Penelope Trappe 'Eel Drip' 12\"","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eSummoning the great ghosts of vintage 4AD and Kranky, the Australian singer and producer makes inky dream pop that’s as heavy and welcoming as a weighted blanket in winter. Eel Drip is referencing the Celtic Goddess of War and Death, Morrigan, The Phantom Queen. She is a shapeshifter known for being a goddess of war and battle, the cycle of life and death, and is also associated with wisdom and prophecy, magic and the land. Often portrayed as a trio of sisters who appeared as a crow, she was the keeper of fate, teller of secrets and purveyor of prophecy. \u003cbr\u003e...In her tales and prophecies there were Crows, Ravens, Wolves, Vultures, Eels and Cows.\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: HTH137\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Houndstooth\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":36760550539432,"sku":"HTH137","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/HTH137.jpg?v=1603190599"},{"product_id":"tetema-necroscape-lp","title":"tētēma 'necroscape' LP","description":"\u003cp data-mce-fragment=\"1\"\u003eThe sophomore release from Mike Patton (Faith No More, Mr. Bungle) and Australian composer Anthony Pateras.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e‘necroscape’ synthesizes a lot of territory: odd-time rock, musique concrète, otherworld grooves, soul, industrial noise, microtonal psychoacoustics... seemingly strange bedfellows on paper, yet in the ears they surprisingly coalesce into 13 songs which playfully challenge our notions of sonic logic and make you move at the same time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFive years in the making, ‘necroscape’ mushroomed organically from Pateras’ production based on tape loops, analogue synthesis and rarified keyboard instruments in combination with Patton’s dense vocal arrangements, Erkki Veltheim’s exploratory violins and drummer Will Guthrie’s unique percussive strategies. The result is a handmade, kaleidoscopic tour-de-force which re-imagines songwriting as something other.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePackaging features noted artist Talitha Kennedy’s sculpture work, packaged in super gloss digipak (CD) and embossed extra glossy gatefold sleeve (white vinyl).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe track ‘Funerale’ is a cover of the Ennio Morricone classic.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan class=\"cat_number\" id=\"variant_241177\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Ipecac\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Warner","offers":[{"title":"Default Title","offer_id":36848929145000,"sku":"","price":23.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2020-10-27at20.11.23.png?v=1603829593"},{"product_id":"mirry-mirry-lp","title":"Mirry 'Mirry' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cp title=\"Page 3\"\u003e● Dinked Edition Number 85\u003cbr\u003e● Exclusive ‘Smoke and Light’ colour vinyl.\u003cbr\u003e● Exclusive alternate sleeve artwork.\u003cbr\u003e● Exclusive and numbered A4 Risograph print.\u003cbr\u003e● Limited to 500\u003cbr\u003e● Includes a sixteen page booklet of archive images.\u003c\/p\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cp title=\"Page 3\"\u003e\u003cstrong\u003eStandard edition is release February 2021.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe discovery and musical re-imagining of Mirabel Lomer – an artist’s unheard world which is emerging from the shadows into the light.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMirry is one of those rare projects where the story seems so absolutely magical, that it’s almost impossible to imagine such beauty being lost in the shadows for so long.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e30 years ago, Edinburgh based musician \u003cstrong data-mce-fragment=\"1\"\u003eTom\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eFraser\u003c\/strong\u003e was helping with the house clearance after his grandfather’s death and found an old scratched Transco record left out on the street. He took it home where it sat on a shelf for years until one day during lockdown, he gave it a play - and a whole world opened up to him - his Great Aunt \u003cstrong data-mce-fragment=\"1\"\u003eMirry\u003c\/strong\u003e had recorded a number of piano compositions which she had kept secret from her family. Since then, Tom has been re-working and re-mixing her compositions with his brother-in- law \u003cstrong data-mce-fragment=\"1\"\u003eSimon Tong\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003e(The Verve, The Good the Bad and the Queen, \u003c\/strong\u003eand\u003cstrong data-mce-fragment=\"1\"\u003e The Magnetic North\u003c\/strong\u003e) and together with project curator Kirsteen McNish they hope that this secret life will now reach beyond Mirry’s own four walls.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Mirabel Lomer was born in 1906 to a military family and for the best part of her life stayed at home in Ireland looking after her elderly parents. In the early 1950s she became a paid companion to another elderly couple in Wiltshire, both of whom she nursed until they died. While most of her life was spent caring for others it also transpired that Mirry had written music (despite the fact that as a young woman, her father actively discouraged her playing music in the family home). In quiet rebellion and creative escape, she composed this piano music secretly and her nephew and confidant Geoffrey captured it on his tape recorder.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Like untold numbers of women whose creative lives didnt find an outlet, Mirry never received any accolades for her work but enjoyed the act of creating work for herself. She died in the 1980s but the story of Mirry’s music and secret life is still unfolding.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e The resulting album “Mirry” by Fraser and Tong is a celebration of Mirry’s work and a call and response to her original recordings with her family members – almost as if she were still in a room with them.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Since then Tong has retrieved whatever else he could find in the family attic. Hundreds of Stereoscopic slides, super-8 films, photography, stories, poetry and further recordings were found, all recorded by her nephew, (now in his nineties) who believes Mirry would be delighted that her work would be heard many years down the line.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Tong said “This project hopes to shine a light on carers, and how ones creative work can live on and continue to reverberate and evolve long after it’s original conception”\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Dutchess\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":37173974237352,"sku":"","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2020-11-25at07.07.54.png?v=1606288230"},{"product_id":"olivier-alary-johannes-malfatti-u-i-lp","title":"Olivier Alary \u0026 Johannes Malfatti ‘u,i’ LP","description":"A reflection on modern life glimpsed through the prism of communications technology, ‘u,i’ was recorded almost entirely over VOIP (voice over internet protocol) apps like Skype. Using voices extracted from personal video feeds and instrumental performances (cello, flute, violin, clarinet, organ), these were sent between their studios in Berlin and Montreal via VOIP and re- recorded whilst playing with bandwidth reduction to colour and accentuate its flaws and distortions. \u003cbr\u003eFascinated by the way technology materialises memory, and by “the sound of its failure, pushed to its limits and breaking apart,” Johannes and Olivier have been collaborating for 20 years, working on numerous film projects together. Olivier previously worked under the Ensemble alias, in which Johannes participated as mixer, arranger and co-writer. Ensemble’s 2000 debut (on Aphex Twin’s Rephlex label) led to Björk drafting Olivier to remix several tracks and to co-write ‘Desired Constellation’. 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Nonetheless, in 2015 they reissued Kraus’ ‘I could Destroy You With A Single Thought’, a CDR from 2004, because it was camping in our all-time favourite records list for a decade and the data on this erratic medium tends to erase itself, much like a troubled past. \u003ci data-mce-fragment=\"1\"\u003eA Golden Brain\u003c\/i\u003e was published in the first wave of the Covid pandemic via Kraus’ bandcamp as a digital release. And once again we couldn’t help ourselves. This is Kraus at his best: if a bedroom could be a stadium, he would play the main stage.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Ultra Eczema\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":37687963975848,"sku":"UE297","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-01-19at08.53.32.png?v=1611046454"},{"product_id":"miaux-black-space-white-cloud-lp","title":"Miaux 'Black Space, White Cloud' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFollowing two singles, two albums, and a bunch of compilation tracks, we are proud to present Miaux’s third LP.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMia Prce, originally from Sarajevo and a Belgian resident since 1989, was reared on a psychedelic diet of Krautrock and similarly serpentine music by her artist parents who were part of the Antwerp-based (and over fifty years old) Ercola collective. Beautiful songs that break hearts without using a sharp object! More tears for the creatures of the night.Winner!\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Ultra Eczema\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":37687986421928,"sku":"UE256","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-01-19at08.48.36.png?v=1611046182"},{"product_id":"hiele-sings-lp","title":"Hiele 'Sings' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Roman on the cover soldiers on in silence. This album is the product of excavations in materials recorded at home, EMS in Stockholm, Worm in Rotterdoom, and Willem Twee Studios in ’s-Hertogenbosch, much of which has been collaged, recollaged, broken apart, bleeped backwards and put back together with the kind of casual elegance that takes years of practice to perfect. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHiele is a very busy man: aside from his music (solo, commissions, and in collaboration with far too many people to mention here) he co-runs Table Dance — a bar-restaurant-venue in Antwerp’s red light district — and Universal Exports, a shady organisation that occasionally releases records.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLimited edition of 300 copies. Includes a poster\/insert, download code and a UE sticker.\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Ultra Eczema\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":37688002117800,"sku":"UE291","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-01-19at08.50.18.png?v=1611046286"},{"product_id":"ogon-batto-browse-lp","title":"Ōgon Batto 'Browse' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cbr\u003eŌgon Batto is an exercise in patience; indeed, a model of restraint in these trying times. Although a fixture of the Belgian underground for over a decade (as part of the Hare Akedod label and band, the latter with DSR Lines’ David Edren), Bent Von Bent has released just two albums thus far. A scroll through ‘Browse’ reveals a series of miniature compositions — bite-size psychedelic treats, a sequence of imaginary hyperlinks and clickbait for Generation Instant Gratification, reminiscent of the early work of Battiato, Francois De Roubaix, and Igor Wakevitch. Limited edition of 300 copies. Includes an insert, download code and a UE sticker.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Ultra Eczema\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":37688014274728,"sku":"UE295","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-01-19at08.52.03.png?v=1611046378"},{"product_id":"amor-lemur-amor-lemur-12","title":"Amor \/ Lemur 'Amor \/ Lemur' 12\"","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAMOR\/LEMUR finds the Glasgow quartet AMOR in partnership with Norwegian improvising ensemble LEMUR to hopeful and ecstatic effect. Conceived before the onset of Covid 19 but finished during spring lockdown, their eponymous EP is the most loose, alive and elevated recording in AMOR’s catalog. AMOR\/LEMUR takes the template of throbbing avant disco expanded upon on previous recordings for Night School and lifts it into new territories, with new tonalities and unexpected turns on the journey. More than anything, the expanded, near-cinematic expression of human connectivity feels like a lightning new energy to grasp in the dark.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFollowing a revelatory concert in Glasgow in January 2020 wherein the two sets of musicians met and performed together for the first time, a recording session was arranged the following day, resulting in the most elevated permutation of AMOR’s art to date. Each track was built upon a rhythmic bedrock of percussion and drums performed by Paul Thomson and samples\/synthesizer by Luke Fowler. Thomson used bamboo Javanese gamelan (most notably on For You) and scrap metal, as well as traditional percussion and drums while Fowler incorporated processed ambient field recordings recorded in enclosed acoustic spaces around Glasgow.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSinger\/pianist Richard Youngs contributes some of the most bright and mindful work of his career. Acoustic bass player Michael Francis Duch, whose lush playing as ever provides the elastic spine to each song, scored the string parts for LEMUR on piano at home in Norway. The addition of swelling strings and drones fills out the AMOR sound significantly, lending a sonorous tone to 8 minute, epic closer For You or an ascending melodic introduction to Stars Burst that feels like a new morning dawning on a world saved from certain death.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith the circumstances of lockdown forcing the musicians to work differently, a thread of optimism and utopia grounded in the moment weaves through these tracks. Unravel reveals a spine tingling vocal from Youngs. It’s a song about the simultaneously grounding and ecstatic effect of love, feeling connected to others. It’s a simple message, “I’m finding myself in your smile, always unravels me” speaks of ego death, the dissipation of the material into a nirvana of pure energy, the power of surrender. This isn’t a quasi-religious message, this is the power of each other, a love song to connection in a temporary age of isolation. Stars Burst is a play on the inner and outer cosmos, with narrator Youngs exploring wonder to a pounding galloping rhythm and snake-charming synth. It’s an open dance, with the group locked in together for the wild ride. Fear is the centerpiece of the record, starting with drones and scraped overtones before swirling synth notes filter upwards to meet reverberating minor chords. Over 8 minutes of tight but loose playing, Youngs is the shaman instructing us to use Fear as a celebration of the moment, embrace it and jump into the unknown. The only way to overcome your fear is to feel it, use it as an energy. The use of the studio as an instrument throughout side 2 is particularly important, with the dubbing and mixing prowess of engineer Paul Savage (who mixed unattended due to lockdown restrictions) and tape manipulations performed by Jason Lescallet coming into play. For You closes out with a largely instrumental, evolving composition that uses many of the abstract and novel aspects of this permutation to aid the trance. It’s massive, an unfurling creature with unexpected tonalities and serious heft.\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Night School\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":37691522810024,"sku":"","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-01-19at20.37.19.png?v=1611088672"},{"product_id":"sarah-neufeld-detritus-lp","title":"Sarah Neufeld 'Detritus' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003eDinked Edition #96\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eViolet Coloured Vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e4 x 6x6” Postcard Set \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eNumbered Edition \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDinked Stickered \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eLimited pressing of 400\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eI composed this album within a larger body of work that was commissioned as a live soundtrack for Peggy Baker Dance Project’s Who We Are In The Dark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eWho We Are In The Dark is a collaboration originating in 2015 when Peggy Baker (legendary Canadian dancer and choreographer) and I were asked to perform a duet together at Fall For Dance North. Peggy chose to choreograph to my piece From Our Animal from my (then) upcoming second album, The Ridge. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eWanting to create something personal for her for this performance, I composed a prelude which began with the words “who we are in the dark”. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThere was something utterly compelling about working and performing together. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eComing from different generations (Baker is now 68), we share a sense of intensity, curiosity, and ferocity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eShortly after our debut performance together, Peggy commissioned me to collaborate with her on a full scale piece for her company. I began composing for this project in 2017, with the solo violin piece, The Top. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePeggy and I were exploring themes of darkness- her take often lived in the macro, universal elements, space, death, while my own exploration at the time was more close up- intimacy and the ego self. I think there was an invisible thread between us from our own experiences of loss and grief. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTo say the least, this collaboration and the work we produced has held tremendous meaning for both of us. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDrummer and composer Jeremy Gara (Arcade Fire) joined the collaboration in 2018, adding percussive and harmonic depth to my solo compositions, as well as inputting his own signature style of ambient noise composition and heavy, gripping drumming into the live score. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe work premiered in February 2019 and toured internationally throughout the year, with our most recent performance in Den Hague at Holland Dance Festival in February 2020. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eI began distilling the solo compositions into a smaller, album length body of work in the Summer of 2019, experimenting live with solo versions, adding more vocals, and incorporating foot pedal bass synth to my solo live capabilities. This body of work stood out for me, as a further push and refinement of the composition style I’ve been developing for the past 8 years, and as a marker of an intense and difficult passage in my own life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: One Little Independent\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Universal","offers":[{"title":"Dinked Edition Violet Vinyl LP","offer_id":37874412060840,"sku":"TPLP1643LTD","price":19.99,"currency_code":"GBP","in_stock":true},{"title":"White Vinyl LP","offer_id":37874412093608,"sku":"TPLP1643","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-02-10at12.06.18.png?v=1612958848"},{"product_id":"moor-mother-circuit-city-lp","title":"Moor Mother 'Circuit City' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eLimited coloured  vinyl\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e \n\u003cdiv class=\"js-readmore\" id=\"cHJvZHVjdC0=description\" style=\"max-height: none;\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none;\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePoet and noise musician Camae Ayewa (Moor Mother) presents her first theatrical work, a futuristic exploration-part musical, part choreopoem, part play-of public \/ private ownership, housing, and technology set in a living room in a corporate-owned apartment complex. Framed by Ayewa's bold poetry and bolstered by new Moor Mother music performed live by Irreversible Entanglements and the Circuit City Band, \u003ci data-mce-fragment=\"1\"\u003eCircuit City\u003c\/i\u003e is an afrofuturist song cycle for our current climate.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pt-3\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Don Giovanni\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Default Title","offer_id":37927017021608,"sku":"LPDG197","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-02-18at14.59.51.png?v=1613660408"},{"product_id":"cabaret-voltaire-bn9drone-2xlp","title":"Cabaret Voltaire 'BN9Drone' 2xLP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003eLimited white vinyl.\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003eCabaret Voltaire is Richard H. Kirk and Shadow of Fear was the band’s first studio album in 26 years and was released in 2020 to critical acclaim.\u003cbr data-mce-fragment=\"1\"\u003eBN9Drone delves deeper into Cabaret Voltaire’s arsenal of “harsh rhythms and threatening detonations” (Classic Pop). A brand new drone album on limited edition double white vinyl, available with high definition audio download.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: WARPLP302X\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Warp\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":39722965172392,"sku":"CABS32","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-04-21at11.11.38.png?v=1619000036"},{"product_id":"mica-levi-blue-alibi-lp","title":"Mica Levi ‘Blue Alibi’ LP","description":"Mica Levi is a musician and composer living in South East London who uses programming software, written notation and improvisation to produce music. They are currently a member of the groups CURL, Good Sad Happy Bad and Tirzah and have composed scores for a number of films including Under The Skin, Jackie, Monos, Zola and Mangrove (part of the Small Axe series). \u003cbr\u003e‘Blue Alibi’ is the second album Mica has released under their own name. Vinyl edition released concurrently alongside first album ‘Ruff Dog’. \u003cbr\u003e‘Blue Alibi’ is available on black vinyl in uncoated printed inner sleeve in printed reverse board 3mm spine outer sleeve, with retail sticker and digital download card. \u003cbr\u003e‘Ruff Dog’ is the first album Mica has released under their own name. Vinyl edition released concurrently alongside second album ‘Blue Alibi’. \u003cbr\u003e‘Ruff Dog’ is available on black vinyl in white paper inner bag in printed reverse board 3mm spine outer sleeve, with retail sticker and digital download card. \u003cbr\u003e \u003cbr\u003eCatalogue number: XRIS02LP\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\n\u003cul style=\"list-style-type: none;\"\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":39758204731560,"sku":"XRIS02LP","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/XRIS02LP.jpg?v=1619439611"},{"product_id":"eli-keszler-icons-2xlp","title":"Eli Keszler 'Icons' 2xLP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003eLUCKYME present the new album from New York based percussionist and composer Eli Keszler. Keszler has released music on Empty Editions, ESP Disk and PAN. His album Stadium released on Shelter Press was awarded Boomkat’s 2018 Album Of The Year. Frequent collaborator to Oneohtrix Point Never, Laurel Halo, Kevin Beasley and Rashad Becker – Keszler’s work has shown at The Lincoln Centre, MoMA PS1, MIT List and The Barbican. Keszler has written the original score to Dasha Nekrasova’s feature The Scary of Sixty First' and his other film work includes contributions to Daniel Lopatin's score for the Safdie Brother’s acclaimed,\u003cbr data-mce-fragment=\"1\"\u003eUncut Gems.\u003cbr data-mce-fragment=\"1\"\u003eKeszler's new album, Icons builds upon fragments of American abstraction, dreamlike ancient melodicism, industrial percussion, jazz age film noir and imperial decay. The music takes on forms difficult to describe outside an articulation of the loss and wonderment that defines our age.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Lucky Me\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":39951123677352,"sku":"LM082LP","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-05-19at14.16.49.png?v=1621430354"},{"product_id":"nurse-with-wound-sylvie-and-babs-lp","title":"Nurse With Wound 'Sylvie and Babs' LP","description":"\u003cp\u003e\u003cstrong\u003ePicture Disc.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv id=\"cHJvZHVjdC0=description\" data-readmore=\"\" data-readmore-expanded=\"true\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 987px;\"\u003e\n\u003cdiv id=\"cHJvZHVjdC0=description\" data-readmore=\"\" data-readmore-expanded=\"true\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 340px;\"\u003eDeluxe re-issue of this 80's classic from NWW. Expertly re-mastered by Denis Blackham.Beautifully packaged in 6 panel gloss laminated digipac, with special gloss 12 page booklet with artwork by Babs Santini. Includes a bonus disc of outtakes, unreleased material and remixes from Irr. App. (Ext.) and Andrew Liles.\u003cbr\u003e\n\u003c\/div\u003e\n \u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eCondition: New\u003cbr\u003e\u003cbr\u003eLabel: Dirter\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":39992651186344,"sku":"DPROMPD113","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-05-25at07.45.07.png?v=1621925139"},{"product_id":"juana-molina-segundo-2xlp","title":"Juana Molina 'Segundo (21st Anniversary)' 2xLP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" id=\"cHJvZHVjdC0=description\" data-mce-style=\"max-height: none; height: 563px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" id=\"cHJvZHVjdC0=description\" data-mce-style=\"max-height: none; height: 454px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis very special reissue celebrates the 21st anniversary of the release of Argentinian Juana Molina's breakthrough album Segundo in 2000. The detailed booklet recounts the eventful start of Juana's musical career, and containing numerous notes, anecdotes, original drawings and previously unreleased pictures. Contributors to the booklet include Bruce Springsteen's producer Ron Aniello, Domino Recording's Laurence Bell and David Byrne who, when he discovered the album, immediately invited Juana to open for him on his 2003 US tour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSegundo started Juana Molina's international trajectory as a musician. After dropping a highly-successful career as a TV comedian, she turned to music making. Regretting signing with a major company, who got her to record an over-produced debut album, she resolved to find her own direction in music. The result was Segundo that took 4 years to make involving sessions in Argentina and the USA. 'Segundo' finally came out on a small label in Argentina in 2000, found its way to Japan where it spectacularly took off, and was eventually picked up by the Domino label in 2003. Its reception set Juana Molina on course for performing around the globe, garnering a large, devoted fan base, and going on to record five more extraordinary studio albums.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cdiv title=\"Page 3\"\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Crammed Discs\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Default Title","offer_id":40025010241704,"sku":"CRAM227DLP","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-05-28at21.20.23.png?v=1622233311"},{"product_id":"death-in-june-nada-plus-2xlp","title":"Death In June 'Nada. Plus!' 2xLP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGold vinyl.\u003c\/p\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" id=\"cHJvZHVjdC0=description\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 563px;\"\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" id=\"cHJvZHVjdC0=description\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 454px;\"\u003e\n\u003cdiv id=\"cHJvZHVjdC0=description\" data-readmore=\"\" data-readmore-expanded=\"true\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 431px;\"\u003eNada! is the third studio album by Death in June. It was originally released on 12 October 1985 through New European Recordings. Nada Plus! contains the original album songs and nearly all the other recorded material from 1984-85.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cdiv title=\"Page 3\"\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Pylon\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":40025035341992,"sku":"PYLON24","price":28.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-05-28at21.26.21.png?v=1622233681"},{"product_id":"cindytalk-the-wind-is-strong-lp","title":"Cindytalk 'The Wind Is Strong...' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\nLimited marble smoke vinyl.\u003cbr\u003e\n\u003cp\u003eCindytalk is the mercurial, expressionist outlet of Scottish artist Cinder. An evolution of her early 1980's Edinburgh-based punk band The Freeze, she launched the project upon moving to London, inspired by the crossroads of exploratory UK post-punk and early European industrial. Her work thrives on chance and transformation, collaging elements of noise, balladry, soundtrack, catharsis, and improvisation. After a series of celebrated albums for the Midnight Music label as well as collaborations with This Mortal Coil and Cocteau Twins, Cinder migrated to the United States, becoming involved with various underground techno collectives around the Midwest and West Coast. Subsequent relocations to Hong Kong and Japan further expanded Cindytalk's horizons, resulting in a fruitful partnership with Viennese experimental institution Editions Mego, for whom she released five full-lengths of swooning, granular atmosphere. 2021 finds her as engaged as ever, at the precipice of long-awaited back catalog reissues alongside multiple new works, guided by her lasting love of discovery and deviation: “new pathways always being uncovered.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe 3rd album by Scottish industrial enigma Cinder aka Cindytalk began life as the soundtrack to an experimental film by English director Ivan Unnwin entitled Eclipse (The Amateur Enthusiast's Guide To Virus Deployment), and was originally slated for release via Factory Records' video division, Ikon. Inspired heavily by Alan Splet's eerily disembodied sound design in David Lynch's Eraserhead, the collection's 15 pieces seethe between field recordings, wistful piano vignettes, and lurking metallic haze – a hybrid palette Cinder characterized at the time as “ambi-dustrial.” Unfortunately Ikon collapsed on the eve of the project's completion so the film was never distributed, but the Midnight Music imprint repackaged Cindytalk's score as an LP in 1990 under the name The Wind Is Strong... (full title: The Wind Is Strong - A Sparrow Dances, Piercing Holes in Our Sky).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLong out of print, the album remains one of the most elusive and adventurous in the Cindytalk discography, a mix of musique concréte, haunted reverie, and desolate beauty. Even unaccompanied by their intended visuals, this is overtly cinematic music, conjuring forests at dusk and shadowed corridors, equal parts remote and reflective. Cinder cites a belief that “all sound is music,” which fully manifests here, utilizing tape hiss, ticking clocks, flicking flames, and distant whispers as evocative accents in tapestries of luminous negative space.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlthough Cinder included the subtitle “A Cindytalk diversion” in the sleeve notes, The Wind Is Strong... is crucial to the project's canon, demonstrating the depth and versatility of her unique ear and intuition. She describes each album as a direct response to the previous one, and in that sense The Wind marks a bold break from the coiled song-oriented post-punk of 1988's In This World, venturing into unknown, unnamed terrain, and finding foreboding new futures to call her own.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor Fans of: For Fans of: Harold Budd, Tor Lundvall, Lawrence English, Kevin Drumm, Loscil, This Mortal Coil, Drekka, Zoviet France\u003c\/p\u003e\n\u003cp\u003eCatalogue number: DAIS170LPC2\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Dais\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":40455388987560,"sku":"DAIS170LPC2","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-07-12at12.40.57.png?v=1626090077"},{"product_id":"susan-howe-david-grubbs-concordance-lp","title":"Susan Howe \u0026 David Grubbs ‘Concordance’ LP","description":"\u003cbr\u003e‘Concordance’ is Susan Howe’s and David Grubbs’s fifth album in the fifteen years of their unexpected and richly satisfying collaboration. Here they’ve pared down their materials to voice and piano, aspiring to the hushed intensity of their live performances. What had previously resulted from Grubbs’s recomposition of recorded materials now arrives as unadorned duo performance. \u003cbr\u003e“Howe is a poet who has spent her career reminding us that our experiences of meaning and sound are synchronous.” - Tess Taylor, The New York Times \u003cbr\u003e‘Concordance’ is Susan Howe’s and David Grubbs’s fifth album in the unexpected and richly satisfying collaboration that began with ‘Thiefth’ and includes ‘Souls of the Labadie Tract’, ‘Frolic Architecture’ and ‘WOODSLIPPERCOUNTERCLATTER’. Where these works feature the fragmentation and multiplication of Howe’s recorded voice - in a style akin to her celebrated text collages - with ‘Concordance’ they’ve pared down their materials to voice and piano, aspiring to the hushed intensity of their live performances. After fifteen years of working together, the subtleties of inflection and interaction that previously resulted from Howe’s nuanced delivery and Grubbs’s composition using recorded materials now arrives as unadorned duo performance. \u003cbr\u003eOne of America's greatest living artists, Bollingen Prize-winning poet Susan Howe’s text for ‘Concordance’ originates in a collage poem of the same name published by Grenfell Press, which then became the title work in her most recent book, published to acclaim by New Directions in 2020. She has continued to rework the text for this performed version, incorporating material from her 2015 book of essays, ‘The Quarry’. Her source material is scissored from print concordances of the poetry of Milton, Herbert, Arnold, Browning, Dickinson and Coleridge, as well as old field guides to birds, rocks, trees, moths and mushrooms; Howe’s fiery commitment to placing these echoes of the past in dialogue with the present speaks to her position as one of America’s essential artists. \u003cbr\u003eDavid Grubbs is Professor Of Music at Brooklyn College and The Graduate Center, CUNY. He is the author of ‘The Voice in the Headphones’, ‘Now that the audience is assembled’ and ‘Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording’ (all published by Duke University Press) and, with Anthony McCall, Simultaneous Soloists (Pioneer Works Press). Grubbs has played in Gastr del Sol, The Red Krayola and Squirrel Bait and performed with Tony Conrad, Pauline Oliveros and Will Oldham, among many others. \u003cbr\u003e \u003cbr\u003eCatalogue number: BC36\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Blue Chopsticks\u003cbr\u003e\n\u003cul style=\"list-style-type: none;\" data-mce-style=\"list-style-type: none;\"\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cbr\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":40705587806376,"sku":"BC36","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/BC36.jpg?v=1628596621"},{"product_id":"various-the-harmonic-series-ii-3xlp","title":"Various 'The Harmonic Series II' 3xLP","description":"\u003cdiv class=\"js-readmore\" id=\"cHJvZHVjdC0=description\" style=\"max-height: none; height: 383px;\" data-readmore=\"\" data-readmore-expanded=\"true\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 383px;\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCurated by Duane Pitre, Important Records returns with its second volume of compiled works in just intonation. The Harmonic Series II, issued as a triple LP collection, features a series of long-form compositions by six of the most important emerging voices of contemporary experimental music; Kali Malone, Catherine Lamb, Tashi Wada, Byron Westbrook, Caterina Barbieri, and Pitre. Each artist occupies an entire side of the collection’s three LPs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLP1:\u003cbr data-mce-fragment=\"1\"\u003eKali Malone - Pipe Inversions\u003cbr data-mce-fragment=\"1\"\u003eDuane Pitre - Three For Rhodes\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLP2:\u003cbr data-mce-fragment=\"1\"\u003eCatherine Lamb - Intersum\u003cbr data-mce-fragment=\"1\"\u003eTashi Wada - Midheaven (Alignment Mix)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLP3:\u003cbr data-mce-fragment=\"1\"\u003eByron Westbrook - Memory Phasings\u003cbr data-mce-fragment=\"1\"\u003eCaterina Barbieri - Firmamento\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Important\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":41368788828328,"sku":"","price":44.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-10-21at12.05.29.png?v=1634814387"},{"product_id":"thomas-leer-and-robert-rental-the-bridge-lp","title":"Thomas Leer and Robert Rental 'The Bridge' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp title=\"Page 3\"\u003eThomas Leer and Robert Rental’s The Bridge is re-issued on vinyl for the first time since its original release in 1979 and on CD for the first time since 1992. With Robert unfortunately passing away in 2000, this record, Leer and Rental’s one and only album together, stands alone in capturing the duo’s pioneering capabilities. The Bridge was\u003cbr data-mce-fragment=\"1\"\u003eoriginally released on Throbbing Gristle’s Industrial Records label in 1979 and is considered to be an early electronic avant-garde synth-pop masterpiece, seeing the likes of John Foxx, Propaganda, Art of Noise and ABC citing the pair as key influences.\u003cbr data-mce-fragment=\"1\"\u003eThe release of this album aligns with the long awaited London debut for the exhibition ‘From The Port To The Bridge’ which will be held at The Horse Hospital in central London from 21st January until 10th February 2022. The exhibition, which was previously shown in Greenock in 2018, shares the story behind Thomas Leer and Robert Rental’s and the making of the album.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Mute\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":41491874939048,"sku":"BRIDGE1","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-11-13at18.28.21.png?v=1636828129"},{"product_id":"ka-baird-and-pekka-airaksinen-frkwys-vol-17-hungry-shells-lp","title":"Ka Baird and Pekka Airaksinen 'FRKWYS Vol. 17: Hungry Shells' LP","description":"\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 1020px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003ci\u003eHungry Shells\u003c\/i\u003e, the seventeenth entry in RVNG Intl.’s intergenerational collaborations series FRKWYS , brings together vocalist,multi- instrumentalist, and sound artist Ka Baird with avant-garde composer and radical performance art pioneer Pekka Airaksinen. Recorded six months before Pekka’s passing, Hungry Shells alchemizes separate but similar spiritualistic practices, canvassing Baird’s voice and synthesizer rituals and Airaksinen’s lysergic sound explorations into startling, surreal landscapes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003ePekka Airaksinen, who left this realm for another in May 2019, is recognized as a pioneering composer both in and outside his native Finland’s fringe art community. A founding member of the late 60s art and music collective The Sperm, Airaksinen discovered Buddhism in the early 1970s, eventually establishing a number of meditation centers around Finland. Throughout his career Airaksinen embraced a degree of obscurity and anonymity that was inspired by his Buddhist learnings, and afforded him complete creative freedom. As he explained, “The less success you have, the more time there is to develop things.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eKa Baird, who found her musical footing in Chicago playing in Spires That In The Sunset Rise before moving to New York to pursue her solo career, has developed a practice based in forms of active and engaged embodiment. Inspired by Charlemagne Palestine’s Body Music , Baird’s performances explore physical extremes as a catalyst for charged immediacy and presence. “I’m interested in the places between precision and something unrestrained,” she told The Wire in 2019. Drawing on minimalism’s ecstatic deployment of duration and endurance, her recordings explore the outer limit sounds of her voice and its synthesis with developing music technology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eAiraksinen and Baird convened in Utrecht in the fall of 2018 to write, rehearse, and record Hungry Shells ahead of a performance at the Dutch festival institution Le Guess Who? Sessions took place between contemplative walks along the city’s medieval canals, and, for Airaksinen, lengthy meditations in his hotel room. Early on in the trip, Pekka shared ODO with Ka, a collection of Buddhist parables that he divinely received while meditating. After translating several of these texts from Finnish to English the duo used them as text for the album, and a sort of psychic foundation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eOn \u003ci\u003eHungry Shells\u003c\/i\u003e, Airaksinen and Baird embrace the creative potential within ritualistic or meditative states. Manifesting as stylistic touchstones from both artists’ oeuvre and, ultimately, an innovative discourse, the artists’ voices thread like a golden, mystical rope throughout the album. This merging of musical voices creates the character of this collaboration: a limitless form without ego, dismantling our frame of reality to reveal a portrait of true peace. \u003ci\u003eHungry Shells\u003c\/i\u003e adds one last, unique hue to Airaksinen’s spectral, unconventional fifty year discography, and sets a stage for Baird to preserve her mentor and collaborator’s legacy and promote the concept that transformation truly defies time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eMastered by Rashad Becker, the album features an artist essay from Baird, and poetry and cover artwork from Airaksinen. On behalf of Ka and Pekka’s estate, a portion of the proceeds from this release will benefit Nepal Art House, a non-profit art school that provides free art and cultural education to Nepalese children who have limited resources and opportunities.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eCatalogue number: FRKWYS17LP\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: RVNG\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":41548457509032,"sku":"FRKWYS17LP","price":21.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-11-23at13.58.27.png?v=1637675935"},{"product_id":"eatheater-phoenix-la-petite-mort-edition-lp","title":"Eartheater 'Phoenix (La Petite Mort Edition)' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\nBlue vinyl.\u003cbr\u003e\n\u003cp\u003eLast year, Eartheater released her latest album, Phoenix: Flames Are Dew Upon My Skin, via PAN.\u003c\/p\u003e\n\u003cp\u003eAfter sharing a fully reworked version of the album, Phoenix: La Petite Mort Edition, out February 26, 2021, PAN is now releasing a special, color vinyl LP edition of it. Originally conceived as a “sleep” mix for CRACK Magazine, Eartheater re-sculpted her entire album Phoenix into a seamless ambient edit.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“This is Phoenix crushing, undressing, and compressing like carbon particles under the weight of boulders folded into silky soil, and decomposing. She is folding over and over and over and over like the rolls of young gummy stone. This is one REM cycle. I suggest listening to Phoenix: La Petite Mort Edition while asleep after climax. You are wet ash smudged across a pillow case.” - Eartheater\u003c\/p\u003e\n\u003cp\u003eCatalogue number: PAN112R\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: PAN\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":41575683719336,"sku":"PAN112R","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-11-27at13.35.59.png?v=1638020180"},{"product_id":"coil-musick-to-play-in-the-dark2-2xlp","title":"Coil 'Musick To Play In The Dark²' 2xLP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cstrong\u003eAvailable on limited indies only clear vinyl or black vinyl, both with d-side etchings.\u003c\/strong\u003e\u003cbr\u003e\n\u003cdiv data-mce-fragment=\"1\" data-mce-style=\"text-align: center;\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\" data-mce-style=\"text-align: center; margin: 10px 0; padding: 0; color: #757575; font-family: Helvetica; font-size: 16px; line-height: 150%;\"\u003eAfter leaving London in 1999 for the sleepy seaside retiree town of Weston-super-Mare, Coil co-founders John Balance and Peter “Sleazy” Christopherson set up shop in a palatial eight-bedroom estate to pursue the outer reaches of the group’s heightening cabalistic chemistry. Among the staggering string of late-era masterpieces they produced is lunar opus Musick To Play In The Dark, widely hailed as an artistic zenith upon its release. The sessions that birthed it were in fact so fruitful that a second LP took shape during the creation of the first one.  \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Aided by the recent addition of Welsh multi-instrumentalist engineer Thighpaulsandra, Coil mined further into the recesses of surrealist eldritch electronica Balance termed “moon music” – post-industrial spellcasting at the axis of narcotic and nocturnal energies. Musick To Play In The Dark² spans a full witching hour of bad acid sound design, synthesizer voyaging, opiated balladry, Luciferian glitch, and subliminal hymnals, alternately ominous, oracular, and absurd. Scottish gothic icon Rose McDowall guests on vocals for two tracks but otherwise the album is a hermetic affair, tapping into the group’s limitless insular synergy.  \u003c\/p\u003e\n\u003cp\u003eOpener “Something” is stark and incantational, a spoken word experiment for windswept voids. “Tiny Golden Books” unspools an aerial whirlpool of cosmic synth, both whispery and widescreen. “Ether” is an exercise in funeral procession piano and intoxicated wordplay (“It's either ether or the other”), while “Where Are You?” and “Batwings – A Liminal Hymn” lurk like liturgical murmurings heard on one’s death bed, framed in granular FX and flickering candlelight.  \u003cbr\u003e \u003cbr\u003e As a whole the collection skews more muted and remote than its predecessor, as if having grown accustomed to the nether regions of these darkening seances. But music box hallucination “Paranoid Inlay” captures the group’s oblique comedic side, always glimmering beneath: over a warped, wobbly beat Balance intones an opaque narrative of serenity, Saint Peter, and suicidal vegetables, accompanied by spiraling harpsichord and stuttering squelches of electronics. “It seems concussion suits you,” he repeats twice, like a macabre pickup line, before dictating a dear diary entry about risks and failures, finally concluding with as close to a self-portrait as Coil ever came: “On a clear day I can see forever \/ that the underworld is my oyster.” \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Dais\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Limited Clear Vinyl","offer_id":41583949316264,"sku":"DAIS184LPC7","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"Black Vinyl","offer_id":41583949349032,"sku":"DAIS184LP","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-11-29at16.23.50.png?v=1638203288"},{"product_id":"basil-kirchin-abstractions-of-the-industrial-north-10","title":"Basil Kirchin 'Abstractions of the Industrial North' 10\"","description":"Legendary Library 10” from the master of abstract British Library Music\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number: JBH092LP\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Trunk\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Default Title","offer_id":41594590494888,"sku":"JBH092LP","price":18.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-12-01at12.52.54.png?v=1638363200"},{"product_id":"francesco-messina-reflex-lp","title":"Francesco Messina 'Reflex' LP","description":"\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eFrancesco Messina is perhaps best known for his collaboration with fellow composer Raul Lovisoni on the album Prati Bagnati Del Monte Analogo, originally released on seminal Italian label Cramps in 1979. Along with contemporaries Franco Battiato, Juri Camisasca and Giusto Pio, Messina would help reshape the world of modern composition with an organic rawness and haunting beauty.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e In 1979, Messina was asked to perform at the Teatro Quartiere in Milan. As the composer writes in the liner notes, “Due to the limited availability of key technical features, it would have been too complicated to perform Prati Bagnati, and therefore I opted for these three pieces instead. We had never actually tried them all together, so I thought about renting a recording studio the previous afternoon. In that way, we could rehearse in a suitable place and use the opportunity to record the music on tape.”\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Unreleased for over thirty years, the recordings on Reflex have an unadorned, almost improvisational feel. “Untitled” (featuring Lovisoni’s plaintive flute) and “I Nuovi Pescheti” are full of meditative piano passages that lend an aura of new age, while the title track is more insistent with unfurling chords layered in real time via a reel-to-reel tape machine, resembling Steve Reich’s mesmeric phase-shifting works of the ’60s.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e A central figure within the Italian avant-garde, Francesco Messina gracefully expands his country’s contribution to Minimalism. This first-time vinyl release is recommended for fans of Joanna Brouk, Luciano Cilio and Charlemagne Palestine. \u003c\/p\u003e\n\u003cp\u003eCatalogue number: SV190 \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Superior Viaduct\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":42061057917096,"sku":"SV190","price":23.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/SV190.jpg?v=1646223175"},{"product_id":"flower-corsano-duo-the-halcyon-lp","title":"Flower Corsano Duo 'The Halcyon' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe Flower-Corsano Duo, the world’s best and only drums \/ Japan banjo duo return to VHF for their first album since 2009’s monumental The Four Aims. Mick Flower (Vibracathedral Orchestra) and Chris Corsano (frequently seen with Bill Orcutt, Joe McPhee, and other luminaries) work an area that’s not really jazz, not really anything—a stream of endlessly mutating free sound, a unique mind-merge between Corsano’s nimble drums and percussion and Flower’s amplified Japan banjo (also known as a Shahi Baaja, a type of electric Indian zither with both fretted \/ keyed and drone strings). Flower cuts a highly original line, playing neither “leads” nor making drone-music. Less amplified here than on the more “heavy” The Four Aims, the strings ring out with distinct clarity in short snippets of melody and a canvas of pleasing electric sound. Corsano’s bag is to charm out a flow of thoughtful percussion engagement, rolling around on his kit, continually varying his attack and approach in conversational free-jazz style. The Halcyon is a precious addition to a tiny discography, a fortunate event even in today’s world of small press overabundance. Thanks guys!  \u003c\/p\u003e\n\u003cp\u003eCatalogue number: VHF155 \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: VHF\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":42061151666344,"sku":"VHF155","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/VHF155.jpg?v=1646224529"},{"product_id":"the-threshold-houseboys-choir-form-grows-rampant-2xlp","title":"The Threshold HouseBoys Choir 'Form Grows Rampant' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 474px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-style=\"max-height: none; height: 474px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Threshold HouseBoys Choir was a project by Peter \"Sleazy\" Christopherson. Operating out of Bangkok, Thailand, the Throbbing Gristle and Psychic TV founding member started this audio and visual endeavour following Coil's end.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDespite the name, it was a solo project which relied heavily on computer generated vocals. The name was derived from a play on words, combining the terms houseboy, house of boys, boys' choir, and Threshold House, which was Coil's own label. \u003ci data-mce-fragment=\"1\"\u003eForm Grows Rampant\u003c\/i\u003e is the soundtrack of a film shot by Christopherson (a video capture at the GinJae Vegetarian Festival in the south of Thailand) and his first major musical project since the tragic death of John Balance and the subsequent demise of Coil.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe music is a suite of lengthy dense atmospherics that combine shuddering electronics with sampled vocals, eerie digitalia, buried melodies and sinister undercurrents hinting at a gleaming heart of darkness, with a joyful melodic progression that sounds positively triumphant towards the end of the disc. It's both Coil-esque and quite different, and undoubtedly is the worthy successor of the legendary group that Christopherson created with his partner John Balance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFirst released in small quantities in 2007 as a CD\/DVD set, this is the first time it is released on vinyl and CD. This reissue has been mastered from original files by Sidney Claire Meyer at former Deutsche Grammophon studios Emil Berliner in Berlin, using the half speed mastering process, and pressed on heavy vinyl.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: MPD034\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Musique Pour La Danse\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Default Title","offer_id":42061176832168,"sku":"MPD034","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-03-02at12.40.44.png?v=1646224863"},{"product_id":"isik-kural-in-february-lp","title":"Isik Kural 'In February' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThistle pink vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 860px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eIsik Kural works like a photographer of sound, documenting the passing and returning of time as if material snapshots of life’s temporality. Across the album’s twelve songs, each composed from chance loops and cocooned within the soft container of Isik’s memorable voice and melody play, time is held on to hopefully, impossibly, eternally.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eBorn in Istanbul, Isik studied music engineering at the University of Miami, alighted in New York City, and eventually settled in Glasgow, immersing in a sound design masters and audiovisual practice. While these paths guided him between different projects and cities, a voice was simultaneously growing inside the artist, informed by a vision of the world in its everyday luminosity. This voice was expressed in the lyrical and instrumental waves of 2019's As Flurries, a cassette collection for Italian label Almost Halloween Records.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eIt was during a brief trip home to Istanbul in 2019 that the invisible details of in february were first exposed. While assisting on a session at his old haunt Babajim Recording Studios, Isik happened upon a beautiful piano, the kind “in which you hear a melody with the touch of a single note.” A looped segment from a recording of improvised tinkering on the instrument formed the basis “pillow of a thought,” which christens Isik’s new album. A bed for a passing notion, image, moment.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eAdopting this novel way of working, Isik produced another twelve passages made from loops of unexpected recordings, nothing over three minutes. Eschewing both compositional plans and live performance proclivities, which had informed previous creative explorations, Isik sought a more instantaneous effect. Minute nylon string refrains, lilting synthesizer hums, and a scrap of a chamber recital are collaged with sympathetic verse and synesthetic details captured around Glasgow and activated at Green Door Studios.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eLiterary images also accompany the sensory of in february, weaving wanderlust symbolism through these spiraling studio and field documents. At the center of the album, “lo si aspetta” and “che si aspetta,” are titled after a telling line from Pier Paolo Pasolini’s The Long Road of Sand. Other word works are yoked to this promise. A verse by Turkish poet Gulten Akin, which connects the weather to lost friendship, meets a translation of Sophokles by Anne Carson in “yeniden,” one of three collaborations with vocalist Stephanie Roxanne Ward, pka spefy, on in February.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eIsik treads lightly between the streams of poetry, sound and photography across in february, together impressing an imagistic lightness and immediacy. Although quick as the blink of a camera’s eye or the brush of two hands in passing, the brevity of these works should not be taken for granted: they whisper into each other with elaborate detail, intuitively papered over old and new stories of love and longing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eCatalogue number: RVNGNL77LPC1\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: RVNG\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":42108149924008,"sku":"RVNGNL77LPC1","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-03-15at14.10.08.png?v=1647353435"},{"product_id":"thurston-moore-screen-time-lp","title":"Thurston Moore 'Screen Time' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eScreen Time\u003c\/i\u003e is a series of instrumental guitar pieces recorded during the summer of 2020 as the world confronted the pandemic shutdown and as the people of good conscious stood up against the oppression of racist police oppression and murder. How much screen time does a parent allow a child? How much screen time does a child need to realise a world which has the means to coexist as a community in shared exchange?\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe cover image of \u003ci data-mce-fragment=\"1\"\u003eScreen Time\u003c\/i\u003e is of a youngster curled into a book, the pages vibratory with text radiating through the skin, blood and bone – an aspect entirely missing from digital media, though the actuality of transparency in our daily lives through streaming etc we can only hope leads to the awareness of fairness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eScreen Time\u003c\/i\u003e is in reflection to dream time, a state of meditation, hypnagogia and pillow talk.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: LORD293\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Southern Lord\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":42124671680680,"sku":"LORD293","price":21.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-03-21at12.16.21.png?v=1647865001"},{"product_id":"sam-slater-i-do-not-wish-to-be-known-as-a-vandal-lp","title":"Sam Slater 'I Do Not Wish To Be Known As A Vandal' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Galaxy’ Splatter Colour Vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHot Foil Printed Outer Sleeve \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSpot Varnish Text Detail \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFull Colour Inner\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand-Signed Postcard \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLimited To 500 Copies \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\n\u003cli\u003eSAM SLATER IS A GRAMMY AND OSCAR WINNING PRODUCER OF CHERNOBYL AND JOKER FILM SCORES (IN WHICH HE WORKS WITH HIS WIFE HILDUR GUDNADOTIRR - who also features on this album).\u003c\/li\u003e\n\u003c\/b\u003e\u003cb\u003e\n\u003cli\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/b\u003e\u003cb\u003e\n\u003cli\u003eJUST FINISHED AND RELEASED THE SCORE FOR THE GLOBALLY MASSIVE BATTLEFIELD 2042 GAME.\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/b\u003e\u003cb\u003e\n\u003cli\u003ePRODUCER ON CANDYMAN SCORE.\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/b\u003e\u003cb\u003e\n\u003cli\u003eLP TO ACCOMPANY LARGE SCALE FESTIVAL INSTALLATIONS WHICH TIES IN WITH THE ARTWORK, THROUGHOUT 2022\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/b\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe record was made just before the pandemic started, working closely with the distinct feed-backing Dorophone sounds of Hildur Guðnadóttir, Yair Glotman’s thunderous double-bass, James Ginzburg’s devotion to precise form and muting my reverb stems, the microtonal brass and woodwinds of Hilary Jeffrey and Sam Dunscombe and the infinite intimacy of Icelandic singer-songwriter JFDR. From Berlin, I would flag sounds I loved; some twitching strings, the stolen alto voice from an abandoned English chorale, some words from a climate scientist fleshed into a poem. These email attachments struck up a sort of sonic pen-pal program, with each person sending a sound, some words, some creative parameters and responding in turn. It became an exercise in receptivity, in which openness itself became a creative voice, hushing my tendency to micromanage every detail. These interactions were pulled together in late 2019 into a single piece written for two sides of a single 12” vinyl; one side describing collapse (Darn!) and the other, recovery (Kintsugi). Influenced by the 70s concept prog records of my childhood, the album loops without ending, so you were never really allowed to rest in safety, or wallow in the mess for too long.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Bedroom Community\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":42130532794536,"sku":"","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-03-23at10.39.57.png?v=1648032039"},{"product_id":"akusmi-fleeting-future-lp","title":"Akusmi 'Fleeting Future' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eDinked Edition 186:\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTransparent red vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e4 x A6 postcard set (by visual artist Sigrid Calon, riso printed, 1 signed by Akusmi) \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand-numbered sticker \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHeavyweight reverse board sleeve in PVC wallet \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLimited pressing of 300 \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eClear vinyl LP also available.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eAkusmi\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e is the new project moniker of French-born, London based composer, multi-instrumentalist and producer Pascal Bideau, who signs to the new Tonal Union imprint for the release of his album \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e‘Fleeting Future.’\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e  With its hallucinatory, genre-defying blend of minimalism, cosmic jazz and Fourth World influences, and in its quest for optimism in the face of unknown and limitless possibility. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e‘Fleeting Future’\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e stands apart as an inventive and inspirational debut.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe creation of the album’s richly colourful and multi-layered sound world was originally inspired by Bideau’s journey to Indonesia, where he immersed himself in traditional Gamelan and gong music. Many of the themes, motifs and melodies on \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e‘Fleeting Future’\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e seed from the ‘Slendro’ scale, one of the essential tuning systems used in Gamelan. However it is not musical scales, but scales as in the size or extent of things that most fascinates Bideau, specifically he explains; \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“the compelling way things dramatically change when you shift from any given scale to another.” \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe album connects directly to nature and the wider world in its evocation of perceptive shifts and transitions from microscopic to macro scale, as evidenced by the opening title track \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e‘Fleeting Future’\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, on which a simple dotted saxophone line morphs and billows into synths, brass and strings, indicating the musical voyage that lies ahead. Like the start of a journey or adventure it is full of anticipation, its arborescent growth conveying the optimism of the unknown and of limitless possibility. The album centrepiece ‘\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNeo Tokyo’\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e is a vibrating, ebullient mass of colliding elements which feels like zooming in to the electron level, as it teeters on the edge of chaos. The title is a reference to Katsuhiro Otomo’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAkira\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, a dizzying work of art set in a \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003esprawling futuristic metropolis. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e‘Yurikamome’\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, meanwhile, is an imaginary soundtrack inspired by Bideau’s yearning to visit Japan which he fuels by watching Youtube videos of drives and rides through Japanese landscapes and cities. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“It’s amazing” he adds, “that we have the ability to access almost anywhere in the world and see what it’s like, that people document it and upload it. It’s never going to be any replacement for the real thing, but with places that really touch you, it works.”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e The track is named after a Japanese monorail train line which rides from Shinbashi to Toyosu, a last journey that feels like a new beginning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e‘Fleeting Future’\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e was composed and recorded by Bideau between 2017 and 2019 in his North London studio and features additional contributions recorded in Berlin by Florian Juncker (trombone), Ruth Velten (saxophone) and regular collaborator Daniel Brandt of Brandt Brauer Frick (drums \/ electronic percussion).\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e Having been living through uncertain times, one thing that keeps spiralling into the unknown is the future, about which Bideau leaves us with a final thought:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“The future is fascinating: It is constantly readjusting to new events. I feel we left a linear approach to the future to enter an arborescent one where all the data and information we have about what could happen is exponentially ever-growing. Following a branch might allow you to glimpse into what it may become, but the evolution of the whole picture might very well render the prediction totally obsolete, and even meaningless. In that sense, there is not one future but innumerable ones all cancelling each other. That’s what makes it fleeting.”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e‘Fleeting Future’\u003c\/i\u003e\u003c\/b\u003e \u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ewill be the first release on the new London\/Berlin based Tonal Union\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eImprint, founded by Art director and curator Adam Heron. Adam was instrumental in the rise of the Erased Tapes label and is now the acting label manager of Gondwana Records. He has designed the album’s overall packaging which also features the artwork of Dutch visual artist Sigrid Calon\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Tonal Union\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Dinked Edition: Red Vinyl","offer_id":42147580248232,"sku":"TU001LPDNK","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Black Vinyl","offer_id":42147580281000,"sku":"TU001LE","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/akusmi.webp?v=1670950464"},{"product_id":"joyfultalk-familiar-science-lp","title":"Joyfultalk 'Familiar Science' LP","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 598px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-style=\"max-height: none; height: 598px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 477px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-style=\"max-height: none; height: 477px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJoyfultalk returns with its third album for Constellation; another vibrantly divergent stylistic take on the analogue materiality and sensibility of electronic composer-producer Jay Crocker, whose previous two records forged trance-inducing polyrhythmic intricacy. Familiar Science rallies contributions from a larger cast of musicians into a looser, cosmic recombinant combo still shot through with Joyfultalk s singular mixing desk kinetics, but this time deep-diving into gnarled and twisted, spliced and diced out-jazz. Crocker draws inspiration from 1980s M-Base music and Ornette Coleman’s harmolodic funk period, while his own prior history as an improv guitarist also resurfaces for the first time in many years.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFamiliar Science finds Crocker folding time (as lockdown will do), immersed in his present-day kaleidoscope of solitary art and music practices in rural Nova Scotia, while channeling his former life as a bustling jazz collaborator in Calgary, Alberta. Building outwards from roiling resampled acoustic drums, Crocker extracted additional sonic and rhythmic textures, then formed the head of each song using dusted-off archival recordings and his own bass, keys and midi sequencing. Albertan percussionists Eric Hamelin (Ghostkeeper, Chad Vangaalen) and Chris Dadge (Lab Coast, Alvvays) provided improvised drum tracks to be chopped and harvested; Nova Scotia-based Nicola Miller (Ryan Driver, Doug Tielli) laid down resplendent excursions on saxophone and flute; Crocker’s own dexterous guitar appears on several cuts. Familiar Science also poignantly features samples from live recordings by the late Calgary saxophonist iconoclast Dan Meichel, catalysing some of the album’s heaviest contortions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n \u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Constellation\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":42263598203048,"sku":"CST163LP","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-05-04at13.34.03.png?v=1651667728"},{"product_id":"kazuki-tomokawa-finally-his-first-album-lp","title":"Kazuki Tomokawa 'Finally, His First Album' LP","description":"\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 647px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-style=\"max-height: none; height: 647px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAt the tender age of twenty-five, while he was working part-time at an Italian restaurant in Tokyo's Kamata district, Kazuki Tomokawa released his debut record, fittingly titled \u003ci data-mce-fragment=\"1\"\u003eFinally, His First Album\u003c\/i\u003e. While he had already penned hundreds of songs, including his first single \"Try Saying You're Alive!,\" written on a long train ride past fields and rice paddies, it was this recording that introduced Japan to one of its most unique musicians of the postwar era. Each track, as record label exec Kiichi Takahara writes in the LP's liner notes (here translated for the first time), is not a song but a \"flesh-and-blood human being,\" birthed by the singer-songwriter and the raw, guttural cries that would become a hallmark of his incomparable sound. 1970s Japan was a time and place marked by a profound desire for authenticity amidst the onset of television and media saturation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTomokawa arrived on the scene as a musician with \"the personality of a hydrogen bomb,\" to borrow a phrase from his frequent collaborator Toshi Ishizuka. In an unwieldy interview included here, members of the notorious leftist band Zun? Keisatsu (Brain Police) put it bluntly: here was a man surrounded by the \"disingenuous,\" the \"wishy-washy,\" and the \"superficial,\" who was delivering \"real life, unvarnished.\" These songs are lullabies for the lost, staring not into the void but—as the fourth track declares—from inside it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFinally, His First Album\u003c\/i\u003e is the first of three Tomokawa records to be reissued by Blank Forms Editions in conjunction with the US release of Tomokawa's memoir, Try Saying You're Alive!, the first-ever English translation of his writing. This debut captures the self-assured trademarks that Tomokawa would hone over the course of decades. Multiple tracks are performed in his native Akita dialect, a distinct and highly regional vernacular of northern Japan seldom heard outside the prefecture—and even more rarely heard in music. Tomokawa's lyrics locate profound interiority in the rituals of everyday life, and are sung against sparse folk arrangements of tender, lilting chords—a prelude to the rock and electronic stylings to come in later years. A self-proclaimed \"living corpse,\" Tomokawa wallows, whispers, shouts, and cries, yet still, through his existential doubt, asks to be heard.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: BF026LP\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Blank Forms Editions\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":42282290413736,"sku":"BF026LP","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-05-11at11.05.14.png?v=1652263529"},{"product_id":"kazuki-tomokawa-straight-from-the-throat-lp","title":"Kazuki Tomokawa 'Straight from the Throat' LP","description":"\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 647px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-style=\"max-height: none; height: 647px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 317px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-style=\"max-height: none; height: 317px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1970s, Kazuki Tomokawa catapulted into Tokyo's avant-garde scene with his cathartic and utterly electrifying performances. \u003ci data-mce-fragment=\"1\"\u003eStraight from the Throat\u003c\/i\u003e, Tomokawa's second album, released in July 1976 by Harvest Records, finds the musician in his truest form: as the \"screaming philosopher\" he would come to be called—cynical but fair, cheeky and melancholic, and looking at the world with truth-seeking eyes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eIn Straight from the Throat\u003c\/i\u003e, Tomokawa shrieks and shouts and wallows with ritualistic abandon—his avant-folk stylings are cosmic and, at times, well to ground-shaking rock. He speaks of adolescence, passing hearses, and wedding chapel cars in a poem to his younger brother, Tomoharu, and watches ice melt on the Mitane River with spring's turn. Tomokawa's sound is, as Kiichi Takahara would later dub it, \"I-music\": revelatory and deeply intimate songs that turn to the everyday and the interior. They are portraits of a man in search of meaning, who is taking stubborn control of his life by doing so. As he croons in \"The Spring Is Here Again Song,\" \"I'll drink till I've had my fill \/ And fall in love until I die.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: BF027LP\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Blank Forms Editions\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":42282301489320,"sku":"BF027LP","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-05-11at11.07.06.png?v=1652263640"},{"product_id":"kazuki-tomokawa-a-string-of-paper-cranes-clenched-between-my-teeth-lp","title":"Kazuki Tomokawa 'A String of Paper Cranes Clenched between My Teeth' LP","description":"\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 647px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-style=\"max-height: none; height: 647px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 317px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-style=\"max-height: none; height: 317px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 418px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-style=\"max-height: none; height: 418px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn a generation of musicians that came of age in postwar Japan, Kazuki Tomokawa stands as a pioneer of radical individualism, with a sound marked by shocking intimacy and blistering honesty. In his third album, \u003ci data-mce-fragment=\"1\"\u003eA String of Paper Cranes Clenched between My Teeth\u003c\/i\u003e, released by Harvest Records in 1977, Tomokawa creeps \"ever more inward,\" as Kiichi Takahara writes in the record's original introductory text—embracing an attitude pervasive amongst musicians of the time who interrogated the prosaic and the profound alike, eschewing politics and society in favor of an \"attitude of total self-containment.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTomokawa recorded the album over the course of a month—from August 24 to September 25, 1977—at Tokyo's famed Onkio Haus studio in the bustling Ginza district. The arrangements, accordingly, are amped up: paired with the Black Panther Orchestra, Tomokawa's \"screaming philosopher\" vocals find their match with the orchestra's electric guitar, bass, piano, tuba, and ground-thumping drums played by the Brain Police's Toshi Ishizuka—who appears on Tomokawa's first three records and remains his collaborator to this day. \"This is Kazuki Tomokawa in the flesh,\" concludes Takahara.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eA String of Paper Cranes Clenched between My Teeth\u003c\/i\u003e is, in Tomokawa's uncanny way, able to cut through facade and artifice in pursuit of truth. \"You call that life?\" he heckles, exhausted by the melodrama and nihilism of youth counterculture, \"try saying you're alive!\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: BF028LP\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Blank Forms Editions\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":42282304045224,"sku":"BF028LP","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-05-11at11.10.05.png?v=1652263822"},{"product_id":"cabaret-voltaire-the-covenant-the-sword-and-the-arm-of-the-lord-lp","title":"Cabaret Voltaire ‘The Covenant, the Sword and the Arm of the Lord’ LP","description":"\u003cstrong\u003eWhite vinyl.\u003c\/strong\u003e\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCabaret Voltaire’s ‘The Covenant, The Sword and The Arm of The Lord’, as originally remastered in 2013, now reissued on white vinyl. Known for being the harder, more experimental album of their ‘Pop’ period, ‘The Covenant, The Sword and The Arm of The Lord’ was originally released in 1985 and includes the classic ‘I Want You’. The album embodies Cabarets Voltaire’s industrial electro-funk sound and their punk ethos, lending its title to American political extremism. \u003cbr\u003e“... ‘The Covenant, the Sword and the Arm of the Lord’ is an exercise in paranoia with anxiety coded into the jittery sample-heavy structures of the music itself.” - Spectrum Culture \u003cbr\u003e“It's a pacier, funkier album than the 1984 effort, but it also it more abrasive and strange and holds together better...” - The Quietus \u003cbr\u003e \u003cbr\u003eCatalogue number: LCABS25\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Mute\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":42316679020712,"sku":"LCABS25","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-05-23at14.16.21.png?v=1653311801"},{"product_id":"cabaret-voltaire-the-crackdown-lp","title":"Cabaret Voltaire ‘The Crackdown’ LP","description":"\u003cbr\u003eGrey vinyl.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCabaret Voltaire’s ‘The Crackdown’, as originally remastered in 2013, now reissued on grey vinyl. Initially released in 1983, ‘The Crackdown’ was the band’s fourth album, and first after the exit of founding member Chris Watson. The album fuses their earlier experimental records with the electronic dance-funk sound that would become more prominent within their subsequent releases and includes the magnificent haunting single ‘Just Fascination’. The significance of ‘The Crackdown’ has grown over the decades, also listed in NME’s Best Albums Of 1983. \u003cbr\u003e“... true, unflinching pioneers of electronic music” - Loud \u0026amp; Quiet \u003cbr\u003e“‘The Crackdown’ alone will serve to change some opinions of the Cabs’ tenure in the majors.” \u003cbr\u003e- The Quietus \u003cbr\u003e“One of Cabaret Voltaire’s strongest albums...” - All Music \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCatalogue number: LCABS22\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Mute\u003cbr\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":42316700123304,"sku":"LCABS22","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-05-23at14.18.43.png?v=1653311938"},{"product_id":"yellow-swans-drowner-2xlp","title":"Yellow Swans 'Drowner' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003eFinally! The first broadly available edition of Drowner Yellow Swans lands after a slew of hiccups. So this was originally a tape cobbled together in that space between At All Ends and Going Places. Can't remember if we had decided to wrap up the band at this point, but it was about that time where we were fried from touring, Gabe was thinking about moving to Canada, things were IN MOTION. We had this whole string of shows lined up with Sissy Spacek in the PNW, Wiese had a stack of blank takes and a new imprint. HEY, sounds like it's time for a new tape. Because of the historically ridiculous lag between making an album and it being available to the public, the timeline is a bit weird, but this was essentially following up our last tour tape, Deterioration, which was also just sort of an assembly of basement recordings. We had ditched the idea of compositions at this point and were just JAMMING. and jamming often. Basically, we had a dedicated practice studio and were rehearsing and recording several days a week. Just banging it out and dedicating it all to tape. Both Deterioration and Drowner have this sort of snapshot character of our process, sifting through a state of the band when we were thinking more about one thing than another. If Deterioration is our most kosmiche, I would say that Drowner is our most\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e gonzo psych rock record. still as noisy and fried as ever, but pulling from Loveless, Rallizes, Main.. but also just like... our own insular process of playing and listening and touring and repeating that for years. Drowner was basically recorded months before Going Places and Being There but projects a different focus on dynamics, drama and NOISE. This could be because we were gearing up to play shows with Spacek and knew we'd be playing with The Rita and Iron Lung on this jaunt. Gotta be up to crust you know? - Pete\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Yellow Swans Archive\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Boomkat","offers":[{"title":"Default Title","offer_id":42354149949608,"sku":"YSA3","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/a3074688731_16.jpg?v=1654084595"},{"product_id":"toshiya-tsunoda-landscape-and-voice-lp","title":"Toshiya Tsunoda 'Landscape and Voice'  LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-readmore\" id=\"cHJvZHVjdC0=description\" style=\"max-height: none; height: 386px;\" data-readmore=\"\" data-readmore-expanded=\"true\"\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 373px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 373px;\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBlack Truffle is pleased to present \u003ci data-mce-fragment=\"1\"\u003eLandscape and Voice,\u003c\/i\u003e a radical new work (and rare vinyl release) from major Japanese sound artist Toshiya Tsunoda.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe record consists of three pieces, each using a different, richly evocative field recording, which periodically freezes, catching on a looped fragment to which is synchronised an abruptly looped spoken vowel sound. The lengths between these interruptions vary, as do the tempi of the loops. The interruption of these lushly immersive recordings of the world – bristling with bird song, rushing water, distant traffic, and clinking metal – only serves to intensify them, as if the depicted environment itself had been returned to the listener each time it abruptly reappears. At the same time, the constant interruption creates an uncannily frozen effect, as if the recorded environment were an object rather than a stretch of recorded time. When combined with the bare human presence of the vowel sounds, the result is both austere and magical.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePressed on 45RPM for maximum fidelity, in a gorgeous sleeve designed by Lasse Marhaug with liner notes from the composer, \u003ci data-mce-fragment=\"1\"\u003eLandscape and Voice\u003c\/i\u003e is a radical proposition from one of the deepest thinkers in contemporary sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eCatalogue number: BLACKTRUFFLE089\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Black Truffle\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":42354541559976,"sku":"BLACKTRUFFLE089","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-06-01at14.39.36.png?v=1654090792"},{"product_id":"in-the-nursery-humberstone-2x10","title":"In The Nursery 'Humberstone' 2x10\"","description":"\u003cdiv\u003e\n\u003cbr\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eIn The Nursery’s first vinyl release in over 30 years.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"margin: 0px; text-align: justify;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"letter-spacing: 0px;\"\u003eCurrently celebrating their 40th anniversary year, HAMRESANDEN-based In The Nursery announce a brand new studio album. Entitled ‘HUMBERSTONE’, the family surname of core group members Klive and Nigel, it is a deeply personal record that sees them in reflective mood as a year in which they also turned 60 comes to a close.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"margin: 0px; min-height: 12px;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"letter-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"margin: 0px; text-align: justify;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"letter-spacing: 0px;\"\u003e\u003ci data-mce-fragment=\"1\"\u003e“We have always needed a reason to make music, a rationale for its creation and existence,”\u003c\/i\u003e they state. \u003ci data-mce-fragment=\"1\"\u003e“As composers, the two of us are conscious of the connection between music and memory. The loss of family is a strong emotion, one that we’ve harnessed to revisit our past. Our antecedents have been a catalyst and a stimulus for this new album and it has been good to reconnect and remember.”\u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"margin: 0px; text-align: justify; min-height: 12px;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"letter-spacing: 0px;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"margin: 0px; text-align: justify;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"letter-spacing: 0px;\"\u003e‘Émigré (The Dressmaker)’ opens proceedings, its orchestral post-punk vibe packed with high drama as it depicts the tragic drowning at sea of hundreds of emigrants following the burning of a ship off the Cape of Good Hope in the late 19th Century, including Humberstone family ancestors en route to New Zealand. By way of contrast, it is immediately followed by the gorgeously chilled ‘Ektachrome (The Animator)’.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" style=\"margin: 0px; text-align: justify; font-size: 10px;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"letter-spacing: 0px;\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003ePressed on 2 x 10” standard weight black vinyl.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eGatefold sleeve, 2 pockets.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eRe-sequenced tracklisting;\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e1A\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eH21 Émigré (The Dressmaker) 4:30\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eH29 Underscore (The Apprentice) 6:21\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e1B\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eH43 Ektachrome (The Animator) 3:37\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eH24 Mallards (The Storyteller) 3:34\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eH57 Cookham Stone (The Painter) 4:23\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e2A\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eH47 Suvla Bay (The Cavalryman) 6:21\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eH31 Redpits (The Gardener) 4:58\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e2B\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eH58 Centrefire (The Gunsmith) 3:30\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eH26 Sulcus (The Ploughman) 3:58\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eH57b A Room At The End Of The Mind (The Jeweller) 4:18\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eLimited edition of 250\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv title=\"Page 16\"\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: ITN Corporation\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Self Distro'd","offers":[{"title":"Default Title","offer_id":42361473040552,"sku":"corp044","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-06-03at14.05.02.png?v=1654261553"},{"product_id":"glenn-branca-the-ascension-lp","title":"Glenn Branca 'The Ascension' LP","description":"\u003cp\u003eGlenn Branca’s first full-length album The Ascension is a colossal achievement. After touring much of 1980 with an all-star band featuring four guitarists (Branca, fellow composers Ned Sublette and David Rosenbloom, and future Sonic Youth member Lee Ranaldo) along with Jeffrey Glenn on bass and Stephan Wischerth on drums, Branca\u003cbr data-mce-fragment=\"1\"\u003e took his war-torn group into a studio in Hell’s Kitchen to record five incendiary compositions. Originally released in the summer of 1981, The Ascension effectively tears downthe genre-ghettos between 20th century avant-garde and ecstatic rock ’n’ roll. On “The Spectacular Commodity,” chiming, shimmering tones unfold into sinister drone-territory à la Tony Conrad, while abrasive guitars and repetitive beats retain\u003cbr data-mce-fragment=\"1\"\u003e the raw primitivism of No Wave. The title track attains a densely packed, larger-than-life sound and (as author Marc Masters says best) “never stops climbing skyward.”\u003cbr data-mce-fragment=\"1\"\u003e With artist Robert Longo’s stark front cover that depicts Branca battling an unidentified man, The Ascension is a must-have record not only for fans of early Swans and Sonic Youth, but also of Steve Reich or Slint’s Tweez.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Superior Viaduct\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":42381764952232,"sku":"SV056","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-06-09at13.52.52.png?v=1654779194"},{"product_id":"cut-hands-sixteen-ways-out-lp","title":"Cut Hands 'Sixteen Ways Out' LP","description":"Originally premiered in its earliest state at Tate Britain by William Bennett and Mary DeBlois in 2010, this magnum opus reflects over a decade’s work of compositional refinement and elaborate studio expansion, and is the first Cut Hands release since 2014’s highly-acclaimed \u003ci data-mce-fragment=\"1\"\u003eFestival Of The Dead\u003c\/i\u003e on the Blackest Ever Black label. The end result is a mystical showcase of musical esoterica, its seventeen tracks fusing the most arcane elements of subliminal extralinguistics, avant-garde transformational hypnosis, and dark self-help secrets.\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: SLA007\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Susan Lawly\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":42397071409320,"sku":"SLA007","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-06-14at11.38.08.png?v=1655203105"},{"product_id":"body-dilloway-head-body-dilloway-head-lp","title":"Body \/ Dilloway \/ Head 'Body \/ Dilloway \/ Head' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 271px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-style=\"max-height: none; height: 271px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis debut album resulted from Body \/ Head (the duo of Kim Gordon (Sonic Youth, solo) and Bill Nace) handing over previously unreleased studio sessions to Aaron Dilloway (solo, formerly of Wolf Eyes) for processing and editing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe result is unmistakably a complete synthesis of their respective sounds and styles, a sum that makes sense and leaves you wondering 'how didn't this happen sooner?' Any attempt to describe the nature of this particular collaboration is fraught, with it impossible to say where lines might get drawn, because there simply aren't any. One of this LP's many pleasures is the inability to identify specific emotions within it, despite the undeniable emotional responses it elicits. Instead, these are memories of moods, nascent feelings we haven't grown into yet. As a wise and oft-repeated doctor once told\/warned us, 'don't dream it, (listen in and) be it' - give yourself over to Body \/ Dilloway \/ Head.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: LPTLR135\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Three Lobed Recordings\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Default Title","offer_id":42414013415592,"sku":"LPTLR135","price":21.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/LPTLR135.jpg?v=1655719448"},{"product_id":"nurse-with-wound-shipwreck-n-roll-7","title":"Nurse With Wound 'Shipwreck n' Roll' 7\"","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eThe two tracks on this record have been constructed from flotsam, jetsam and driftwood gathered in the Lofoten Islands by Steven Stapleton and Colin Potter in 2004. Reassembled at IC Studio, London 2021. The single is a prelude to the vinyl release of \u003ci\u003eShipwreck Radio Volume 1 \/ Lofoten Deadhead.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCatalogue number: ICR45\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: ICR\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":42417363976360,"sku":"ICR45","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-06-21at11.49.15.png?v=1655808579"},{"product_id":"princess-diana-of-wales-princess-diana-of-wales-lp","title":"Princess Diana of Wales 'Princess Diana of Wales' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 396px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-style=\"max-height: none; height: 396px;\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003ePrincess Diana of Wales\u003c\/i\u003e, by London-based Australian Laila Sakini, is A Colourful Storm’s latest and most curious project. Someone, no one, a notion, a feeling... Sakini offers clues but no simple answers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVocal-led pieces ‘Still Beach’ and ‘Fragments of Blue’ are brittle and intoxicating, contemplating recklessness and unfulfillment of a past life: \"Watching the future wash away \/ Giving it up to have this day\". She studies closeness and, incredulous of the feelings that emerge, wonders if detachment is impermanent. She catalogues these emotions as a series of memories, colours and images. ‘Evaporate’, sedated and hushed, is a secret confession and ode to resolution, albeit, fatally, only a temporary one: \"Take some form \/ Later on when I can do this \/ When we can do this \/ Together\".\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBehind the album is a stage of dubwise disorientations evoking in-between states of the everyday. ‘Swing’ and ‘Closer’ are woozy and dreamlike, their voices summoning ghosts of fortunes past while ‘Exhaust’ finds an aperture in our protagonist’s daydream. A perilous foreshadowing of the incantatory ‘Choir Chant’, whose spell pacifies her inquisition, submerging both self and feeling into the deep blue sea.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: ACOLOUR038\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: A Colourful Storm\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":42509788709032,"sku":"ACOLOUR038","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-07-11at12.18.33.png?v=1657538329"},{"product_id":"eiki-nonaka-a-key-lp","title":"Eiki Nonaka 'A-Key' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eOnce again Studio Mule dives deep into the music history of Japan, unearthing the multi-colored album “A-Key” by Eiki Nonaka, released as CD only on the short living japanese label Sun \u0026amp; Moon Records in 1995. An album, that uniquely unifies global ethnic music styles, the playfulness of Jazz, innovative electronic soundscapes, and the winding per-sonality of spiritual music. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e It’s the only solo album of a musician, that is triggering the advanced electrified japanese music culture since the early 1980ees. Eiki Nonaka was part of electronic New Age quartet interiors, releasing the two minimalistic, synth-pop leaning albums “Interior” and “design” in 1982 and 1987. likewise, he was a member of Haruomi Hosono’s band friends of earth, playing, voicing, and tuning the drum machine, guitar, synthesizers, and mi-crophone on their second landmark experimental Pop Electronic album “Sex, Energy and Star”, released Hosono’s outstanding non-standard label in 1986. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e His one and only solo album “A-Key” features the essence of all his musical journeys until 1995, bringing, as he puts it on his blog www.viewz.jp, “all my musical career up to that point designed in sounds that were ringing in my head at that time. It's extremely introspective, but the various mental landscapes of that time are still vibrating fresh and acoustically new.”\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: STUDIOMULE39\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Mulemusiq\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":42525458366632,"sku":"STUDIOMULE39","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/STUDIOMULE39.jpg?v=1657970464"},{"product_id":"coil-constant-shallowness-leads-to-evil-2xlp","title":"Coil 'Constant Shallowness Leads To Evil' 2xLP","description":"\u003cdiv\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLimited clear vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe turn of the millennium ushered in an apex visionary phase for English esoteric duo Coil. Relocating from the city to the coastal quiet of Westonsuper-Mare freed them to follow even more fringe obsessions, fully untethered from peer influence. During a single six-month stretch in 2000 they released the devious underworld sequel to Music To Play In The Dark, arcane drone summit Queens Of The Circulating Library, and a malevolent hour-long synthesizer exorcism prophetically titled Constant Shallowness Leads To Evil. This latter work remains one of the group’s most miasmic and mind-expanding creations, on par with Time Machines – a sustained divination of shuddering, psychoactive noise, rippling with the motion sickness of an all-seeing eye.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThighpaulsandra characterizes the album as “an exercise in brutality,” born from a thorny patch of his Serge modular unit that Peter “Sleazy” Christopherson found entrancing. Processing this sliver of electronics into a ravaged labyrinth was a trial and error process, aided by Christopherson’s visual sense of sound, stretching and manipulating it for maximum spatial disorientating. Frequencies nauseously crawl across the stereo field, burrowing into the ear like a sinister brainwashing experiment. An outlier \/ centerpiece is the 13-minute alien tribalist sea shanty, “I Am The Green Child,” guided by John Balance’s sung-spoken free verse concerning vengeance, oblivion, and insanity, culminating in the memorable refrain, “We're swimming in a sea of occidental vomit.” But the rest of the record seethes in unhinged instrumental chaos, divided into 18 micro-movements of a composition called “Tunnel Of Goats.” Intended to scramble the functionality of a CD player’s shuffle mode, the piece throbs, thrashes, and flatlines in compressed frenzies of twisted synthesis, at the threshold of some bottomless purgatory, forbidding and unknown.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: DAIS186LPC4\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Dais\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":42531934470312,"sku":"DAIS186LPC4","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-07-19at12.35.20.png?v=1658230535"},{"product_id":"ramleh-hole-in-the-heart-lp","title":"Ramleh 'Hole In The Heart' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eWhite vinyl with bonus 7\".\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 873px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\" data-mce-style=\"max-height: none; height: 873px;\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn its initial release in 1987, \u003ci data-mce-fragment=\"1\"\u003eHole In The Heart\u003c\/i\u003e was a radical reinvention of Ramleh. The band had split in 1984 after two years of power electronics noise assaults and it was assumed this would be more of the same. Listeners were in for a shock though. Gary Mundy, the sole survivor from earlier line-ups was a big fan of the writer Jean Genet and had been deeply upset to hear of his death and had recorded a four track solo tribute called \u003ci data-mce-fragment=\"1\"\u003eHole In The Heart\u003c\/i\u003e using lyrics inspired by the book Funeral Rites but decided to release it as Ramleh. Musically it was a mix of trebly psychedelic guitar, noise, mournful hymn-like keyboards and distorted vocals with no obvious influences. It is often described as one of the best power electronics records of all-time but isn't really a power electronics record at all, although Ramleh needed to have been through that scene to end up at a place like this. If there is post-punk and post-rock, this is post-power electronics.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt was released on cassette only on Broken Flag records and generally confused Ramleh's audience and vanished quickly. Further recordings in a similar vein were made using base sounds supplied by brothers Massimo and Giancarlo Toniutti released as Redcap, again on cassette only. A third tape called Pumping was released featuring the 23 minute epic True Religion. Again the music was met with little love. Then, an extract from True Religion called Bite the Bolster was released on the Broken Flag compilation Never Say When on vinyl and that got more attention. Over the years the tracks were shared between fans and through word of mouth people began to talk about these recordings as being in some way special. The track Product of Fear especially started to become mentioned as a classic track that needed to be heard and remains Ramleh's most listened to track.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 2009 Dirter brought all of the tracks together on a double CD which sold out and now changes hands for large sums. The popularity of the record is now such that users of the website Rate Your Music now rank the record one of the 30 best albums of 1987. 13 years on, a double vinyl version is finally here. The tracks have been reordered to put the original 4 tracks on the first disc where they belong.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e300 copies have been pressed in special black and white vinyl alongside the standard version and all copies include a 7\" single featuring a contemporaneous compilation track missed off the CD version. Ramleh still exist making records that are always unexpected. They are a band restlessly seeking new sounds and ways of expressing their vision of this strange thing called life.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"st__content-block st__content-block--text\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHole In The Heart\u003c\/i\u003e sounds like no other record by Ramleh or anybody else and has taken on a life of its own far from the cassette only tribute to Jean Genet that nobody heard back in 1987.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number:DPROMDLP73\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Dirter Promotions\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":42550646833320,"sku":"DPROMDLP73","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-07-26at13.53.43.png?v=1658840039"},{"product_id":"nurse-with-wound-the-ladies-home-tickler-lp","title":"Nurse With Wound 'The Ladies Home Tickler' LP","description":"Red and black splatter vinyl.\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"max-height: none;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eThis expanded collection is the definitive version of \u003ci\u003eThe Ladies Home Tickler\u003c\/i\u003e. An essential historical document for the new and lifelong NWW follower. Classic tape cut ups, radio sludge, surrealism and abstract chaos.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eThe birth of NWW, a project that is now in its 5th decade. Recorded back 1980, the NWW line-up for these recordings was: Steven Stapleton: Record player, cassette machine, noise. Jim Thirlwell: Bass, ergonomic jack plug, Wasp. William Bennett: Guitar, Wasp.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eCatalogue number: DPROMDLP162\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: United Dirter\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":42574225801384,"sku":"DPROMDLP162","price":27.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-08-02at10.56.51.png?v=1659434240"},{"product_id":"angels-of-light-we-are-him-2xlp","title":"Angels Of Light 'We Are Him' 2xLP","description":"Mute and Young God Records present the first instalment of the Angels Of Light reissues, starting with remastered editions of \u003ci data-mce-fragment=\"1\"\u003eWe Are Him\u003c\/i\u003e and \u003ci data-mce-fragment=\"1\"\u003eThe Angels of Light Sing Other People\u003c\/i\u003e. Michael Gira formed Angels Of Light after the conclusion of Swans in 1997. \u003ci data-mce-fragment=\"1\"\u003eWe Are Him\u003c\/i\u003e was initially released in 2007 and features Akron\/Family (Dana Janssen, Miles Seaton Cooper, Seth Olinsky and Ryan Vanderhoof), along with Kristof Hahn, Phil Puleo and Bill Rieflin. The record is about getting by and trying to survive with a family and a faith at a time when “the dogs...howl as the street fills with blood.” - Micheal Gira\/Young God Records.\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" style=\"max-height: none; height: 363px;\" id=\"cHJvZHVjdC0=description\" class=\"js-readmore\"\u003e\n\u003cdiv class=\"js-readmore\" id=\"cHJvZHVjdC0=description\" style=\"max-height: none; height: 431px;\" data-readmore=\"\" data-readmore-expanded=\"true\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 431px;\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn the making of the album, Micheal Gira says “\u003ci data-mce-fragment=\"1\"\u003eWe Are Him\u003c\/i\u003e began with my usual vows to keep things simple this time, finally, and I failed once again to live up to the task. I went into the studio with Akron\/Family as backing band (as they had been on \u003ci data-mce-fragment=\"1\"\u003eOther People\u003c\/i\u003e). We recorded all the basic tracks in a week. They played drums, bass, guitar, piano, and backing vocals. Despite Akron's valorous efforts and fine performances, things sounded thin and tentative to me, so I started calling my friends to help me flesh things out.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Mute\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":42633850355880,"sku":"AOL5LP","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2022-08-20at09.13.24.png?v=1660983333"},{"product_id":"henning-christiansen-op-163-penthesilea-2xlp","title":"Henning Christiansen 'OP.163 PENTHESILEA' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eBeautiful, haunting and sombre, this 2LP presents the entire recording from Henning Christiansen’s Heinrich von Kleist tribute at Rene Block’s Rosenfest festival, Berlin, 1984. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e THE REALITY IS A GHOST IN MY MIND (LP1) is a work that unfolds patiently with a mix of field recordings; wind, bird song and the sound of snow being crushed underfoot all unite in a foreboding atmosphere. IN PENTHESILEAS HÖHLE (LP2) features electronic treatments to the original field recordings found on THE REALITY IS A GHOST IN MY MIND, a representation of psychological reorientation perhaps? A deep ground tone (or ROOT as Henning calls it) leads the listener through a variety of realistic and unrealistic environments. As Henning says in his essay reprinted on the back sleeve: \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e “Then comes a section where the field recordings of the sea, the storm, birds, cars and other things, are built together so that the realism of these sounds become unreal. For example the cars drive into the sea and the birds are singing within the storm. When you hear footsteps in the show, it’s Kleist sneaking past Deutsche Schauspielhaus. When you hear a deep, human sleeping noise, it’s Achilles sleeping. When you hear hammering it’s the weapon smith working. When you hear a stone being thrown\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e it means the unanswered question: “Who threw the first stone?” \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e These recordings lead to the finale where Carla Tatò’s haunted vocals into her singing mournfully along with Jan Tilman Schade’s violoncello and tuba, then a chainsaw appears. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Presented in a deluxe di-cut sleeve with writings by Ursula Reuter Christiansen and Henning Christiansen and adorned with an artwork, Penthesilea by Ursula Reuter Christiansen, 1983 \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e * Small excerpts of these works previously appeared on one of the 7”s in the Rosenfest Berlin 1984 catalogue (Berliner Künstlerprogramm des DAAD ) and the compilation CD Ghosts And Monsters: Technology And Personality In Contemporary Music (Leonardo Music Journal \/ Electronic Music Foundation 1999). \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e --- \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e A previously unreleased project of Henning Christiansen, monumental in scope, traversing years, countries and now, formats. The Henning Christiansen Archive is proud to finally present one of the crown jewels of the archive, the masterpiece ‘Penthesilea’ as a 2LP and 5CD set. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Pentheseila is one of the most ambitious works in the entire Henning Christiansen oeuvre. A large-scale work from the mid eighties based on the play of the same name by Heinrich von Kleist (1808). Both Henning and his widow, Ursula Reuter Christiansen, were enthusiastic about Kleist’s text, both making works around the themes within this portent text. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Henning Christiansen first developed a work around this text for the Rosenfest festival performed in Berlin in 1984. Rosenfest was curated by René Block and featured a variety of composers presenting works in response to Kleist’s work including Robert Ashley, \"Blue\" Gene Tyranny etc. Henning formulated a composition utilising tape, field recordings, voice, soprano, and violoncello alongside the home made instruments of Werner Durand. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e The live presentation was then expanded upon and first performed two years later at Teatro Olímpico, Rome on the 8th November 1986 as directed by Carlo Quartucci. The two releases presented here include a 2 x vinyl LP of the Rosenfest recordings in 1984 and a 5CD set sharing the four and a half hour backing track prepared for the Teatro Olímpico performance in Rome in 1986. Together these two releases make up a substantial overview of one of the most significant works in the entire Christiansen canon. \u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: HC4\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Henning Christiansen\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":42649063358632,"sku":"HC4","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-08-24at13.16.35.png?v=1661343412"},{"product_id":"oren-ambarchi-shebang-lp","title":"Oren Ambarchi ‘Shebang’ LP","description":"\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eEvolving the tactics of works like ‘Quixotism’, ‘Hubris’ and ‘Simian Angel’, Oren Ambarchi invites an international all-star cast to dialogue with his guitar and triggers inventions. \u003cbr\u003eIntricate theme-and-variations build upon the staccato rhythms via expansive improvs from BJ Cole, Sam Dunscomb, Chris Abrahams, Jim O’Rourke and Julia Reidy. \u003cbr\u003eBridging minimalism, contemporary electronics, and classic ECM stylings, and bringing together a cast of preternaturally talented contributors, ‘Shebang’ is unmistakably the work of Oren Ambarchi: obsessively detailed, relentlessly rhythmic, unabashedly celebratory. \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: DC853\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Drag City\u003cbr\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":42688637599912,"sku":"DC853","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-09-05at12.37.23.png?v=1662377861"},{"product_id":"keiji-haino-sumac-into-this-juvenile-apocalypse-our-golden-blood-to-pour-let-us-never-2xlp","title":"Keiji Haino \u0026 SUMAC ‘Into this Juvenile Apocalypse our Golden Blood to Pour Let Us Never’ 2xLP","description":"\u003cp\u003e\u003cstrong\u003eClear vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e‘Into this Juvenile Apocalypse our Golden Blood to Pour Let Us Never’ is the third collaborative album between trio SUMAC - Aaron Turner (guitar - ISIS, Old Man Gloom), Brian Cook (bass - Russian Circles), Nick Yacyshyn (drums - Baptists) - and Japan’s cultural provocateur, Keiji Haino. \u003cbr\u003e‘Into this Juvenile Apocalypse our Golden Blood to Pour Let Us Never’ finds the quartet navigating the push-and-pull of creative interplay with bolder strides and stronger chemistry. Recorded on May 21, 2019, at the Astoria Hotel on Vancouver BC’s notorious East Hastings Street as a one-off performance during a short North American tour for Haino, the six compositions comprising ‘Into this Juvenile Apocalypse our Golden Blood to Pour Let Us Never’ showcase a musical unit bouncing unfiltered ideas off of one another, mining a trove of textures and timbres from their armoury to buoy and bolster these living and breathing pieces. Like so many albums documenting free music, the thrill here is in the tightrope walk, the wavering moments of uncertainty, and the ecstatic moments of shared brilliance. \u003cbr\u003eWhether deconstructing American blues, to a few rogue notes hanging across chasms of empty space in his solo endeavors, sparring with the nebulous fringes of psychedelia in Fushitsusha, or teaming up with musicians like Faust, Boris, Jim O’Rourke, Stephen O’Malley, John Zorn, and Peter Brötzmann for fleeting aural experiments, Haino’s work is never pre-planned or structured, but rather a completely spontaneous exploration of chemistry, texture, and dynamics. \u003cbr\u003eSUMAC’s tenure is much younger than Haino’s, though guitarist-vocalist Aaron Turner has covered a similarly large swath of musical territory across numerous projects and collaborations. \u003cbr\u003e“If Haino is Hendrix caterwauling through the multiverse, Sumac are the Experience bringing him back into our atmosphere, burning without disintegrating.” - Pitchfork \u003cbr\u003eDouble LP pressed on virgin vinyl, packaged in a wide spine UV high gloss slipcase in full colour with custom matte jacket designed by SUMAC. Digital download card included. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: THRILL568LPY\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Thrill Jockey\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":42735869919400,"sku":"THRILL568LPY","price":36.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-09-17at11.47.41.png?v=1663411718"},{"product_id":"anna-von-hausswolff-live-at-montreux-jazz-festival-2xlp","title":"Anna Von Hausswolff 'Live at Montreux Jazz Festival' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eBlack and white marbled vinyl.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eAcross six pieces, Anna von Hausswolff performs sensational renditions of fan-favourites from the two beloved albums; \u003ci data-mce-fragment=\"1\"\u003eThe Miraculous\u003c\/i\u003e and \u003ci data-mce-fragment=\"1\"\u003eDead Magic\u003c\/i\u003e, with the backing of a full band including additional vocals from her sister \/ cinematographer Maria von Hausswolff. Recorded at Montreux Jazz Festival in 2018, in Auditorium Stravinsky.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: PRLP16X\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Pomperipossa Records\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":42764249497768,"sku":"PRLP16X","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-09-26at13.52.44.png?v=1664196784"},{"product_id":"keiji-haino-jim-orourke-oren-ambarchi-caught-in-the-dilemma-2xlp","title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi '\"Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?' 2xLP","description":"\u003cdiv class=\"sc-lcdCCa cPOcJU\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-cAUCVt bgmYbB fEKjAf\" data-testid=\"description-product\"\u003e\n\u003cdiv class=\"sc-lcdCCa cPOcJU\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-cAUCVt bgmYbB fEKjAf\" data-testid=\"description-product\"\u003e\n\u003cdiv class=\"sc-lcdCCa cPOcJU\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-cAUCVt bgmYbB fEKjAf\" data-testid=\"description-product\"\u003e\n\u003cp\u003eThe renowned trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return to Black Truffle with their 11th release, \u003ci\u003e“Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?”\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e2LP set presented in a lavish gatefold sleeve on heavy stock along with inner sleeves containing live pics by Tsuyoshi Kamaike. Photography by Jim O’Rourke, design by Lasse Marhaug and translation by Alan Cummings.\u003c\/p\u003e\n\u003cp\u003eDemonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York’s Issue Project Room in 2021 during widespread lockdowns and travel limitations. A unique piece in the trio’s extensive body of work, this side-long epic finds Haino performing on metal percussion, O’Rourke on electronics and Ambarchi on gongs and bells. Initially dominated by rapid patterns on resonant, high-pitched tuned percussion, the piece sets Haino’s dynamic and dramatic performance against a calm backdrop of cycling electronics, thrumming gong strikes and hanging bell tones. The performance develops a heightened, intensely concentrated atmosphere reminiscent of Haino’s classic Tenshi No Ginjinka or his Nijiumu project; when Haino moves to clashing hand cymbals in its second half, the piece’s ritualistic energy suggests aspects of the music of Tibetan Buddhism.\u003c\/p\u003e\n\u003cp\u003eThe remainder of the double LP documents the trio live at Tokyo’s SuperDeluxe (the location of all but their very first recording) in a wide-ranging set recorded in December 2017. The concert opens, in another first for the trio, with Haino on drums, O’Rourke on Hammond organ and Ambarchi on his signature Leslie cabinet guitar tones. Haino’s explosively untutored approach to the drumkit will be familiar to some listeners from the radical duo iteration of Fushitsusha heard on Origin’s Hesitation. Setting flurries of rapid activity against moments of silence, his drumming here at times suggests Milford Graves in its tumbling toms and thudding kick-drum propulsion. Accompanied by O’Rourke’s organ and Ambarchi’s guitar, which in their shared use of long tones and shifting modulation speeds almost blend into a single voice, the opening sections of this performance are some of the most magical music the trio has committed to tape thus far.\u003c\/p\u003e\n\u003cp\u003eAfter an interlude of spoken vocals in both Japanese and English, Haino makes a dramatic entrance on guitar. Against O’Rourke and Ambarchi’s increasingly intense electronic backdrop, Haino unleashes a stunning passage of slowly moving chromatic melodies and sudden shrieking explosions bathed in distortion and reverb. By the time we reach the third side, the guitar\/bass\/drums power trio is established and lurches into a passage of massive, lumbering rock that threatens to fall apart at every beat, O’Rourke’s strummed chordal work on six string bass creating a harmonic density equivalent to a second guitar. An abrupt edit throws the listener in media res into a frantic locked groove grounded by fuzzed out bass patterns and caveman drums. As Haino moves through a variety of approaches, from massive edifices of stuttering fuzz to ominous swarms of feedback, the trio eventually stumble into a kind of Harmolodic military tattoo, Haino’s guitar weaving and slashing across the rhythm section’s irregular accents. Moving through an epic opening duet for O’Rourke on Hammond and Haino’s wailing guitar, the fourth side eventually ramps up into a frenetic finale of mad bass riffing, crackling snare hits and guitar squall.“Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” is a testament to the continuing power and invention of this trio, who continue to seek out new terrain after over a decade working together.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan class=\"sc-fXNlap dhlTlI\"\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Black Truffle\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":42846849302696,"sku":"BLACKTRUFFLE097","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2022-10-24at20.24.05.png?v=1666639469"},{"product_id":"masayuki-takayanagi-new-direction-unit-eclipse-lp","title":"Masayuki Takayanagi New Direction Unit 'Eclipse' LP","description":"\u003cdiv class=\"sc-lcdCCa cPOcJU\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-cAUCVt bgmYbB fEKjAf\" data-testid=\"description-product\"\u003e\n\u003cp\u003eDeluxe gatefold LP. Masayuki Takayanagi was one of the truly iconoclastic musicians to emerge from Japan, or anywhere else, in the 20th Century. Though he won acclaim in the 1950's and 60's as a master of the electric guitar and jazz improvisation, Takayanagi was a restless spirit, deeply engaged with the era's new movements in contemporary art, music, literature and philosophy. His work, beginning in the late 1960's, placed him on the leading edge of these developments; he began expanding on the most radical elements of American and European free jazz, infusing them with the raw feedback and dissonance of electronic and avant-garde music. With his various \"New Direction\" groups, Takayanagi broke free of traditional structures and developed a new theory of music that embraced an aggressive and unrelenting style of playing that has remained almost completely unparalleled in its ferocity. Of all the albums to be released during Takayanagi's lifetime, 1975's \u003ci\u003eEclipse\u003c\/i\u003e was perhaps the most enigmatic and sought after. Released in an edition of only 100, it almost immediately disappeared and became a Holy Grail for Japanese connoisseurs of adventurous music, and rightly so. It's first side contained a two-part realization of Takayanagi's \"Gradually Projection\" modality - a searching interplay between instruments- slowly emerging from a sparse open field and building with the tension of a looming thunderstorm. The second side contains an epic performance of a \"Mass Projection\", a high energy, densely layered barrage of sound that in its 25 minutes, never once slackens its intensity. It would be another 31 years before this key album in Takayangi's oeuvre would finally have a (slightly) wider audience through a CD release by Japan's P.S.F. Records. Black Editions is proud to present a deluxe vinyl edition of this masterwork, revealingly remastered from the original tapes by Elysian Masters. The album is packaged in a heavy double tip-on gatefold jacket that pays tribute to the original handmade packaging and features a previously unseen studio photograph of Takayanagi by Tatsuo Minami.\u003c\/p\u003e\n\u003cp\u003ePersonnel Masayuki Takayanagi: Electric Guitar Kenji Mori: Alto Saxophone, Flute, Recorder Nobuyoshi Ino: Electric Bass Hiroshi Yamazaki: Drums, Percussion. Track Listing Side A: First Session 1 \u0026amp; 2 (Gradually Projection) Side B: Second Session (Mass Projection) Recorded in Tokyo, March 14, 1975.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan class=\"sc-fXNlap dhlTlI\"\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Black Editions\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Shellshock","offers":[{"title":"Default Title","offer_id":42846863720616,"sku":"BE014","price":32.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2022-10-24at20.29.16.png?v=1666639811"},{"product_id":"masayuki-takayanagi-new-direction-station-70-call-in-question-live-independence-3xlp-box-set","title":"Masayuki Takayanagi New Direction 'Station '70 - Call in Question \/ Live Independence' 3xLP Box Set","description":"\u003cdiv class=\"sc-lcdCCa cPOcJU\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-cAUCVt bgmYbB fEKjAf\" data-testid=\"description-product\"\u003e\n\u003cdiv class=\"sc-lcdCCa cPOcJU\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-cAUCVt bgmYbB fEKjAf\" data-testid=\"description-product\"\u003e\n\u003cp\u003eDeluxe 3LP Box Set with heavy chip board, textured uncoated paper wrap, black pigment foil stamping, three heavy inserts and Japanese language insert.\u003c\/p\u003e\n\u003cp\u003eIn August 1969, visionary Japanese guitarist Masayuki Takayanagi formed his first New Direction group and embarked on an unparalleled musical journey that would forge a radical new musical language. Comprised of himself on acoustic and electric guitar and joined by Motoharu Yoshizawa on bass and Yoshisaburo 'Sabu' Toyozumi on drums, Takayanagi's group created a new unconstrained form of music; It expanded on the most radical, fiery elements of American and European Free Jazz, while refracting them through an avant-garde prism. Harmonic and melodic development were rejected in favor of feedback and complete spontaneity. With New Direction, Takayanagi had achieved a \"decisive break\" with the past, creating a ferocious, often violent sound that paradoxically took both musical movement and stillness to their extremes. In the process, he helped set off a musical revolution that has resonated in the decades since, both in the Japanese underground and the wider world of adventurous music. As influencial as he was, It was not until 25 years later that a wider audience would finally able to hear Takayanagi's vision with the group in its most explosive and unmitigated realization; Japan's P.S.F. records released two CD's which featured unearthed, previously unheard 1970 recordings made at the legendary Shibuya Tokyo venue, Station '70. The recordings were revelatory; They presented nascent, jarring versions of the \"Gradually Projection\" and \"Mass Projection\" modalities in uncut, unvarnished long form. Joined on some tracks by saxophonist Mototeru Takagi, the performances are intensely physical and visceral creating something entirely new and beautiful.\u003c\/p\u003e\n\u003cp\u003eBlack Editions is proud to present the entirety of the recordings presented on both P.S.F. albums as well as a previously unreleased side-long Mass Projection in a deluxe, remastered 3LP box set. The set features the stark photography of the late Yuji Itsumi and presents the original liner notes by key Japanese music critics and historians Yoshiyuki Kitazato and Toshihiko Shimizu newly translated into English as well as in the original Japanese.\u003c\/p\u003e\n\u003cp\u003ePersonnel - Masayuki Takayanagi – Guitar Motoharu Yoshizawa – Bass Sabu Toyozumi – Drums Mototeru Takagi - Saxophone (D2)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan class=\"sc-fXNlap dhlTlI\"\u003e\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Black Editions\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Shellshock","offers":[{"title":"Default Title","offer_id":42846867882152,"sku":"BE0134157","price":73.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2022-10-24at20.31.25.png?v=1666639953"},{"product_id":"horse-lords-comradely-objects-lp","title":"Horse Lords 'Comradely Objects' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eWhite vinyl.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eHorse Lords return with \u003ci\u003eComradely Objects,\u003c\/i\u003e an alloy of erudite influences and approaches given frenetic gravity in pursuit of a united musical and political vision. The band’s fifth album doesn’t document a new utopia, so much as limn a thrilling portrait of revolution underway.\u003cbr\u003e \u003cbr\u003e\u003ci\u003eComradely Objects\u003c\/i\u003e adheres to the essential instrumental sound documented on the previous four albums and four mixtapes by the quartet of Andrew Bernstein (saxophone, percussion, electronics), Max Eilbacher (bass, electronics), Owen Gardner (guitar, electronics), and Sam Haberman (drums). But the album refocuses that sound, pulling the disparate strands of the band’s restless musical purview tightly around propulsive, rhythmic grids. Comradely Objects ripples, drones, chugs, and soars with a new abandon and steely control.\u003cbr\u003e \u003cbr\u003eThis transformation came, in part, due to circumstance. Sidelined from touring their early 2020 album \u003ci\u003eThe Common Task\u003c\/i\u003e in a world turned upside down, Horse Lords promptly returned to their Baltimore practice space and began piecing together the music that became \u003ci\u003eComradely Objects \u003c\/i\u003e(Bernstein, Eilbacher, and Gardner have since relocated to Germany). Removed from their tried and true method of refining new music on the road, the quartet invested less energy ensuring live playability and more rehearsing and recording. The deliberate writing and tracking process, a rarity since the band’s earliest days, led to a collection of pieces that signal a new peak of creativity and musical heft without devolving into studio sprawl or frippery.\u003cbr\u003e \u003cbr\u003e\u003ci\u003eComradely Objects\u003c\/i\u003e reflects familiar elements of Horse Lords’ established palette—the mantra- like repetition of minimalism and global traditional musics, complex counterpoint, the subtleties of microtonality, a breadth of timbres and textures drawn from all across the avant-garde—with some standout stylistic innovations. At different moments, the album veers closer to free jazz than anything else in the band’s catalog, channels spectral electroacoustic tones, and throbs with unexpected yet felicitous synth. While these new elements are evidence of additional studio time and care, \u003ci\u003eComradely Objects \u003c\/i\u003eretains the dizzying obsessive rhythmic energy that galvanizes the best moments of the band.\u003c\/p\u003e\n\u003cp\u003eIt’s vital that the Horse Lords’ instrumentals speak for themselves, and for the quartet’s shared musical and sociopolitical vision. The title derives from Imagine No Possessions, art historian Christina Kaier’s 2008 book on Russian Constructivist design. Constructivists shunned the artistic egoism and precious artifacts of capitalist art in favor of utilitarian objects for the masses. “The comradely object should promote collective, egalitarian ideals,” the band notes. “They tended toward simple, unadorned forms that emphasized utility and foregrounded the material. \u003ci\u003eComradely Objects\u003c\/i\u003e works through what this means for the material of sound, for music, for the album, and for artistic production in the 21st century.”\u003cbr\u003e \u003cbr\u003eNot only does \u003ci\u003eComradely Objects\u003c\/i\u003e redefine the possibilities for Horse Lords’ shopworn format, it adds a new contour of confidence and finesse to the band’s reliefs mounted in both sticker-spattered indie hovels and the white-walled world of composition. It also solidifies their position among the foremost smugglers of radical musical and political ideas into contemporary music that happens to also, after a fashion, rock. Comradely Objects presents the most sublime document yet of the band’s ongoing interrogation of aesthetic and social form, purpose, and intent, alongside note, beat, and raw sound.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"sc-lnDqNf gAUCvy\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"sc-jLuXOi iKkCiF\" data-mce-fragment=\"1\"\u003eRVNGNL95LPC1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: RVNG\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":42869485928616,"sku":"RVNGNL95LPC1","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-11-02at11.34.45.png?v=1667388901"},{"product_id":"free-love-inside-lp","title":"Free Love 'Inside' LP","description":"\u003cp\u003e\u003cstrong\u003eDinked Edition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-lepLyc gEoiVd\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gKclnd sc-hDzdEj bgmYbB eLxozc\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“Blood Red Embryo” vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRiso-print on 225gsm paper, designed by Sam Tomson (Bakkheia Records)\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eHand-stamped, signed \u0026amp; numbered edition \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ePrivate link for a 53 minute mix of music that inspired the album*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eLimited pressing of 400 \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eAlso available on ecomix random coloured vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFKA Happy Meals, Free Love and their music are a conscious study in duality: thumping live tracks and meditational mantras, pop songs and esoteric experiments, acoustic and electronic instrumentation, lyrics in French and English, the Masculine and the Feminine, all side-by-side. Paragons of the cross-pollinating Glasgow DIY scene, their rapturous psychedelic odysseys have been emanating from the city since 2013 via esteemed labels including Night School and Optimo Music. Free Love’s debut EP Luxury Hits was released in 2018 to much critical acclaim (“a groovy fever dream” – Line of Best Fit) and saw them shortlisted for the Scottish Album of the Year Award (Suzi and Lewis’s third SAY Award nomination in all, following two under the Happy Meals moniker). It was followed in 2019 by the mini-album Extreme Dance Anthems (“music to move both body and mind” – Clash). In 2018 Free Love released a limited-edition vinyl EP, written and recorded on the isle of Eigg as part of Lost Map’s V I S I T \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e▲\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e T I O N S residency programme – strengthening a long-standing kinship between the band and the label which has seen them perform live many times at Lost Map events on Eigg and elsewhere. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt leads to the release on Lost Map in 2023 of Free Love’s latest opus INSIDE. Written and recorded at the band’s Glasgow home studio during and after the lockdowns of 2020-2021, and completed just before the birth of Lewis and Suzi’s son Echo in the summer of 2022, its 10 tracks of house-quaking acid pop, celestial drones and yogic devotionals are a by-turns banging and blissed-out meditation on life and death, community and seclusion, worlds both outwith and within. A song about “coming back to the centre after spiralling too far and recognising you’re not the only person wondering what’s going on”, ‘Open The Door’ reaches for the fresh silicon sound of Yellow Magic Orchestra. ‘Stop’ and ‘Golden Goose’ channel the space age pop dreams of Broadcast, while ‘Le Mirage’ and ‘Dans Le Noir’ take influence from 1970s electronic dance music pioneer Patrick Cowley – the former his gay porn movie soundtracks, the latter Cowley’s game-changing hi-NRG productions such as ‘Menergy’ and ‘Megatron Man’. Transportational seven-minute album closer ‘I Become’ sees Free Love borrow lyrics from the first track Lewis and Suzi ever recorded together, ‘Crystal Salutation’. “In doing, we become.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“The sounds and themes on INSIDE came from the experiments we started working on throughout lockdown in our home studio, FULL ASHRAM CELESTIAL GARDEN,” says Lewis. “Sometimes we’d leave a sound running on loop until little melodies would come in and then that would start to take the form of the track. It has been a weird time for anyone to be making anything creative – to make sense of any reason to it all, we had to position creating music as an essential ritualistic part of our daily existence. We used the studio as a portal and made INSIDE.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eFree Love’s euphoric live show has seen them tour Europe, USA, India and Russia with the likes of The Flaming Lips, Liars and James Holden and The Animal Spirits, with Suzi often tearing through the audience centring the energy in the middle of the room over the live hardware electronics operated by Lewis from the stage turning into a ritualistic communal catharsis. As well as performing their debut Boiler Room live set from their home studio during lockdown, the band remixed music for Django Django and Charlotte Gainsbourg.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp title=\"Page 3\"\u003eCondition: New\u003c\/p\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003eLabel: Lost Map\u003cbr\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Dinked Edition Blood Red Embryo Vinyl","offer_id":42872496881832,"sku":"LAT 030D","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"Ecomix Random Coloured Vinyl","offer_id":42872496914600,"sku":"LAT 030","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/FLDink.jpg?v=1667462551"},{"product_id":"ernest-hood-back-to-the-woodlands-where-the-woods-begin-lp","title":"Ernest Hood 'Back to the Woodlands' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eYellow with red swirl vinyl.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-gmCRdq RojZI\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-UMyrj bgmYbB hDlwRw\" data-testid=\"description-product\"\u003e\n\u003cp\u003eWritten and recorded between 1972 and 1982 in Western Oregon, \u003ci\u003eBack to the Woodlands\u003c\/i\u003e is a previously unreleased, and nearly lost, album made by Ernest Hood during the same era as his near mythical album Neighborhoods. A visionary combination of field recordings, zithers, and synthesizers, \u003ci\u003eBack to the Woodlands\u003c\/i\u003e offers an unprecedented depth of access to this singular artistic mind.\u003cbr\u003e\u003cbr\u003eBorn into a musical family, Ernest Hood began a promising career as a jazz guitarist during the 1940s, touring internationally with his brother Bill Hood and the saxophonist Charlie Barnet, before contracting polio in his late twenties. The disease left Ernest unable to play the guitar and confined him to a wheelchair for the rest of his life. It also forced him to adapt and innovate around his musical practices in the face of adversity; Hood’s value of sound matured with a remarkably democratic and nonhierarchical approach and application.\u003cbr\u003e\u003cbr\u003eTaking up the zither, a less physically-demanding stringed instrument to the guitar, embarking upon the unprecedented process of incorporating field recordings into his work as early as 1956, and eventually discovering the synthesizer, Hood’s music became imbued with optimism and subtle cultural critique. This ethos and technique - refined over the coming decades - would lay the groundwork for a sprawling body of radio work, mail order recordings for homebound listeners, and \u003ci\u003eNeighborhoods,\u003c\/i\u003e self-issued as a small vinyl edition in 1975.\u003cbr\u003e\u003cbr\u003eWhere Neighborhoods, a nostalgic opus, drawing from a well of collective memory of the 1950s, is defined by traces of human activity, \u003ci\u003eBack to the Woodlands\u003c\/i\u003e leaves the modern world behind, delving into Hood’s love for nature. Only recently discovered in his archives, the album dramatically expands his concept of “musical cinematography,” imagistically triggering states of sensory memory from within its zither and synthesizer melodies, intertwined with field recordings made during Hood’s extensive travels throughout Oregon. If \u003ci\u003eNeighborhoods\u003c\/i\u003e is a retreat into the gauzy joys of a romanticized past, \u003ci\u003eBack to the Woodlands\u003c\/i\u003e is an immersion in the timeless sanctuary of the natural world.\u003c\/p\u003e\n\u003cp\u003eA fascinating counterpoint to its predecessor, \u003ci\u003eBack to the Woodlands\u003c\/i\u003e brings us even closer to Hood’s belief in the transportive qualities of sound; that field recordings could serve as a vehicle for the imagination and liberation, particularly for those with similar mobile disabilities as his own. Across the album’s twelve compositions, the rippling instrumental harmonics - shifting between abstraction and playful melody - fold so seamlessly into the birdsong, bubbling brooks, and other environmental ambiences, that they often give the impression of having been recording within the landscapes toward which they whisper.\u003cbr\u003e \u003cbr\u003eFalling somewhere between the immersive calm of healing music and New Age, the creative field recording practices of sound ecologists world building for Folkways, and the jazz infected ambiences during Obscure \/ Editions EG’s highest heights, \u003ci\u003eBack to the Woodlands \u003c\/i\u003esculpts an singular proximity of music for its moment; a form of ambient sonic realism that draws the consciousness toward its surroundings as much as within.\u003cbr\u003e \u003cbr\u003eWorking closely with his estate to maintain his original vision, Freedom to Spend has restored and remastered this never before released, lost masterpiece by Ernest Hood from the original tapes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan data-mce-fragment=\"1\" class=\"sc-dOpZeA kjkwBQ\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"sc-halPKt kwloq\"\u003eFTS022LPC1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Freedom To Spend\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":42883603988648,"sku":"","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-11-07at12.20.05.png?v=1667823628"},{"product_id":"bill-nace-through-a-room-lp","title":"Bill Nace 'Through a Room' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan class=\"sc-dOpZeA kjkwBQ\" data-mce-fragment=\"1\"\u003eUsing the looped-and-screwed methodology of \u003ci data-mce-fragment=\"1\"\u003eBoth\u003c\/i\u003e, Nace takes a seismic step, building the process into a larger compositional process, employing guitar plus tapes, hurdy gurdy, doughnut pipe, quelle est belle and the nu Nace ax of choice, taishōgoto. Phrases talk to and obliterate each other, expanding and emerging into brave new unheard vistas.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cbr\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"sc-dOpZeA kjkwBQ\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"sc-halPKt kwloq\" data-mce-fragment=\"1\"\u003eDC852\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Drag City\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":42891155144872,"sku":"DC852","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-11-09at12.09.39.png?v=1667995791"},{"product_id":"alva-noto-and-ryuichi-sakamoto-summvs-remaster-2xlp","title":"Alva Noto and Ryuichi Sakamoto 'Summvs (reMASTER)' 2xLP","description":"\u003cdiv\u003e\n\u003cspan class=\"sc-hJZKUC eYPigo\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eSummvs\u003c\/i\u003e is the fifth and purportedly final collaborative album from the dream-team of Ryuichi Sakamoto and Carsten Nicolai (aka Alva Noto). Since 2002 the two musicians have fused their disciplines near-faultlessly, with Sakamoto’s evocative piano-based compositions melting effortlessly into Nicolai’s skillful digital rhythms and cautious manipulations. Each album has brought the duo slightly closer together, and ‘summvs’ (the title an amalgamation of the words summa and versus) sees their work reach critical mass. With Sakamoto apparently working on a rare piano (one of only fifteen in the world) using 16th interval tuning, and Nicolai expanding on his newfound love of harmony and melody, the results are much warmer than their earlier experiments, and all the better for it. While Nicolai’s glacial digital hiccups were always a draw for some, I found at times they distracted from the focus of the pieces – and here rather than eliminate them altogether Nicolai tempers them, working them into a more harmonic framework. The familiar bass-heavy shuffle we fell in love with all those years ago on ‘Transform’ still crops up occasionally, most noticeably on ‘Pioneer IOO’, but it's balanced by an unforgettable cinematic haze of ‘Naono’ (a clear standout – think Deaf Center, Ben Frost or The Fun Years) and ‘Halo’. There is something elegiac and deeply final about ‘summvs’, it feels like an ink stamp, an underline, a statement from the duo saying ‘this is it, and this is the best it can be’, and it truly is. Memorable, atmospheric and beautiful – even if you’ve missed all four of their previous albums, ‘summvs’ is the one to buy. Easily a highlight of 2011 thus far – you know what to do.\u003c\/span\u003e\u003cbr\u003e\n\u003cdiv class=\"sc-bXRjm gMGljl\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gKclnd sc-fZDhWb bgmYbB kpRYhc\"\u003e\n\u003cdiv class=\"sc-bXRjm gMGljl\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gKclnd sc-fZDhWb bgmYbB kpRYhc\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv title=\"Page 6\"\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Noton\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":42914964439208,"sku":"N0552","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2022-11-20at16.43.49.png?v=1668962684"},{"product_id":"pharmakon-abandon-lp","title":"Pharmakon 'Abandon' LP","description":"\u003cdiv class=\"modal-body\"\u003eBlack, white and orange startdust vinyl.\u003cspan class=\"sc-hJZKUC eYPigo\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"sc-hJZKUC eYPigo\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cspan class=\"sc-hJZKUC eYPigo\" data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"sc-cHzqoD curRaB\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-JkixQ bgmYbB dkRHzg\" data-testid=\"description-product\"\u003e\n\u003cspan class=\"sc-hJZKUC eYPigo\" data-mce-fragment=\"1\"\u003eEngineered by Sean Ragon of Cult of Youth at his self-built recording studio Heaven Street, \u003ci data-mce-fragment=\"1\"\u003eAbandon\u003c\/i\u003e is Pharmakon's first proper studio album and also her first widely distributed release. Unlike other experimental projects, Pharmakon does not improvise when performing or recording. She is concise and exact; each song \/ movement is linear with a clear trajectory. Perhaps more than any other style of music, noise is a genre almost exclusively dominated by male performers. Spin Magazine is apt to point out that her, \"perfectionism might explain why her recordings are few and far between —a rarity in a scene where noise bros are want to puke out hour after endless hour of stoned basement jams into a limitless stream of limited-edition tapes. Her music may be as cuddly as a trepanning drill, but it's also just as precise: She glowers in measured silence as often as she shrieks, and every serrated tone cuts straight to the bone\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan class=\"sc-hJZKUC eYPigo\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Sacred Bones\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":42915044950184,"sku":"SBR99LPC2","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2022-11-20at18.15.58.png?v=1668968211"},{"product_id":"colin-potter-ago-lp","title":"Colin Potter 'Ago' LP","description":"\u003cdiv\u003e\n\u003cdiv id=\"cHJvZHVjdC0=description\" data-readmore=\"\" data-readmore-expanded=\"true\"\u003e\n\u003cdiv data-mce-fragment=\"1\" title=\"Page 4\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cdiv title=\"Page 4\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eAn original and particular approach to rhythmic electronics, with an incredible sound, like in all of Potter's works. Six hypnotic tracks from Colin's archive of rarities, for the first time on vinyl, perfect to play really loud. These six pieces were recorded between the late 80s \u0026amp; mid-90s at IC Studio, which was then located in Tollerton, North Yorkshire.\u003c\/p\u003e\n\u003cp\u003e“I wanted to make some tracks which were much more rhythmic. By then the studio was a 16-track and I had acquired more equipment for making sounds and changing sounds. There was an Akai S950 sampler, an Emulator II, Roland TR727 and Yamaha RX11 digital drum machines, a Roland Juno 60, and some new effects processors. I even, briefly, used an Atari for MIDI sequencing, but using a computer in the studio felt a bit weird in those days. Ironic really, given the situation now. There were a lot of new methods to learn and the tracks on this album were the result of some of these experiments, during which I also found ways of integrating the old analog synths with the newer machines. Mixing was still done hands-on, in real-time, with alternative and often radically different takes being made of the same multitrack. Very different to the way things are done now. Better or worse? Who knows? But different.” - Colin Potter, IC Studio, London 2022.\u003c\/p\u003e\n\u003cp\u003eColin Potter is a sound engineer and musician currently based in London. He has worked within the fields of electronic and experimental music for over 40 years, collaborating with the likes of Current 93, The Hafler Trio, Organum, Andrew Chalk, and most notably as a key part of Nurse With Wound alongside Steven Stapleton. He started the esteemed ICR (Integrated Circuit Records – still active today) label in 1981 releasing several wonderful home studio recording of his own, as small run cassette releases. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCondition: New\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eLabel: Burka For Everybody\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":42995984498856,"sku":"BFE072","price":23.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2022-12-21at19.06.48.png?v=1671649730"},{"product_id":"wolf-eyes-difficult-messages-lp","title":"Wolf Eyes 'Difficult Messages' LP","description":"\u003cdiv id=\"cHJvZHVjdC0=description\" data-readmore=\"\" data-readmore-expanded=\"true\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 624px;\"\u003e\n\u003cdiv id=\"cHJvZHVjdC0=description\" data-readmore=\"\" data-readmore-expanded=\"true\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 431px;\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eClear vinyl with booklet.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-readmore=\"\" data-readmore-expanded=\"true\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA selection of private press 45s featuring Nate Young, John Olson, Alex Moskos, Gretchen Gonzales, Aaron Dilloway and Raven Chacon. These collaborations between the core Wolf Eyes crew and friends was originally self-released as a series of super-limited 7” hand painted box sets, but now the core ‘hits’ have been compiled by Disciples for wider consumption. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe results are surprisingly diverse, from Short Hands’ avant-garde rock’n’roll through to the delay-drunk drum machine of Time Designers, and the classic Michigan underground audio sprawl of Universal Eyes. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA current snapshot of the vast amount of music and art that Wolf Eyes and friends continue to transmit into the world. Limited edition clear vinyl with 16 page booklet. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\"\u003e\n\u003cdiv data-readmore=\"\" data-readmore-expanded=\"true\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-readmore=\"\" data-readmore-expanded=\"true\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-readmore=\"\" data-readmore-expanded=\"true\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Disciples\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":43072121929896,"sku":"DISC14","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2023-01-09at16.29.39.png?v=1673281871"},{"product_id":"nurse-with-wound-alas-the-madonna-does-not-function-lp","title":"Nurse With Wound 'Alas The Madonna Does Not Function' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003ePicture disc.\u003c\/strong\u003e \u003cbr\u003e\n\u003cp\u003e \u003cspan class=\"sc-dZpvmy DdcGV\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-UMyrj ivAgLv\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-gpcHMt bgmYbB kBriEw\" data-testid=\"description-product\"\u003e\n\u003cp\u003e1988 saw the release of several timeless and remarkable EPs from Nurse With Wound, one of those classics is \u003ci\u003eAlas the Madonna Does Not Function\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eMadonna\u003c\/i\u003e in some respect was a turning point for NWW. It's a record that whilst unmistakably retaining that ineffable NWW character brought rhythmic and almost 'musical' elements into play. Madonna could be seen along with the \u003ci\u003eSoresucker\u003c\/i\u003e and \u003ci\u003eCooloorta Moon\u003c\/i\u003e EPs as the bridge between the old and the new, the natural precursors to \u003ci\u003eThunder Perfect Mind\u003c\/i\u003e and \u003ci\u003eRock 'n Roll Station\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eSome 34 years later \u003ci\u003eMadonna\u003c\/i\u003e still sounds fresh and unique, a true one off, proving NWW to be one of the few genuinely enduring and uncompromising artists of their time. Added to this re-issue is the fan favourite \"I Am The Poison\". With its plodding cyclical bass, minimalist sound and distorted vocal lines it could be argued that this is a forgotten, yet divergent, post punk classic. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: United Dirter\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":43074414608552,"sku":"DPROMPD161","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-01-10at12.03.31.png?v=1673352229"},{"product_id":"kali-malone-featuring-stephen-o-malley-and-lucy-railton-does-spring-hide-its-joy-3xlp","title":"Kali Malone (featuring Stephen O’Malley and Lucy Railton) 'Does Spring Hide Its Joy' 3xLP","description":"\u003cp\u003eDoes Spring Hide Its Joy is an immersive piece by composer Kali Malone featuring Stephen O’Malley on electric guitar, Lucy Railton on cello, and Malone herself on tuned sine wave oscillators. The music is a study in harmonics and non-linear composition with a heightened focus on just intonation and beating interference patterns. Malone’s experience with pipe organ tuning, harmonic theory, and long durational composition provide prominent points of departure for this work. Her nuanced minimalism unfolds an astonishing depth of focus and opens up contemplative spaces in the listener’s attention.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDoes Spring Hide Its Joy\u003c\/i\u003e follows Malone’s critically acclaimed records \u003ci\u003eThe Sacrificial Code\u003c\/i\u003e [Ideal Recordings, 2019] and \u003ci\u003eLiving Torch\u003c\/i\u003e [Portraits GRM, 2022]. Her collaborative approach expands from her previous work to closely include the musicians Stephen O’Malley and Lucy Railton in the creation and development of the piece. While the music is distinctly Malone’s sonic palette, she composed specifically for the unique styles and techniques of O’Malley and Railton, presenting a framework for subjective interpretation and non-hierarchical movement throughout the music.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDoes Spring Hide Its Joy \u003c\/i\u003eis a durational experience of variable length that follows slowly evolving harmony and timbre between cello, sine waves, and electric guitar. As a listener, the transition between these junctures can be difficult to pinpoint. There’s obscurity and unity in the instrumentation and identities of the players; the electric guitar’s saturation timbre blends with the cello’s rich periodicity, while shifting overtone feedback develops interference patterns against the precise sine waves. The gradual yet ever-occurring changes in harmony challenge the listener’s perception of stasis and movement. The moment you grasp the music, a slight shift in perspective guides your attention forward into a new and unfolding harmonic experience.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDoes Spring Hide Its Joy\u003c\/i\u003e was created between March and May of 2020. During this unsettling period of the pandemic, Malone found herself in Berlin with a great deal of time and conceptual space to consider new compositional methods. With a few interns left on-site, Malone was invited to the Berlin Funkhaus and MONOM to develop and record new music within the empty concert halls. She took this opportunity to form a small ensemble with her close friends and collaborators Lucy Railton and Stephen O’Malley to explore these new structural ideas within those various acoustic spaces. Hence, the foundation was laid for Does Spring Hide Its Joy.\u003c\/p\u003e\n\u003cp\u003eIn Kali’s own words: “Like most of the world, my perception of time went through a significant transformation during the pandemic confinements of spring 2020. Unmarked by the familiar milestones of life, the days and months dripped by, instinctively blending with no end in sight. Time stood still until subtle shifts in the environment suggested there had been a passing. Memories blurred non-sequentially, the fabric of reality deteriorated, unforeseen kinships formed and disappeared, and all the while, the seasons changed and moved on without the ones we lost. Playing this music for hours on end was a profound way to digest the countless life transitions and hold time together.”\u003c\/p\u003e\n\u003cp\u003eIdeologic Organ is pleased to present Kali Malone’s \u003ci\u003eDoes Spring Hide Its Joy \u003c\/i\u003eas a triple LP set of around two-hours duration. Mastered by Stephen Mathieu and cut at Schnittstelle Mastering, the record is pressed in perfect sound quality by Optimal in Germany. The album is packaged in a heavyweight laminated jacket with full-color printed inner sleeves, and also available as a three-hour triple CD.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"sc-dZpvmy DdcGV\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Ideologic Organ\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":43082414981288,"sku":"SOMA050LP","price":47.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-01-13at11.09.24.png?v=1673608247"},{"product_id":"this-immortal-coil-world-ended","title":"This Immortal Coil 'The World Ended A Long Time Ago'","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-hDzdEj btpTnj\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gKclnd sc-lcdCCa bgmYbB QASXT\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"sc-hDzdEj btpTnj\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gKclnd sc-lcdCCa bgmYbB QASXT\"\u003e\n\u003cp\u003eIn 2009, following the death of Jhonn Balance four years earlier, This Immortal Coil's \u003ci\u003eThe Dark Age Of Love \u003c\/i\u003eappeared as a tribute to the two decades of superb work of British band Coil.\u003c\/p\u003e\n\u003cp\u003eFormed by musicians from all walks of life, the album was praised by critics but also, and most importantly, by Peter Christopherson himself! 13 years have passed and the passion for the band has never wavered. Following the death of Peter Christopherson in 2010, and meetings with musicians such as David Chalmin or Massimo Pupillo from Zu who also wanted to pay tribute to this gigantic band, Stephane Gregoire's desire to make a new opus took shape in 2017 with a first recording of the title \"Where Are You\".\u003c\/p\u003e\n\u003cp\u003eJust like the first one, more than 5 years were necessary to complete this mammoth tribute album to Coil's unclassifiable genius. The Ici d'Ailleurs team is very proud to unveil This Immortal Coil's second album \u003ci\u003eThe World Ended A Long Time Ago\u003c\/i\u003e. Amongst the collaborators of this long awaited follow-up are Shannon Wright, David Chalmin, Matt Elliott, Christine Ott, Aho Ssan, Gaspar Claus, Aidan Baker (Nadja), Ulver (Kristoffer Rygg, Ole Alexander Halstensgard, Stian Westerhus) and Zu.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003eCondition: New\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel: Ici d'Ailleurs\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"sc-dZpvmy DdcGV\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Proper","offers":[{"title":"5xLP Box","offer_id":43100776366248,"sku":"IDA152LPX","price":81.99,"currency_code":"GBP","in_stock":false},{"title":"LP","offer_id":43100790358184,"sku":"IDA152LP","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2023-01-20at13.41.36.png?v=1674222161"},{"product_id":"smegma-glamour-girl-1941-lp","title":"Smegma 'Glamour Girl 1941' LP","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited numbered reissue.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLos Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, LAFMS self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians.\u003cbr\u003e \u003cbr\u003e Poo-Bah Records, with its import bins and backroom jam space, attracted the pseudonymous artists forming the initial incarnation of long-running collective Smegma. Early members Ju Suk Reet Meate, Dennis Duck, Cheez-it Ritz, Big Dirty, Amazon Bambi and Dr. Id contributed to various LAFMS compilations and combinations before several core members relocated to Portland, Oregon in 1975, where they recorded their debut album Glamour Girl 1941. Originally released on the LAFMS label in 1979, the LP combines rock instrumentation with tape, synthesizer, horns and voice in a tempestuous cauldron of anti-academy improv and alien noise. Beyond its roots in LAFMS, Smegma would help shape the early Portland punk scene in the late '70s alongside Wipers and Neo Boys. In more recent years, they have collaborated with Merzbow and Wolf Eyes.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"sc-fXNlap dhlTlI\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Etats Unis\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":43143788232872,"sku":"ETAT19","price":33.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-01-25at12.13.20.png?v=1674648931"},{"product_id":"various-i-d-art-2-lp","title":"Various 'I.D. 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Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians.\u003cbr\u003e \u003cbr\u003eLAFMS primarily reached outside Los Angeles via word-of-mouth and the United States Postal Service, foreshadowing the self-publishing and cassette trading networks of post-punk and industrial subcultures. In 1976, Joe Potts solicited recordings from LAFMS affiliates and admirers to edit and compile I.D. Art #2, utilizing correspondence art's technique of \"assemblings.\" (The first installment in this series was a magazine, and the third was a coloring book.) Potts received dozens of pieces by members of Le Forte Four, Doo-Dooettes, Smegma and Ace \u0026amp; Duce as well as painters, filmmakers and non-artists with few recording credits to their name, creating a delirious, winking sound-art collage of field recordings, voicemails and improvisations. Participants purchased time on the record and received one copy each of the finished LP, realizing the philosophy contained in LAFMS' motto: \"The music is free, but you have to pay for the plastic, paper, ink, glue and stamps.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"sc-fXNlap dhlTlI\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Etats Unis\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":43143789478056,"sku":"","price":33.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-01-25at12.19.41.png?v=1674649256"},{"product_id":"various-blorp-esette-vol-1-lp","title":"Various 'Blorp Esette Vol. 1' LP","description":"\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eLimited numbered reissue.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLos Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, LAFMS self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1977, LAFMS released Blorp Esette, one of several compilations tracking the collective's growth and wild-eyed experimentation. Ace Farren Ford, an early LAFMS recruit from the Poo-Bah circle, produced the album and solicited cover artwork by Don Van Vliet (Captain Beefheart). Ford appears in various configurations alongside members of Smegma, Le Forte Four and \"unknown artist\" (as the credit for more than one piece reads). The Residents, showing their affinity with LAFMS, contributed \"Whoopy Snorp\" for their first non-Ralph Records release. Blorp Esette shows the artists grasping for new, non-idiomatic voicings and collaborative modes, anticipating LAFMS affiliates and offshoots such as Airway, Human Hands and Monitor. A second volume would come out in 1980, featuring Ford's punk band The Child Molesters. If you're looking for the missing link between mid-'70s art practice and outsider music, then look no further.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"sc-fXNlap dhlTlI\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Etats Unis\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":43143792689320,"sku":"","price":33.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-01-25at12.26.36.png?v=1674649616"},{"product_id":"le-forte-four-doo-dooettes-live-at-the-brand-2xlp","title":"Le Forte Four \/ Doo-Dooettes Live At The Brand' 2xLP","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited numbered reissue.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLos Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. 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Le Forte Four (now joined by Tom Potts) did not actually perform live, but rather created 44 pyramid-shaped headphone helmets with internal quadraphonic speakers and countless wires in order to share their latest tape assemblages with showgoers deprived of sight. The recordings delivered in this Fluxus-inspired manner feature the Buchla synthesizer at nearby CalArts, radio interpolations, group improvisations, addled outbursts and splices from source material lost to time. Doo-Dooettes – Tom Recchion, Harold Schroeder, Juan Gomez, Dennis Duck and Fredrik Nilsen – performed a series of alternately droning and chaotic duets with guitar, percussion, piano, tape loops and synthesizer, all improvised around loosely structured compositions and culminating in a spontaneous group composition at the end of the program. Originally released in 1976, the double LP would be LAFMS' third release.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"sc-fXNlap dhlTlI\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Etats Unis\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":43143793770664,"sku":"ETAT17","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-01-25at12.28.47.png?v=1674649748"},{"product_id":"various-sound-lp","title":"Various 'Sound' LP","description":"\u003cstrong\u003eLimited numbered reissue.\u003c\/strong\u003e Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces opened at the Los Angeles Institute of Contemporary Art in the summer of 1979 (and was also on view later that year at PS1 in New York). Curated by Bob Wilhite and Robert Smith, the exhibition surveyed the field of sound art. The forty-four participants were painters pivoted toward performance, conceptual artists attracted to time-based mediums, self-styled creators of environments, and musicians (formally trained and otherwise) fashioning new instruments from household items and consumer electronics. They were more or less object-oriented and, at the same time, more or less music-oriented. What brought them all together, as the exhibition catalog gamely asserted, was sculpting in three-dimensional space.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e The Sound exhibit included installations, recordings played in the exhibition space and a series of live performances, demonstrating instruments that otherwise rested inert in the gallery. For a broader sense of the show than a single visit provided, the curators also produced a compilation album featuring short pieces, or excerpts from longer works, by many of the participants. (Artists in the exhibition, but not on the LP include Alvin Lucier and Mike Kelley.) Selections from bright lights of the 20th century avant-garde – such as composers Bill Fontana, Yoshi Wada and Paul DeMarinis; conceptual artists and performance artists Terry Fox, Tom Marioni and Jim Pomeroy; experimental vocalist Joan La Barbara; and Los Angeles Free Music Society members Tom Recchion and John Duncan – feature alongside the sounds of Jim Hobart's tuned jars, Ivor Darreg's fretless banjo, Doug Hollis' aeolian harp and Richard Dunlap's rubber bands.\u003cbr\u003e\n\u003cp\u003e\u003cspan class=\"sc-fXNlap dhlTlI\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Etats Unis\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":43143795507368,"sku":"","price":33.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-01-25at12.31.39.png?v=1674649915"},{"product_id":"midori-takada-tree-of-life-lp","title":"Midori Takada 'Tree Of Life' LP","description":"\u003cdiv class=\"sc-UMyrj ivAgLv\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gKclnd sc-gpcHMt bgmYbB kBriEw\"\u003e\n\u003cp\u003eWRWTFWW Records is proud to announce the worldwide reissue of Midori Takada’s solo album from 1999,\u003ci\u003e Tree of Life.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eOriginally recorded in September 1998 at legendary Ginza (Tokyo) studio Onkio Haus (founded in 1974 and where Ryuichi Sakamoto’s \"Merry Christmas Mr. Lawrence\" and many more were recorded) and released on CD only for the Japan market in 1999, \u003ci\u003eTree of Life\u003c\/i\u003e is Midori Takada’s best kept secret, a lost gem of minimalism and percussive ambient. The album is separated in two parts, the first one finds Takada exploring her trademark environmental soundscapes with precise mastery of marimba, drums, and bells, notably on the magnificent fan-favourite \"Love Song Of Urfa\". The second half is a collaboration with Chinese virtuoso Erhu player Jiang Jian Hua, allowing Midori Takada to unveil new layers of her artistic mind with a slightly more theatrical approach and a beautiful crystallization of complex simplicity.\u003c\/p\u003e\n\u003cp\u003eThe entire album was given a fresh new audiophile mix by Midori Takada herself and was mastered at Emil Berliner Studios, with half speed cutting for the vinyl version, to ensure an audio presentation aligned with the Japanese pioneer’s vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan class=\"sc-dZpvmy DdcGV\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: \u003cspan data-mce-fragment=\"1\" class=\"sc-dZpvmy DdcGV\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"sc-iaUyqC KdQna\"\u003eWRWTFWW\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":43149213827240,"sku":"WRWTFWW057","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2023-01-27at20.02.18.png?v=1674849787"},{"product_id":"various-artists-soul-jazz-records-presents-space-energy-light-3xlp","title":"Various Artists 'Soul Jazz Records presents Space, Energy \u0026 Light’ 3xLP","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNew edition of this Soul Jazz Records out-of-print classic album, available as a one-off pressing special yellow CD edition and yellow triple vinyl album (plus digital download code). \u003cbr\u003eSoul Jazz Records’ ‘Space, Energy \u0026amp; Light’ is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla DIY cassette-era electronic artists, spanning in total over a near 30-year time frame. These artists used electronic advancements in music technology as a means of exploring not only space and the idea of the future but also of looking inwards to the soul and of creating music in harmony with the natural world. \u003cbr\u003eFrom computer software and hardware experimentalists and sound pioneers such as Laurie Spiegel and Kevin Braheny, as well as Mother Mallard’s Portable Masterpiece Company - the first synthesizer ensemble created in collaboration with Robert Moog - through to the earliest musique concrète experimentation of Tod Dockstader, the album shows how technological advancements and creative artistic expression went hand in hand. \u003cbr\u003eIn the mid-1970s artists Steven Halpern and Iaxos were instrumental in creating proto-new age music, experimenting in both the healing properties of sound and its relationship with the natural world. These artists also pioneered a new self-contained and underground DIY approach to music, creating their own record labels, forming new distribution networks (with albums sold in meditation centres, health food stores and ashrams) far away from the commercialism of the mainstream music industry. In the early 1980s after the revolution of punk, these DIY attitudes and ideas appeared once more in the growth of the distinctly anti-commercial and underground cassette- only careers of artists such as Germany’s Stratis and Carl Matthews in Britain. \u003cbr\u003eAlbum artwork includes some of the earliest photography of the Plieades star cluster dating from the 1880s. \u003cbr\u003e“Listening to ‘Space, Energy \u0026amp; Light’ in one sitting is a bit like experiencing constellations exploding within constellations inside your brain.” - Record Collector \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: SJRLP392C\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Soul Jazz\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":43175624802472,"sku":"SJRLP392C","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-02-07at12.08.14.png?v=1675771710"},{"product_id":"chris-cosey-feral-vapours-of-the-silver-ether-lp","title":"Chris \u0026 Cosey 'Feral Vapours Of The Silver Ether' LP","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition Yellow Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“… an album which shows that Carter Tutti are in a state of continuing evolution” – The Wire. 2007’s Feral Vapours of the Silver Ether will be available here for the first time on vinyl, and was the second release under the Carter Tutti name. On it, the electronic and the acoustic are merged in a seamless, crafted album that is awash with echoes of the sea, the moon, the open road, and flatlands.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide One:\u003c\/strong\u003e\u003cbr\u003e1\/So Slow The Knife (Edit)\u003cbr\u003e2\/Lowlands (Edit)\u003cbr\u003e3\/Torn Window (Edit)\u003cbr\u003e4\/Woven Clouds (Edit)\u003cbr\u003e5\/It Was\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSide Two:\u003c\/strong\u003e\u003cbr\u003e1\/Breathless Endings\u003cbr\u003e2\/Forest Floor\u003cbr\u003e3\/Acid Tongue (Edit)\u003cbr\u003e4\/The Sun Shone That Day\u003cbr\u003e5\/Feral Vapours (Edit)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: CTI\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":43204798906536,"sku":"CTIFVOTSE22","price":22.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2023-02-14at11.52.12.png?v=1676375560"},{"product_id":"chris-and-cosey-muzik-fantastique-lp","title":"Chris \u0026 Cosey 'Muzik Fantastique!' LP","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Pink \/ Purple Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cspan data-mce-fragment=\"1\" class=\"sc-jlRYqD bxxzJV\"\u003e1993’s \u003ci data-mce-fragment=\"1\"\u003eMuzik Fantastique! \u003c\/i\u003ereceives its first ever vinyl issue. The album finds Chris and Cosey in one of their most dynamic and melodic periods with an album that slides towards subtler grooves and textures. \u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: CTI\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":43204807655592,"sku":"CTIMF22","price":22.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2023-02-14at11.59.07.png?v=1676375969"},{"product_id":"chris-and-cosey-elemental-7-lp","title":"Chris \u0026 Cosey 'Elemental 7' LP","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Green Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cspan class=\"sc-jlRYqD bxxzJV\" data-mce-fragment=\"1\"\u003eChris and Cosey’s\u003ci data-mce-fragment=\"1\"\u003e Elemental 7\u003c\/i\u003e – available here for the first time in 40 years - is the soundtrack to the film of the same name (on Cabaret Voltaire’s Doublevision video imprint) that saw the duo working once more with John Lacey – Lacey had previously worked with Cosey in COUM Transmissions and introduced Chris Carter to the collective. The album’s highlight and one of their best loved songs, ‘Dancing Ghosts’, sounds as fresh and relevant today as it must have on its original release.\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: CTI\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":43204811718824,"sku":"CTIE722","price":22.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2023-02-14at12.02.53.png?v=1676376193"},{"product_id":"dirty-songs-dirty-songs-plays-dirty-songs-lp","title":"Dirty Songs 'Dirty Songs Plays Dirty Songs' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cspan class=\"sc-fXNlap dhlTlI\" data-mce-fragment=\"1\"\u003eDirected and produced by David Toop, \u003ci data-mce-fragment=\"1\"\u003eDirty Songs Plays Dirty Songs\u003c\/i\u003e reacts against our poisonous present, inspired anti-nostalgically by similarly reactive records and live performances from the 20th century: The Soft Machine and Pink Floyd 1967-68, The MC5’s \u003ci data-mce-fragment=\"1\"\u003eKick Out the Jams\u003c\/i\u003e, The Stooges, Sun Ra’s Cosmic Tones For Mental Therapy and \u003ci data-mce-fragment=\"1\"\u003eThe Heat Is On\u003c\/i\u003e by The Isley Brothers. \u003ci data-mce-fragment=\"1\"\u003eDirty Songs Plays Dirty Songs\u003c\/i\u003e is the musical offshoot of a project conceived by artist Maxime Rossi, originating in (among other things) speculations on the (then unreleased) legendary Pink Floyd \"John Latham” recordings (1967) and FBI investigations (1964) into subversive and obscene messages supposedly buried within the recorded lyrics of The Kingsmen’s \u003ci data-mce-fragment=\"1\"\u003eLouie Louie\u003c\/i\u003e. Developed through conversations between Maxime Rossi and David Toop and through support from Fondation Fiminco and MRAC, these ideas metamorphosed into the band and recordings known as Dirty Songs, existing both as audio recordings and audio-visual elements of Maxime Rossi’s installation Christmas On EarthContinued, exhibited at MRAC in November 2017. Dirty Songs is David Toop (bass, guitar, digital electronics, VCS3 synth), Phil Minton (voices), Evan Parker (soprano and tenor saxophones), Steve Beresford (Farfisa organ, VCS3 synth), Mark Sanders (drums). \u003c\/span\u003e\u003cbr\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Audika\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":43216363454632,"sku":"","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-02-18at14.07.11.png?v=1676729249"},{"product_id":"alain-pierre-des-morts-of-the-dead-lp","title":"Alain Pierre ‘Des Morts (Of The Dead)’ LP","description":"\u003cbr\u003e\u003cbr\u003eExpanded reissue of mega rare 1979 unknown vanity pressing LP that blends ethnological field recordings, musique concrète principles and introspective synthesiser music from this cult European studio maverick and historic collaborator of COS, Philippe Druilet, Marc Moulin and John Surman. \u003cbr\u003eAlain Pierre’s Mondo movie soundtrack to the controversial ‘Des Morts’ shares very few stylistic rivals, but fans of Jodorowsky’s ‘The Holy Mountain’ soundtrack and some of the more eldritch early sampling experiments of Jean-Pierre Massiera will certainly draw fragmented comparisons herein. Other listeners might file this album at the weirder end of your Smithsonian Folkways shelf, just before the Video Nasty soundtracks. \u003cbr\u003ePresented in remastered form comprising extra vintage studio outtakes (in accordance with the film’s morbid narrative), ‘Des Morts’ serves as a would-be sequel to Finders Keepers’ previous Ô Sidarta release witnessing Pierre balance his allegiance to the Belgian bandes dessinée scene and Thierry Zéno’s shock cinema oeuvre from the heart of his uber-legendary Brussels based experimental recording studio through the 1970s. \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: FKR114LP\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Finders Keepers\u003cbr\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":43232220545192,"sku":"FKR114LP","price":23.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-02-27at12.11.31.png?v=1677499909"},{"product_id":"william-basinski-melancholia-lp","title":"William Basinski 'Melancholia' 2xLP","description":"\u003cp\u003e\u003cspan class=\"markedContent\" id=\"page33R_mcid24\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"left: calc(var(--scale-factor)*197.57px); top: calc(var(--scale-factor)*721.30px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.00303);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*197.57px); top: calc(var(--scale-factor)*721.30px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.00303);\"\u003eOriginally released a year \u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*731.74px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.00423);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*731.74px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.00423);\"\u003eafter the increasingly iconic The Disintegration Loops, a decade later Melancholia still stands as William Basinski's second\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*515.80px); top: calc(var(--scale-factor)*731.74px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*515.80px); top: calc(var(--scale-factor)*731.74px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*518.98px); top: calc(var(--scale-factor)*731.74px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.00154);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*518.98px); top: calc(var(--scale-factor)*731.74px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.00154);\"\u003emost \u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*742.06px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999633);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*742.06px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999633);\"\u003ebeloved album. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"markedContent\" id=\"page33R_mcid24\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*742.06px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999633);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*742.06px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999633);\"\u003eOrigina\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*120.98px); top: calc(var(--scale-factor)*742.06px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999021);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*120.98px); top: calc(var(--scale-factor)*742.06px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999021);\"\u003elly released on vinyl to commemorate its 10\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*293.57px); top: calc(var(--scale-factor)*742.06px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*293.57px); top: calc(var(--scale-factor)*742.06px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\"\u003e-\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*296.57px); top: calc(var(--scale-factor)*742.06px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.00161);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*296.57px); top: calc(var(--scale-factor)*742.06px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.00161);\"\u003eyear anniversary, we now have this limited repress. Remastered\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*752.38px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.99939);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*752.38px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.99939);\"\u003efrom the original recordings and pressed onto audiophile\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*253.13px); top: calc(var(--scale-factor)*752.38px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*253.13px); top: calc(var(--scale-factor)*752.38px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\"\u003e-\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*256.13px); top: calc(var(--scale-factor)*752.38px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.01399);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*256.13px); top: calc(var(--scale-factor)*752.38px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.01399);\"\u003equality 100% pure virgin vinyl, this limited\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*422.71px); top: calc(var(--scale-factor)*752.38px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*422.71px); top: calc(var(--scale-factor)*752.38px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\"\u003e-\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*425.71px); top: calc(var(--scale-factor)*752.38px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999047);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*425.71px); top: calc(var(--scale-factor)*752.38px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999047);\"\u003eedition vinyl reissue is packaged in\u003c\/span\u003e\u003cbr role=\"presentation\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.00016);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.00016);\"\u003ea stunnin\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*64.94px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999887);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*64.94px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999887);\"\u003eg gatefold jacket featuring all\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*179.66px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*179.66px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\"\u003e-\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*182.54px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999308);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*182.54px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999308);\"\u003enew artwork. It is truly a sight and sound to behold. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"markedContent\" id=\"page33R_mcid24\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"left: calc(var(--scale-factor)*182.54px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999308);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*182.54px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999308);\"\u003eLike many of Basinski's most soul\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*522.10px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*522.10px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\"\u003e-\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*525.10px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.998);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*525.10px); top: calc(var(--scale-factor)*762.70px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.998);\"\u003estirring \u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*773.14px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999204);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*773.14px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999204);\"\u003eworks, Melancholia began as a series of short tape loops captured in the early 1980s. Basinski then stored them away for deca\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*533.26px); top: calc(var(--scale-factor)*773.14px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.0034);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*533.26px); top: calc(var(--scale-factor)*773.14px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.0034);\"\u003ede\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*543.22px); top: calc(var(--scale-factor)*773.14px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.008);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*543.22px); top: calc(var(--scale-factor)*773.14px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.008);\"\u003es, \u003cspan class=\"markedContent\" id=\"page39R_mcid0\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*43.92px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999743);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*43.92px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999743);\"\u003erevisiting them at a different time in his life, at which point they took on a stunning new sound all their own\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*447.75px); top: calc(var(--scale-factor)*43.92px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*447.75px); top: calc(var(--scale-factor)*43.92px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*450.82px); top: calc(var(--scale-factor)*43.92px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*450.82px); top: calc(var(--scale-factor)*43.92px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\"\u003e-\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*453.82px); top: calc(var(--scale-factor)*43.92px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*453.82px); top: calc(var(--scale-factor)*43.92px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*456.34px); top: calc(var(--scale-factor)*43.92px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.998909);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*456.34px); top: calc(var(--scale-factor)*43.92px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.998909);\"\u003eone that many consider to \u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*54.24px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.00039);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*54.24px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.00039);\"\u003ebe among the finest of the past decade. \"Melancholia is probably the best of Basinski's records until now, even i\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*472.66px); top: calc(var(--scale-factor)*54.24px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999757);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*472.66px); top: calc(var(--scale-factor)*54.24px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999757);\"\u003ef this is hard for me to \u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*64.68px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.9993);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*64.68px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.9993);\"\u003esay given my love for each one of his releases. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"markedContent\" id=\"page33R_mcid24\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"left: calc(var(--scale-factor)*543.22px); top: calc(var(--scale-factor)*773.14px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.008);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*543.22px); top: calc(var(--scale-factor)*773.14px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(1.008);\"\u003e\u003cspan class=\"markedContent\" id=\"page39R_mcid0\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*64.68px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.9993);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*64.68px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.9993);\"\u003eThis music is so beautifully delicate and sad in its auto\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*434.23px); top: calc(var(--scale-factor)*64.68px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*434.23px); top: calc(var(--scale-factor)*64.68px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\"\u003e-\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*437.26px); top: calc(var(--scale-factor)*64.68px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.998243);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*437.26px); top: calc(var(--scale-factor)*64.68px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.998243);\"\u003ereflective moods, it stands right \u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*75.00px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999481);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*75.00px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999481);\"\u003ethere with everything ranging from the usual suspects in the 'ambient' field, to a distorte\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*375.19px); top: calc(var(--scale-factor)*75.00px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.998933);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*375.19px); top: calc(var(--scale-factor)*75.00px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.998933);\"\u003ed damp ghost of Claude Debussy or Maurice\u003c\/span\u003e\u003cbr role=\"presentation\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*85.34px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999291);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*28.32px); top: calc(var(--scale-factor)*85.34px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif; transform: scaleX(0.999291);\"\u003eRavel put into a time machine.”\u003c\/span\u003e\u003cspan style=\"left: calc(var(--scale-factor)*152.28px); top: calc(var(--scale-factor)*85.34px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*152.28px); top: calc(var(--scale-factor)*85.34px); font-size: calc(var(--scale-factor)*9.00px); font-family: sans-serif;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: \u003cspan class=\"markedContent\" id=\"page33R_mcid22\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"left: calc(var(--scale-factor)*424.39px); top: calc(var(--scale-factor)*696.52px); font-size: calc(var(--scale-factor)*11.04px); font-family: sans-serif; transform: scaleX(1.07226);\" role=\"presentation\" dir=\"ltr\" data-mce-fragment=\"1\" data-mce-style=\"left: calc(var(--scale-factor)*424.39px); top: calc(var(--scale-factor)*696.52px); font-size: calc(var(--scale-factor)*11.04px); font-family: sans-serif; transform: scaleX(1.07226);\"\u003eTemporary Residence Ltd.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":43270772162728,"sku":"TRR236LP","price":33.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2023-03-14at11.16.42.png?v=1678792627"},{"product_id":"genesis-p-orridge-and-the-hafler-trio-dreams-less-suite-lp","title":"Genesis P Orridge and The Hafler Trio 'Dreams Less Suite' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003cspan class=\"sc-dZpvmy DdcGV\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-UMyrj ivAgLv\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-gpcHMt bgmYbB kBriEw\" data-testid=\"description-product\"\u003e\n\u003cp\u003eThis 2LP features soundtracks to unfinished films, live performances and the real versions of tracks you know and love, released for the very first time and mastered from the original reel to reel tapes. Expect the unexpected and be prepared for the unprepared.\u003c\/p\u003e\n\u003cp\u003eOn \u003ci\u003eDream Less Suite\u003c\/i\u003e, the first new album by The Hafler Trio since 2016, Andrew McKenzie unearths, resurrects and completed recordings he made through the years with Genesis P-Orridge.\u003c\/p\u003e\n\u003cp\u003eThis 2LP features soundtracks to unfinished films, live performances and the real versions of tracks you know and love, released for the very first time and mastered from the original reel to reel tapes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"sc-dZpvmy DdcGV\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"sc-iaUyqC KdQna\" data-mce-fragment=\"1\"\u003eCORTIZONA023\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Cortizona\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":43284499955880,"sku":"CORTIZONA023","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-03-20at13.01.23.png?v=1679317299"},{"product_id":"masonna-ejaculation-generater-lp","title":"Masonna 'Ejaculation Generater' LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"sc-fXNlap dhlTlI\"\u003eA name which requires no introduction, Masonna to this day stands as an unparalleled and absolutely unique voice from the golden era of noise. During the mid-90s Maso Yamazaki released a series of savage CDs on the legendary “Good Alchemy” series from Alchemy records. Originally released in 1996, “Ejaculation Generater” manages to cram 32 tracks of Masonna’s signature vocal noise in a nearly unrelenting half an hour. The artists personal favourite in a vast discography, “Ejaculation Generater” is now made available for the first time since its original release. The original liner notes by Jojo Hiroshige have been translated into english for the first time by Kato David Hopkins (R.I.P.). Mastered for both vinyl and digital editions by Rashad Becker.\u003c\/span\u003e\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e \n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\nLabel: \u003cspan data-mce-fragment=\"1\" class=\"markedContent\" id=\"page64R_mcid21\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"left: calc(var(--scale-factor)*424.39px); top: calc(var(--scale-factor)*372.11px); font-size: calc(var(--scale-factor)*11.04px); font-family: sans-serif; transform: scaleX(1.07398);\" role=\"presentation\" dir=\"ltr\" data-mce-style=\"left: calc(var(--scale-factor)*424.39px); top: calc(var(--scale-factor)*372.11px); font-size: calc(var(--scale-factor)*11.04px); font-family: sans-serif; transform: scaleX(1.07398);\"\u003eTotal Black\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":43287389274280,"sku":"TOTALBLACK169","price":22.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2023-03-21at13.51.15.png?v=1679406692"},{"product_id":"coil-love-s-secret-domain-lp","title":"Coil 'Love’s Secret Domain' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan data-mce-fragment=\"1\" class=\"sc-fXNlap dhlTlI\"\u003eIn 1991 Coil released the third of their early classic full-length albums \u003ci data-mce-fragment=\"1\"\u003eLove’s Secret Domain\u003c\/i\u003e, seemingly casting aside the gloom and funeral beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries’ releases of the time wasn’t an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedelic masterpiece unrivalled in their discography and still a landmark album. Artwork by Steven Stapleton. Released in co-production with Infinite Fog Prod.\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan data-mce-fragment=\"1\" class=\"sc-fXNlap dhlTlI\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"sc-fBNLhH hyxEau\"\u003eAKT04LP\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Kontakt Audio\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":43290353270952,"sku":"AKT04LP","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-03-22at12.18.38.png?v=1679487537"},{"product_id":"coil-the-new-backwards-lp-1","title":"Coil 'The New Backwards' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan data-mce-fragment=\"1\" class=\"sc-fXNlap dhlTlI\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe New Backwards\u003c\/i\u003e was conceived by Peter \"Sleazy\" Christopherson in 2007, revisiting stray tracks which hadn't seemed to gel with the material he had chosen for the more somber \u003ci data-mce-fragment=\"1\"\u003eApe of Naples\u003c\/i\u003e from 2005, Coil's initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance. Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album that was begun as early as 1993 and had originally been conceptualised as the follow-up to \u003ci data-mce-fragment=\"1\"\u003eLove's Secret\u003c\/i\u003e \u003ci data-mce-fragment=\"1\"\u003eDomain\u003c\/i\u003e. These songs are as diverse and wild as the places they originated from, partly infamously spawned in Sharon Tate's former home in the Hollywood Hills, the Nine Inch Nails home base in New Orleans and London's Swanyard, co-composed, remixed and restructured with the help of long-term friend Danny Hyde in Thailand, this collection has its own unique flow and an atmosphere not found on any other Coil release.\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan data-mce-fragment=\"1\" class=\"sc-fXNlap dhlTlI\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"sc-fBNLhH hyxEau\"\u003eAKT11LP\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Kontakt Audio\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":43290363035816,"sku":"","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-03-22at12.24.12.png?v=1679487875"},{"product_id":"la-monte-young-marian-zazeela-31-vii-69-10-26-10-49-pm-23-viii-64-2-50-45-3-11-am-the-volga-delta-lp","title":"La Monte Young \/ Marian Zazeela '31 VII 69 10:26 - 10:49 PM \/ 23 VIII 64 2:50:45 - 3:11 AM The Volga Delta' LP","description":"\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLa Monte Young was born in Bern, Idaho in 1935. He began his music studies in Los Angeles and later Berkeley, California before relocating to New York City in 1960, where he became a primary influence on Minimalism, the Fluxus movement and performance art through his legendary compositions of extended time durations and the development of just intonation and rational number based tuning systems. With his collaborator since 1962, artist Marian Zazeela, they would formulate the composite sound environments of the Dream House, which continues to this day.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSeeing reissue for the first time since its initial 1969 release, Young and Zazeela's first full-length album is often referred to as \"The Black Record\" due to Zazeela's stunning cover design, complete with the composer's liner notes in elegant hand-lettered script.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide one was recorded in 1969 (on the date and time indicated by the title) at the gallery of Heiner Friedrich in Munich, where Young and Zazeela premiered their Dream House sound and light installation. Featuring Young and Zazeela's voices against a sine wave drone, the recording is a section of the longer composition \u003cem data-mce-fragment=\"1\"\u003eMap of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery\u003c\/em\u003e (begun in 1966 as a sub-section of the even larger work \u003cem data-mce-fragment=\"1\"\u003eThe Tortoise, His Dreams and Journeys\u003c\/em\u003e, which was begun in 1964 with Young's group The Theatre of Eternal Music). According to Young, the raga-like melodic phrases of his voice were heavily influenced by his future teacher, the Hindustani singer Pandit Pran Nath.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide two, recorded in Young and Zazeela's NYC studio in 1964, is a section of the longer composition \u003cem data-mce-fragment=\"1\"\u003eStudies in the Bowed Disc\u003c\/em\u003e. This composition is an extended, highly abstract noise piece for bowed gong (gifted by sculptor Robert Morris). The liner notes explain that the live performance can be heard at 33 and 1\/3 RPM, but may also be played at any slower speed down to 8 and 1\/3 RPM for turntables with this capacity.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: SV198\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Superior Viaduct\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":43340998213800,"sku":"SV198","price":33.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-03-29at12.34.51.png?v=1680089706"},{"product_id":"richard-youngs-modern-sorrow-lp","title":"Richard Youngs 'Modern Sorrow' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" class=\"sc-iyyVIK igFfvk\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cspan data-mce-fragment=\"1\" class=\"sc-iyyVIK igFfvk\"\u003eThe endlessly prolific and unpredictable Richard Youngs returns to Black Truffle with \u003ci data-mce-fragment=\"1\"\u003eModern Sorrow\u003c\/i\u003e. As any Youngs fan knows, one of the great pleasures of following his career comes from not being able to predict what the next entry in his inexhaustible string of releases will bring: Unaccompanied voice? Country songs? Shakuhachi? Guitar pieces played with his feet? Shredding fuzz bass over the top of hyper-speed distorted drum machine beats? Continuing in the grand Youngs tradition of exploring new techniques, instrumentation and approaches while bringing to all of them his idiosyncratic touch, \u003ci data-mce-fragment=\"1\"\u003eModern Sorrow\u003c\/i\u003e serves up two sides of twistedly elegiac, radically stark takes on contemporary pop production.\u003c\/span\u003e\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan data-mce-fragment=\"1\" class=\"sc-iyyVIK igFfvk\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"sc-domHDO jZzKeh\"\u003eBLACKTRUFFLE101\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Black Truffle\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Default Title","offer_id":43414654582952,"sku":"BLACKTRUFFLE101","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-04-05at10.54.00.png?v=1680688455"},{"product_id":"oren-ambarchi-grapes-from-the-estate-2xlp-1","title":"Oren Ambarchi 'Grapes From The Estate' 2xLP","description":"\u003cbr\u003e\n\u003cdiv class=\"sc-fpYaaq eMWnsg\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-lnDqNf bgmYbB fcdDli\" data-testid=\"description-product\"\u003e\u003cspan class=\"sc-iyyVIK igFfvk\"\u003eBlack Truffle is pleased to make Oren Ambarchi’s \u003ci\u003eGrapes from The Estate\u003c\/i\u003e available once more on vinyl. Originally released on CD on Touch in 2004 and reissued on Southern Lord as a limited double LP in 2006 during Ambarchi’s tenure as a member of Sunn O))), \u003ci\u003eGrapes from the Estate\u003c\/i\u003e was a landmark release for Ambarchi, seeing him expand his sonic palette beyond the clipped, bass-heavy electric guitar tones he was known for at that point. Incorporating subtle layers of strings, keyboards, percussion over a bedrock of his signature guitar tones, in retrospect this album can be seen as the beginning of a broadening and evolution in Ambarchi’s work that would lead to his acclaimed, densely layered epics for Editions Mego, \u003ci\u003eQuixotism\u003c\/i\u003e (2014) and \u003ci\u003eHubris\u003c\/i\u003e (2016). \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"sc-iyyVIK igFfvk\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"sc-domHDO jZzKeh\" data-mce-fragment=\"1\"\u003eBLACKTRUFFLE036\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Black Truffle\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Default Title","offer_id":43414695051432,"sku":"BLACKTRUFFLE036","price":35.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-04-05at10.58.52.png?v=1680688752"},{"product_id":"keiji-haino-jim-orourke-oren-ambarchi-in-the-past-only-geniuses-were-capable-of-staging-the-perfect-crime-also-known-as-a-revolution-today-anybody-can-accomplish-their-aims-with-the-push-of-the-button-2xlp","title":"Keiji Haino\/Jim O'Rourke\/Oren Ambarchi 'In the past only geniuses were capable of staging the perfect crime (also known as a revolution) Today anybody can accomplish their aims with the push of the button' 2xLP","description":"\u003cdiv class=\"sc-fpYaaq eMWnsg\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-lnDqNf bgmYbB fcdDli\" data-testid=\"description-product\"\u003e\u003cspan class=\"sc-iyyVIK igFfvk\"\u003eFor its 50th release, Black Truffle presents the 9th album from one of the label’s core ensembles, the power trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi. For its 50th release, Black Truffle presents the 9th album from one of the label’s core ensembles, the power trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi. Drawn from a November 2015 performance at Tokyo’s now-defunct SuperDeluxe, the record’s opening piece drops us immediately into the maelstrom, abruptly cutting into an extended episode of Ambarchi’s pummelling drums, O’Rourke’s fuzzed-out 6 string bass and Haino’s roaring guitar and electronics. Eventually settling into a hypnotic bass and drum groove over which Haino unleashes some almost Ray Russell-eque skittering atonal screech, these opening 13 minutes act as a potent reminder of the trio’s power. \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"sc-iyyVIK igFfvk\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"sc-domHDO jZzKeh\" data-mce-fragment=\"1\"\u003eBT050LP\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Black Truffle\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Default Title","offer_id":43414716481704,"sku":"BT050LP","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-04-05at11.01.37.png?v=1680688922"},{"product_id":"alvin-lucier-criss-cross-hanover-lp","title":"Alvin Lucier 'Criss Cross \/ Hanover' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"sc-hZyDwR jFdLlE\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-dCKSNi bgmYbB exCjUl\" data-testid=\"description-product\"\u003e\n\u003cp\u003eBlack Truffle is honoured to present the premier recordings of two recent works by legendary American experimental composer Alvin Lucier. A friend and contemporary of pioneers like Robert Ashley, David Behrman, Gordon Mumma, and Christian Wolff, Lucier has been crafting elegant explorations of the behavior of sound in physical space since the 1960s.\u003c\/p\u003e\n\u003cp\u003eDemonstrating the restless creative drive of an artist now in his 80s, the two recent works presented here both feature the electric guitar, an instrument Lucier has just recently begun to explore. In \u003ci\u003eCriss-Cross\u003c\/i\u003e, Lucier’s first composition for electric guitars, two guitarists using e-bows sweep slowly up and down a single semitone, beginning at opposite ends of the pitch range. The piece is a model of simplicity, exemplifying Lucier’s desire not to ‘compose’ in the conventional sense, but rather to eliminate everything that ‘distracts from the acoustical unfolding of the idea’. In this immaculately controlled performance of \u003ci\u003eCriss-Cross\u003c\/i\u003e by Oren Ambarchi and Stephen O’Malley, (for whom the piece was written in 2013), a seemingly simple idea creates a rich array of sonic effects – not simply beating patterns, which gradually slow down as the two tones reach unison and accelerate as they move further apart, but also the remarkable phenomenon of sound waves spinning in elliptical patterns through space between the two guitar amps.\u003c\/p\u003e\n\u003cp\u003eIn the comparatively lush \u003ci\u003eHanover\u003c\/i\u003e, Lucier draws inspiration from the beautiful photograph that provides the LP with its cover, an image of the Dartmouth Jazz Band taken in 1918 featuring Lucier’s father on violin. Using the instrumentation present in the photograph, Lucier creates an unearthly sound world of sliding tones from violin, alto and tenor saxophones, piano, vibraphone (bowed) and three electric guitars (which take the place of the banjos present in the photograph). Waves of slow glissandi create thick, complex beating patterns, gently punctuated by repeated single notes from the piano. The result is a piece that, like much of Lucier’s instrumental music, is simultaneously both unperturbably calm and constantly in motion. Stunning LP design by Stephen O’Malley including an inner sleeve with a portrait of Alvin Lucier by Kris Serafin.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Black Truffle\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":43442071732392,"sku":"BLACKTRUFFLE033","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2023-04-07at20.18.37.png?v=1680895149"},{"product_id":"william-s-burroughs-break-through-in-grey-room-lp","title":"William S Burroughs 'Break Through In Grey Room' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eTransparent clear vinyl.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-ibkupM hgMmey\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-dOpZeA bgmYbB efmTQ\" data-testid=\"description-product\"\u003e\n\u003cp\u003eInspired by the original Industrial Records release of William S. Burroughs’s \u003ci\u003eNothing Here Now but the Recordings\u003c\/i\u003e, Belgian record label Sub Rosa worked with Burroughs to release another album: \u003ci\u003eBreak Through In Grey Room\u003c\/i\u003e. Originally compiled in 1986 by producer Bill Rich, the album features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, experimental collaborations with mathematician Ian Sommerville and painter\/cut-up originator Brion Gysin.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e Break Through In Grey Room\u003c\/i\u003e documents William S. Burroughs during his time in Europe and England, working with Ian Sommerville on recording with the 'cut-up' technique. Sommerville's technical background enabled him to contribute to the early development of sound-and-light shows in London, leading to work with gear provided by Paul McCartney in an apartment owned by Ringo Starr. Experimental in nature, the record is as much an exhibition of studio and composition technique as it is a document of underground culture at that time.\u003c\/p\u003e\n\u003cp\u003eFor the 2023 reissue, Dais Records has collaborated with the Estate of William S. Burroughs on reissuing the album on vinyl and compact disc, fully remastered by mastering engineer Josh Bonati.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number: \u003cspan data-mce-fragment=\"1\" class=\"sc-hPmGNk fuiyXG\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"sc-bgtQTB cacnIm\"\u003eDAIS197LPC\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Dais\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":43524718231720,"sku":"DAIS197LPC","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2023-04-19at13.30.06.png?v=1681907423"},{"product_id":"current-93-the-light-left-you-quite-lp","title":"Current 93 'The Light Left You Quite' LP","description":"\u003cdiv\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"description-product\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"description-product\"\u003e\n\u003cdiv title=\"Page 9\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eA ReLighted mix of C93’s million-selling The Light Has Left You All. New cross-fades between the tracks, a different beginning, a different ending, and a total reversal of the stereo channels. Inserted into a Risograph-printed brown-paper-bag sleeve, with artwork by David Tibet. Released to celebrate C93’s sold-out London Channelling (11 March 2023) for David’s 63rd BirthDay. Utterly beautiful mixed-coloured-vinyl.\u003c\/p\u003e\n\u003cdiv title=\"Page 9\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003ePLEASE NOTE: the risograph-printed brown-paper-bag sleeves are thin and creased and will be slightly torn in places – THIS IS THE AESTHETIC AND IS DELIBERATE. \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: DOARXI\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Cashen Gap\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":43559931674792,"sku":"DOARXI","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-05-08at12.53.41.png?v=1683546835"},{"product_id":"current-93-great-aleph-lies-dreaming-lp","title":"Current 93 'Great Aleph Lies Dreaming' LP","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"description-product\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"description-product\"\u003e\n\u003cdiv title=\"Page 9\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 9\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eA ReDreaming of the epic and erratic C93 album, Aleph At Hallucinatory Mountain (2009), with outtakes and intakes and spacing and aching from that album, as well as The Moons At Your Door, Birth Canal Blues, and BallStorm, Sing Omega. 500 copies made. Inserted into a Risograph-printed brown-paper-bag sleeve, with artwork by David Tibet. Released to celebrate C93’s sold-out London Channelling (11 March 2023) for David’s 63rd BirthDay. Utterly beautiful mixed-coloured-vinyl.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 9\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003ePLEASE NOTE: the risograph-printed brown-paper-bag sleeves are thin and creased and will be slightly torn in places – THIS IS THE AESTHETIC AND IS DELIBERATE. \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: DOARX\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Cashen Gap\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":43559954514088,"sku":"DOARX","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-05-08at12.55.53.png?v=1683546969"},{"product_id":"current-93-night-at-the-four-winds-bar-maldoror-lp","title":"Current 93 'Night At The Four Winds Bar Maldoror' LP","description":"\u003cdiv\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"description-product\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"description-product\"\u003e\n\u003cdiv title=\"Page 9\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 9\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 9\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eA complete reworking of C93’s seminal and criminal Live At Bar Maldoror (1986), with the original album playing forwards in the right- hand channel, and playing backwards in the left-hand channel. This was in fact how David had wanted the album to be released in 1986, but technical problems with thus cutting the album at the time meant it was released in what he considered—and still considers— to be a flawed and failed manner. This is how it was meant to sound. 500 copies made. Inserted into a Risograph-printed brown-paper- bag sleeve, with artwork by David Tibet. Released to celebrate C93’s sold-out London Channelling (11 March 2023) for David’s 63rd BirthDay. Utterly beautiful mixed-coloured-vinyl.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 9\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003ePLEASE NOTE: the risograph-printed brown-paper-bag sleeves are thin and creased and will be slightly torn in places – THIS IS THE AESTHETIC AND IS DELIBERATE. \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: DOARXII\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Cashen Gap\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":43559964082344,"sku":"DOARXII","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-05-08at12.56.30.png?v=1683547004"},{"product_id":"current-93-if-a-city-is-set-upon-a-hill-lp-picture-disc","title":"Current 93 'If A City Is Set Upon A Hill' LP Picture Disc","description":"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eThree years in its creation, birthing and borning, it follows on from 2018’s million-selling classic, The Light Is Leaving Us All. We are OverMoon to announce the following release information pertaining to the brand new full-length album by David Tibet’s Hallucinatory ChartToppers CURRENT 93, entitled If A City Is Set Upon A Hill. The twilit, dreamlike If A City Is Set Upon A Hill features Channellings from: Alasdair Roberts: Guitars, Autoharp, Synthesizer, Backing Vocals. Aloma Ruiz Boada: Violin. Andrew Liles: Electronics, Guitars, Keyboards. Ania Goszczyńska: Design \u0026amp; Fine Wine. David Tibet: Voice \u0026amp; Voices. Michael J. York: PIpes, Whistle, Duduk. Ossian Brown: DroneTones. Reinier van Houdt: Fender Rhodes, Piano, Guitar. Rita Knuistingh-Neven: Piano \u0026amp; Voice. This picture disc features the HallucinatoryPulseMix. It is a completely different mix to that on the “standard” album release mix (HomAleph 5). 500 copies made. Inserted into a beautiful Risograph-printed sleeve on Glassine Paper, with lyrics and credits. \u003cbr\u003e\u003cbr\u003ePLEASE NOTE: the risograph-printed brown-paper-bag sleeves are thin and creased and will be slightly torn in places – THIS IS THE AESTHETIC AND IS DELIBERATE. \u003cbr\u003e \u003cbr\u003eCatalogue number: DOARIV\u003cbr\u003eCondition: New\u003cbr\u003eLabel: Cashen Gap","brand":"Cargo","offers":[{"title":"Default Title","offer_id":43559986167976,"sku":"DOARIV","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-05-08at12.59.44.png?v=1683547262"},{"product_id":"graham-lambkin-aphorisms-2xlp","title":"Graham Lambkin 'Aphorisms' 2xLP","description":"\u003cspan class=\"sc-dZpvmy DdcGV\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"sc-UMyrj ivAgLv\"\u003e\n\u003cp data-testid=\"description-product\" class=\"sc-gKclnd sc-gpcHMt bgmYbB kBriEw\"\u003e\u003cspan class=\"sc-jGvJud dOTJmq\"\u003eGraham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, \u003ci\u003eAphorisms\u003c\/i\u003e, his first major solo outing since \u003ci\u003eCommunity\u003c\/i\u003e (Kye, 2016). Recorded mostly during the early winter months of 2022, in post-pandemic New York and post-Brexit London, \u003ci\u003eAphorisms\u003c\/i\u003e assembles the sonic detritus of daily life into hauntingly intimate aural soundscapes. Made between Lambkin's residence in East London and Blank Forms in New York, \u003ci\u003eAphorisms\u003c\/i\u003e superimposes the two spaces onto one another creating an imaginary stage where his musical dramas unfold. A transatlantic mediation on the rooms where Lambkin has lived and worked, Aphorisms summons up hallucinatory vistas by way of the composer’s collage technique, layering field recordings, piano, guitar, percussion, vocal fragments, and repurposed elements on top of one another in double, triple, and quadruple exposures. Like the Shadow Ring’s Lindus (Swill Radio, 2001) - recorded between Folkestone and Miami - \u003ci\u003eAphorisms\u003c\/i\u003e ruminates on estrangement and displacement, catching Lambkin as he returns to London after two decades of living in the States, in his words, “leaving home to return home.”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\nLabel: Blank Forms\u003cbr\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":44039461208232,"sku":"","price":36.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-06-22at11.27.26.png?v=1687429689"},{"product_id":"nurse-with-wound-brained-by-fallen-masonry-cooloorta-moon-lp","title":"Nurse With Wound 'Brained By Fallen Masonry \/ Cooloorta Moon' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cstrong\u003ePicture disc.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan data-mce-fragment=\"1\" class=\"sc-jGvJud dOTJmq\"\u003eIt could be argued that \u003ci data-mce-fragment=\"1\"\u003eBrained\u003c\/i\u003e and \u003ci data-mce-fragment=\"1\"\u003eCooloorta\u003c\/i\u003e are the definitive NWW E.Ps. Both classic and timeless fan favourites appear for the first time together on one single album. Both E.Ps marked a distinctive change in the NWW sound. \u003ci data-mce-fragment=\"1\"\u003eBrained\u003c\/i\u003e from 1984 showcases NWW at their mid 80's finest. The relentless churning and uncompromising music of \u003ci data-mce-fragment=\"1\"\u003eBrained by Falling Masonry\u003c\/i\u003e is complimented by the eccentric mania of JG Thirlwell's vocals. A Short Dip in Glory Hole takes us into the murky depths of a David Lynch influenced nightmare, a lysergic unhinged movie for the ears, which greatly influenced the Peter Strickland film Berberian Sound Studio. \u003ci data-mce-fragment=\"1\"\u003eCooloorta Moon\u003c\/i\u003e from 1989 takes us in a whimsical direction and further highlights the boundless originality of NWW. The evolution of NWW utilising more traditional instrumentation and bordering on the verge of song structures started coming to the fore on this E.P. In addition to all the original songs from the \u003ci data-mce-fragment=\"1\"\u003eCooloorta\u003c\/i\u003e and \u003ci data-mce-fragment=\"1\"\u003eBrained\u003c\/i\u003e EPs, the 2010 track, Sarah's Beloved Aunt perfectly closes this collection.\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: DPROMPD164\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: United Dirter\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":44092855713960,"sku":"DPROMPD164","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-06-27at12.20.19.png?v=1687864836"},{"product_id":"tolley-dara-cutheart-lp","title":"Tolley \u0026 Dara 'Cutheart' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e‘Cutheart’ is a mystic milestone from the experimental underbelly of 1970’s Australia, composed in real time on stage by restauranteur\/musician Dure Dara and synth player David Tolley.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePerhaps the only record we’ve come across that was conceived while cooking a chicken (which was fed to the audience at end of a performance!), ‘Cutheart’ extends a suite of probing new age gestures spontaneously composed over the course of three nights at the Universal Theatre in Melbourne. In key with a groundswell of Antipodean obscurities dished up over the last few years, the music is blessed with an alternately wide-eyed and heavy lidded appeal, and unfolds with a naturalistic, non-academic, endearing experimental naivety that we’ve come to appreciate in music from his region and era of the world, located well away from the usual hotspots of electronic music.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Welcome to the strange musical world of Tolley \u0026amp; Dara, an experimental duo whose incredible music held a marginal yet vital position on the fringe of the Australian music industry during the late 1970s and early 1980s. Consisting of jazz bassist and synthesist David Tolley and percussionist Dure Dara, their union was a relationship of romance and intense creativity, a deep spiritual bond consecrated amidst banks of modular synthesizers and racks of exotic percussion instruments. Recorded over a series of live performances in the spring of 1979, the music featured on Cutheart was edited and assembled from eight improvised pieces recorded at the Universal Theatre Melbourne. Comprised of analogue synthesizers and a vast array of tuned and non-tuned percussion, Tolley and Dara sculpted a cluster of electronic abstractions and organic splashes of Gamelan-influenced percussion; a dense otherworldly soundscape coloured with trance-like vocal scatting and deranged muttering. Known for his bass playing on the classic Australian jazz-rock album Carlton Streets by The Brian Brown Quintet and also as a member of EX- (the collaborative project with Daevid Allen from Soft Machine\/Gong), Cutheart sees Tolley explore the outer realms of heady improvised electronic music. While the music of Tolley \u0026amp; Dara exists in a sonic universe all of its own, similarities could easily be drawn to another likeminded musical partnership, the American husband and wife duo Annette Peacock and Paul Bley. Cutheart is a pioneering recording of extended synthesiser and percussion technique from the Australian experimental underground.”\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: The Roundtable\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":44096351142056,"sku":"","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-06-27at19.49.55.png?v=1687891868"},{"product_id":"joe-meek-and-the-blue-men-i-hear-a-new-world-lp","title":"Joe Meek and The Blue Men 'I Hear A New World' LP","description":"\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"sc-iBBJcT OZsLJ\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-fHsjty beyRpH jsdOwk\"\u003e\n\u003cdiv class=\"sc-iBBJcT OZsLJ\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-fHsjty beyRpH jsdOwk\"\u003e\n\u003cdiv class=\"sc-iBBJcT OZsLJ\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-fHsjty beyRpH jsdOwk\"\u003e\n\u003cspan class=\"sc-lccgLh kxcqzl\" data-mce-fragment=\"1\"\u003eReissue on vinyl of the legendary British producer's lost but classic album. originally released in 1960 as essentially a novelty record to demonstrate stereo possibilities with sound, meek recorded this as his kind of tribute to space travel and his general obsession with all things unearthly. to get the outer space sounds of the moon and beyond that Joe desired, he used a mixture of Hawaiian guitar, bass, drums, a deliberately out of tune piano. he used combs, running water, treated electronics and a wide variety of other percussive and pioneering mixing effects. this album is truly unlike anything else you've ever heard.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: POPPYLP019\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Poppydisc\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Shellshock","offers":[{"title":"Default Title","offer_id":44230130630824,"sku":"POPPYLP019","price":18.49,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-07-10at13.20.44.png?v=1688991664"},{"product_id":"eiko-ishibashi-jim-orourke-lifetime-of-a-flower-lp","title":"Eiko Ishibashi \/ Jim O'Rourke 'Lifetime of a Flower' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"sc-iBBJcT OZsLJ\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-fHsjty beyRpH jsdOwk\"\u003e\n\u003cdiv class=\"sc-iBBJcT OZsLJ\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-fHsjty beyRpH jsdOwk\"\u003e\n\u003cdiv class=\"sc-iBBJcT OZsLJ\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-fHsjty beyRpH jsdOwk\"\u003e\n\u003cdiv class=\"sc-iBBJcT OZsLJ\"\u003e\n\u003cdiv class=\"sc-gsFSXq sc-fHsjty beyRpH jsdOwk\" data-testid=\"description-product\"\u003e\n\u003cspan class=\"sc-lccgLh kxcqzl\" data-mce-fragment=\"1\"\u003eFor the exhibition “Flowers in 20th and 21st Century Art“, Eiko Ishibashi and Jim O‘Rourke created the installation \u003ci data-mce-fragment=\"1\"\u003eLifetime of a Flower\u003c\/i\u003e in which they set parameters but allowed the process itself to grow uncontrollably. Literally: in the garden of their Japanese house, they planted seeds and filmed the plant growing and thriving throughout the duration of the exhibition. Visitors were able to watch the stream in real time - and they heard a composition in which Ishibashi and O‘Rourke reflected the organic process in sound. The eponymous composition now available on LP, is an enigmatic and sophisticated layering of sounds, melodies and rhythms, noises from everyday life, all of which are repositories of associations, memories and expectations.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: WE2\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Week-End Records\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":44230159499432,"sku":"WE2","price":33.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-07-10at13.24.18.png?v=1688991873"},{"product_id":"celine-gillain-mind-is-mud-lp","title":"Celine Gillain 'Mind Is Mud' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-iBBJcT OZsLJ\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-fHsjty beyRpH jsdOwk\"\u003e\n\u003cp\u003eSounds like:Grace Jones, Kae Tempest, Annie Lennox, Leslie Winer and The Knife cutting up their favourite books, entering the k-hole and recording their dystopian dreams at the backstage of Berghain.\u003c\/p\u003e\n\u003cp\u003eGlitching through pop music, cruising around the borders of the avant garde, passing by the edge of coldwave and tumbling into dance and club vibes: after her debut Bad Woman Céline Gillain is back with her second album: \u003ci\u003eMind is Mud\u003c\/i\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Cortizona\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Default Title","offer_id":44283317026984,"sku":"CORTIZONA021","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-07-14at14.43.28.png?v=1689342250"},{"product_id":"chris-and-cosey-techno-primitiv-lp","title":"Chris and Cosey 'Techno Primitiv' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e\u003cstrong\u003e Blue Vinyl.\u003c\/strong\u003e\u003cspan class=\"sc-lccgLh kxcqzl\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-iBBJcT OZsLJ\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-fHsjty beyRpH jsdOwk\"\u003e\n\u003cspan class=\"sc-kyDlHK kfUPtD\" data-mce-fragment=\"1\"\u003eRemastered version of 1985’s \u003ci data-mce-fragment=\"1\"\u003eTechnø Primitiv\u003c\/i\u003e, originally released on Rough Trade, the album is from Chris and Cosey’s whiplash minimal ‘80s icy synth period.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-fHsjty beyRpH jsdOwk\"\u003e\u003cspan class=\"sc-kyDlHK kfUPtD\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"sc-kyDlHK kfUPtD\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"sc-ixPHmS fBVPiM\" data-mce-fragment=\"1\"\u003eCTITP23\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: CTI\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cagro","offers":[{"title":"Default Title","offer_id":44500430389416,"sku":null,"price":22.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-08-01at11.16.55.png?v=1690887620"},{"product_id":"chris-and-cosey-trust-lp","title":"Chris and Cosey 'Trust' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e\u003cstrong\u003e Purple Vinyl.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"sc-lccgLh kxcqzl\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"sc-fbFiXs kWxlKq\"\u003eRemastered version of \u003ci data-mce-fragment=\"1\"\u003eTrust\u003c\/i\u003e, originally released on Play It Again Sam \/ Nettwerk in 1989. It is collection of electro-pop, rinsed through with Chris and Cosey’s unique erotic vision. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: CTI\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cagro","offers":[{"title":"Default Title","offer_id":44501077131432,"sku":"CTITR23","price":22.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-08-01at11.59.06.png?v=1690887739"},{"product_id":"chris-and-cosey-pagan-tango-lp","title":"Chris and Cosey 'Pagan Tango' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e\u003cstrong\u003e Red Vinyl.\u003c\/strong\u003e\u003cspan class=\"sc-lccgLh kxcqzl\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan class=\"sc-egkQYF dKCBQF\" data-mce-fragment=\"1\"\u003eAnother classic Chris and Cosey 'Nineties period' album. A remastered version of the 1991 album \u003ci data-mce-fragment=\"1\"\u003ePagan Tango\u003c\/i\u003e. It has a spectral air created by often ominous \/ mournful synths and Cosey's ghostly vocals that remind you of the Velvet Underground chanteuse Nico. Originally released on Wax Trax!, and sees the pair once follow their own hypnotic beat in new directions.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cspan class=\"sc-egkQYF dKCBQF\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: CTI\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cagro","offers":[{"title":"Default Title","offer_id":44517698568360,"sku":"","price":22.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-08-02at11.45.15.png?v=1690973131"},{"product_id":"akusmi-lines-lp","title":"Akusmi 'Lines' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cstrong\u003ePre-order. Due 13th October.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited clear vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-hokQRP ilyOXy\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-eubriu beyRpH bUxYZi\"\u003e\n\u003cp\u003eLondon based composer, multi-instrumentalist and producer Akusmi releases \u003ci\u003eLines\u003c\/i\u003e, an exhilarating new collection of works born from the desire to take where the acclaimed debut album \u003ci\u003eFleeting\u003c\/i\u003e \u003ci\u003eFuture\u003c\/i\u003e left off — in search of new forms.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eLines\u003c\/i\u003e is presented as a Limited edition clear vinyl (500 copies only worldwide), printed in heavy-weight reverse board sleeve with a hand-numbered edition sticker. The vinyl edition also features 'Oblique' (A2), an exclusive version for the vinyl format, plus the now revered 'Longing for Tomorrow' – (Brandt Brauer Frick Remix), previously unreleased physically and now pressed on vinyl format, ending side B. The cover artwork features another collaboration with Dutch visual artist Sigrid Calon and design by label founder Adam Heron.\u003c\/p\u003e\n\u003cp\u003eFormed with a sense of urgency and a reductive approach ‘Lines’ is almost entirely comprised of alto saxophone, clarinet and piano with embellishments of ambience and minimal percussive elements. Recorded in full at his home studio in London, Pascal Bideau speaks about the process: “I wanted to go a bit more a bit more horizontal and ambient, work with layers of lines, might they be dotted or straight, and leave them to unfold and see where they would take me.”\u003c\/p\u003e\n\u003cp\u003e‘Secant’ is the electrifying and cinematic opener, emerging with the main motif deriving from the recording sessions of \u003ci\u003eFleeting Future\u003c\/i\u003e. It’s distinct sound echoes New York, a homage in part to the works of Steve Reich and inspired also by train travels across the English countryside. Rhythmical looping pianos unite with shifting strings that build to a symphony of hypnotic rich layers, towards a euphoric and filmic climax.\u003c\/p\u003e\n\u003cp\u003e‘Oblique’ on the other hand is otherworldly and hopeful, a breathtaking musical meeting between Jazz and Ambient minimalist music. Rich layered saxophones sound a patterned melody, meshed with dotted piano, swirling electronics and percussive hits, before deep diving into shimmering ambient tones echoing like summer rainfall against windows. Akusmi uniquely finds the spaces in between experimental, crossover classical and ambient music.\u003c\/p\u003e\n\u003cp\u003e‘Parallel’ is the ambient companion to the acclaimed title track \u003ci\u003eFleeting Future\u003c\/i\u003e, featuring a stripped back chord progression constructed with less order and written render.\u003c\/p\u003e\n\u003cp\u003e‘Tangent’ is a pointillist piece that stemmed from a session with friend and collaborator Daniel Brandt. Cyclical guitars loop ebb and flow reminiscent of Manuel Göttsching. Akusmi is the project moniker of French-born, London based composer, multi- instrumentalist and producer Pascal Bideau\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: TU003LE\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Tonal Union\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Forte","offers":[{"title":"Default Title","offer_id":44594366546088,"sku":"TU003LE","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-08-09at12.23.51.png?v=1691580477"},{"product_id":"starving-weirdos-atheistsaregods-lp","title":"Starving Weirdos 'Atheistsaregods' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"sc-eHRHtx iUKHFS\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-bAwCGc beyRpH dRIiR\"\u003e\n\u003cp\u003eMore than a decade after the release of \u003ci\u003eLand Lines\u003c\/i\u003e, the mythical Humboldt County, California based duo of Brian Pyle and Merrick McKinlay reappears seemingly out of nowhere with \u003ci\u003eAtheistsaregods\u003c\/i\u003e. With past releases on such cult-like labels as Root Strata, Weird Forest, Blackest Rainbow or Digitalis, Starving Weirdos were an indelible part of a sprawling and loose network of artists in Northern America whose DIY work ethic and extreme activity revolved around shoestring-budget constant touring, numerous limited editions on CDR, tape and vinyl and a relentless drive to push the boundaries of genre.\u003c\/p\u003e\n\u003cp\u003eOut of that cauldron, Starving Weirdos stood out as one of the most persistent and visionary acts, developing a mind altering body of work that went from warm soundscapes through droney digressions, freeform improvisation and raucous noise summoned from a myriad of instrumentation and low budget processing - vocals, keyboards, violin, flute, percussion and an assortment of less identifiable sound sources. 10 years on their legacy remains a timeless and wildly under-appreciated one, but hopefully this new album will shine a light on their idiosyncratic approach. As time itself was never a constraint. This is music suspended outside of it.\u003c\/p\u003e\n\u003cp\u003eRight from the start with the echoing percussion, dissonant keys and processed vocals of 'Haiku Nagasaki', \u003ci\u003eAtheistsaregods\u003c\/i\u003e draws a continuous flux of psychedelic elevation that goes from the gloomy electronic motifs not unlike the early Cluster vibes of 'Invocation' into the dank percussive maze of the appropriately titled 'Barulho do Samba'. The self titled track induces a sense of post-apocalyptic vertigo via hallucinatory scraps of voice, suspended synth tones and reverberating field recordings, connecting into the droney mystics of 'Dudukahar (Reed Prayer)'. Coming full circle, 'For Vinny' brings back the echoing percussion amidst hypnotic cello lines until it drifts off into the unknown. With the same palpable sense of urgency, Starving Weirdos feel as vital as ever. And even if we didn't realize it we were in need of them. Welcome back.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan data-mce-fragment=\"1\" class=\"sc-inZACr iKeTov\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"sc-gKlEGG fdoYNy\"\u003eCREP94\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Discrepant\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Default Title","offer_id":44645554421928,"sku":"CREP94","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-08-14at12.41.14.png?v=1692013292"},{"product_id":"dead-c-the-white-house-2xlp","title":"The Dead C 'The White House' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"sc-bRimrq kRWLvW\"\u003e\n\u003cdiv class=\"sc-gsFSXq sc-dLmyTH beyRpH iGRWMG\" data-testid=\"description-product\"\u003e\n\u003cdiv class=\"sc-bRimrq kRWLvW\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-dLmyTH beyRpH iGRWMG\"\u003e\n\u003cp\u003eRecorded in the winter of 1994, sessions were accompanied by snow, an infrequent but always super-exciting event in downtown Dunedin. Mainly if not entirely recorded direct to REVOX B77, just like The Clean's \u003ci\u003eOddities\u003c\/i\u003e. It's like their version of \u003ci\u003eLed Zepp IV\u003c\/i\u003e with no Stairway, as recorded by the Meat Puppets in a K Hole. Originally M\u0026amp;D by Matador, this is as major label as the Dead C got. Mere pseud post-grunge sell-out moves-ah.\u003c\/p\u003e\n\u003cp\u003eNewly remastered by Lasse Marhaug, and with bonus tracks, these 2023 reissues have been cut carefully and loud, with the sonic wars heard on these now-classic tracks for blaring than ever.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan data-mce-fragment=\"1\" class=\"sc-gjQJPI buSDbB\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"sc-cDCexA btsoob\"\u003eBING181\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Ba Da Bing!\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":44656984096936,"sku":"BING181","price":43.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-08-15at13.00.00.png?v=1692100814"},{"product_id":"the-dead-c-the-operation-of-the-sonne-lp","title":"The Dead C 'The Operation of the Sonne' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"sc-bRimrq kRWLvW\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-dLmyTH beyRpH iGRWMG\"\u003e\n\u003cdiv class=\"sc-bRimrq kRWLvW\"\u003e\n\u003cdiv class=\"sc-gsFSXq sc-dLmyTH beyRpH iGRWMG\" data-testid=\"description-product\"\u003e\n\u003cdiv class=\"sc-bRimrq kRWLvW\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-dLmyTH beyRpH iGRWMG\"\u003e\n\u003cp\u003eComing after the monster that was \u003ci\u003eHarsh 70s Reality\u003c\/i\u003e, and its evil twin, \u003ci\u003eClyma Est Mort\u003c\/i\u003e, this album has always confounded even soi disant Dead C fans. Side 1 documents the discovery of the analogue synthesiser coupled with field recordings from the basement of Willowbank, Koputai's 'most stately' home. Side 2 emerged spontaneously to cassette on stage at the 'fabled' Empire Tavern - and it still sounds like stripping the breathable atmosphere from an already-depleted biosphere.\u003c\/p\u003e\n\u003cp\u003eNewly remastered by Lasse Marhaug, these reissues have been cut carefully and loud, with the sonic wars heard on these now-classic tracks for blaring than ever.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan data-mce-fragment=\"1\" class=\"sc-gjQJPI buSDbB\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"sc-cDCexA btsoob\"\u003eBING180\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Ba Da Bing!\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":44657008345256,"sku":"BING180","price":29.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-08-15at13.03.32.png?v=1692101025"},{"product_id":"the-dead-c-tusk-2xlp","title":"The Dead C 'Tusk' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"sc-bRimrq kRWLvW\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-dLmyTH beyRpH iGRWMG\"\u003e\n\u003cdiv class=\"sc-bRimrq kRWLvW\"\u003e\n\u003cdiv class=\"sc-gsFSXq sc-dLmyTH beyRpH iGRWMG\" data-testid=\"description-product\"\u003e\n\u003cdiv class=\"sc-bRimrq kRWLvW\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gsFSXq sc-dLmyTH beyRpH iGRWMG\"\u003e\n\u003cp\u003eClassic New Zealand free rock from Russell, Yeats and Morley, \u003ci\u003eTusk\u003c\/i\u003e originally squalled out from the depths in 1997. \u003ci\u003eTusk\u003c\/i\u003e digs into the thought bubble that formed via \u003ci\u003eOperation Of The Sonne\u003c\/i\u003e and\u003ci\u003e The White House\u003c\/i\u003e, sharpens the edges and reveals some of their greatest broken progressions and vicious feedback. The band is at their performative peak, staking their ground with an amp covered in dirt.\u003c\/p\u003e\n\u003cp\u003eNewly remastered by Lasse Marhaug, and with bonus tracks, these 2023 reissues have been cut carefully and loud, with the sonic wars heard on these now-classic tracks for blaring than ever.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan data-mce-fragment=\"1\" class=\"sc-gjQJPI buSDbB\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"sc-cDCexA btsoob\"\u003eBING182\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Ba Da Bing!\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":44657022173352,"sku":"BING182","price":43.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-08-15at13.05.38.png?v=1692101152"},{"product_id":"reverend-kristin-michael-hayter-saved-lp","title":"Reverend Kristin Michael Hayter 'SAVED!' LP","description":"\u003cp\u003e\u003cstrong\u003ePre-order. Due 20th October.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited red vinyl or black vinyl.\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e First Album from Hayer’s Own Label, Perpetual Flame Ministries\u003cbr\u003eFirst Full-Length Album After Retiring The Lingua Ignota Moniker\u003cbr\u003e \u003cbr\u003eSAVED! is an apocalyptic revelation on the complex, sometimes ugly, always nonlinear\u003cbr\u003eprocess of healing. Herein, Reverend Kristin Michael Hayter documents an earnest\u003cbr\u003eattempt to achieve salvation through the tenets of charismatic Christianity, focusing on\u003cbr\u003ethe Pentecostal-Holiness Movement, which dictate that one’s closeness to God is\u003cbr\u003edemonstrated through transcendental personal experience. Sonically and thematically,\u003cbr\u003ethe record is both a logical conclusion to and a significant departure from Hayter’s\u003cbr\u003eprevious work as Lingua Ignota.\u003cbr\u003eMirroring her personal evolution away from pain, she sheds the moniker that made her\u003cbr\u003esuccessful for its unflinching expression of lived trauma and instead builds herself anew, claiming her full given name, determined to see value within. Musically, while she\u003cbr\u003econtinues to use historical avant-garde technique and formal constraints superimposed\u003cbr\u003eover accessible frameworks, she also strips down her instrumentation and degrades\u003cbr\u003eaudio to provide a sense of musicological antiquity. Similar to Lingua Ignota, the record\u003cbr\u003eis steeped in pathos, but now the wrath of God gives way to His deliverance: “His\u003cbr\u003eboundless love shall make you whole.”\u003cbr\u003e  \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e Condition: New\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Label:Perpetual Flame Ministries\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Limited red vinyl","offer_id":44729896206504,"sku":"PF002lp-C2","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"Black vinyl","offer_id":44729896272040,"sku":"PF002lp","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/preview.jpg?v=1692707763"},{"product_id":"greg-fox-contact-lp","title":"Greg Fox 'Contact' LP","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" id=\"cHJvZHVjdC0=description\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 598px;\"\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" id=\"cHJvZHVjdC0=description\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 477px;\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"description-product\"\u003e\n\u003cp\u003eGreg Fox’s Contact is an extension and evolution of the multidisciplinary artist’s rigorous, virtuosic sound-making practices. On Contact, the devoted performer, intrepid composer and avid collaborator channels an alchemy of influences and ideas through the kinetic exchange of human and percussive forms. Produced and mixed by Randall Dunn, Contact sees Fox accessing ever more raw and ruminative states, processing the tumult of sentience into stick-hit-drum.\u003c\/p\u003e\n\u003cp\u003e2017’s The Gradual Progression introduced Fox’s synergistic relationship with Sensory Percussion music technology, a conspiratorial force in developing his gestural jazz and metal mathematics into four-limbed polyphony. With Dunn tasked to further Fox’s gradual progress, the two focused their combined energy on the intricacies of sound design during an intense, immersive recording process. On the other end of the deep dive, the duo had yielded something ritualistic and minimalistic, both building on and stripping back Fox’s previous work while welcoming an honest and cathartic weight and collaboration.\u003c\/p\u003e\n\u003cp\u003eThroughout Contact, melody-blossoming rhythm patterns are interceded by straight, unadorned drumming. The album grows silence into sound with its opener, Vedana, a clamor of tuned percussion ringing out into space. By its third entry, the palpating Contact (sukha and somanassa), we are transported to an intimate situation, as if sitting on the drummer’s throne. Fox’s mesmeric playing is both technically impactful and electrically spontaneous from this vantage, which we return to again with a brusquer Contact (dukkha and domanassa) and its liberated conclusion Contact (upekkhā).\u003c\/p\u003e\n\u003cp\u003eTransformative manifestations of interior states are released between, in the epic rise and fall of Arising and Passing and From the Cessation of What, where melodics arrive in spurts before flowing freely along with barreling percussion. And then there’s the slow deliberation of Calming the Bodily Formation, a simple resounding ostinato stabilizing fervent energies. Contact was delivered during a period of intense creative, emotional and spiritual growth.\u003c\/p\u003e\n\u003cp\u003eFox takes the concept of sensation and pushes it beyond its technical potential into philosophical realms. While a reference to the instrumental impact, Contact also embodies the phenomenon of sensation in lived experience, and Buddhist notions about painful and pleasant physical and mental sensations, from which one may be liberated through internal process. We are offered a close, confidential perspective on this process through Contact, as Fox works through the impact before us.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n \u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Rvng\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":45091517890728,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-09-26at12.54.43.png?v=1695729298"},{"product_id":"jane-weaver-sunset-dreaks-ep-12","title":"Jane Weaver 'Sunset Dreaks EP' 12\"","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" id=\"cHJvZHVjdC0=description\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 598px;\"\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" id=\"cHJvZHVjdC0=description\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 477px;\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"description-product\"\u003e\n\u003cp\u003eA brand new six-track EP elevating the acclaimed Jane Weaver album, \u003ci\u003eFlock,\u003c\/i\u003e to a new esoteric panorama of pop. ‘Sunset Dreams’ features two unreleased tracks from the \u003ci\u003eFlock\u003c\/i\u003e sessions and remixes from W.H. Lung and See Thru Hands and also featuring the stand-out ‘Sunset Dreams’ in its original breath-taking form. Plus an extended remix of ‘Solarised’, along with northern combo W.H. Lung’s remix of the track.\u003c\/p\u003e\n\u003cp\u003eFurthering the eclectic electronic vibe, there’s also a See Thru Hands mix of ‘The Revolution Of Super Visions’ and two new tracks; ‘The Lexical Distance’ and ‘Don’t Tell Me I’m Wrong’, all capturing the pop vision of this ever-morphing electronic pioneer. The Sunset Dreams’ EP continues the journey.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n \u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Finders Keepers\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":45091548856488,"sku":null,"price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-09-26at13.00.13.png?v=1695729627"},{"product_id":"white-flowers-are-you-12","title":"White Flowers 'Are You' 12\"","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" id=\"cHJvZHVjdC0=description\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 598px;\"\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" id=\"cHJvZHVjdC0=description\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 477px;\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"description-product\"\u003e\n\u003cp\u003eIsolated from any kind of music scene and enveloped by the cold Brutalism of Preston, White Flowers are a young, enigmatic band developing their own eccentricities away from the influence of big cities. New EP \u003ci\u003eAre You \u003c\/i\u003eis a sonic and aesthetic collage drawing deeply from their environmental and social surroundings. The songs on the EP may at first seem delicate and beautiful, but closer listening reveals dark undertones and dry humour fuelled by the frustration of feeling trapped with no way out. Driven by this sense of claustrophobia, the duo have sought to create a form of escapism outside of their physical and geographical limitations.\u003c\/p\u003e\n\u003cp\u003eRecorded late 2021 between Preston and Bristol, \u003ci\u003eAre You \u003c\/i\u003eweaves together a mixture of intuitive home recordings and refined studio production aided by producer Ali Chant (PJ Harvey, Portishead, Perfume Genius). The four songs on the EP are an intentional collection of contrasts and paradoxes - beauty and repulsion, calmness and mania, anxiety and stasis - all combined to form a balanced whole.\u003c\/p\u003e\n\u003cp\u003eWhilst influenced in part by the writings of the late Mark Fisher and his idea that we are haunted by futures that failed to happen, that what might have been may yet be the dream that saves us, White Flowers have also found inspiration in the Brutalist architecture that adorns their hometown - futuristic yet dated buildings that serve as an appropriate visual metaphor for Fisher’s theories. Bleakly imposing yet comfortingly familiar, the monochromatic starkness of these structures has fed into the imagery for the record, as well as the sounds found within. Not intending to wallow in cynicism, however, White Flowers’ art ultimately aims to provide a way out of these dystopian fever dreams and spiralling thoughts into a forward facing place.\u003c\/p\u003e\n\u003cp\u003eFor fans of Beach House, Cocteau Twins, Cigarettes After Sex, Slowdive\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n \u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Tough Love\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":45091606397096,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-09-26at13.06.36.png?v=1695730015"},{"product_id":"zola-jesus-arkhon-lp","title":"Zola Jesus 'Arkhon' LP","description":"\u003cp\u003eLimited random ecomix vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" id=\"cHJvZHVjdC0=description\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 598px;\"\u003e\n\u003cdiv data-readmore-expanded=\"true\" data-readmore=\"\" id=\"cHJvZHVjdC0=description\" data-mce-fragment=\"1\" data-mce-style=\"max-height: none; height: 477px;\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"description-product\"\u003e\n\u003cdiv class=\"sc-kypfzD evqLuP\"\u003e\n\u003cdiv class=\"sc-gsFSXq sc-bfUCjU beyRpH iHOGHH\" data-testid=\"description-product\"\u003e\n\u003cp\u003eThere is a way a voice can cut through the fascia of reality, cleaving through habit into the raw nerve of experience. Nika Roza Danilova, the singer, songwriter, and producer who since 2009 has released music as Zola Jesus, wields a voice that does that. When you hear it, it is like you are being summoned to a place that’s already wrapped inside you but obscured from conscious experience. This place has been buried because it tends to hold pain, but it’s also a gift, because once it’s opened, once you’re inside of it, it can show you the truth. Zola Jesus’s new album, \u003ci\u003eArkhon\u003c\/i\u003e, finds new ways of loosing this submerged, stalled pain.\u003c\/p\u003e\n\u003cp\u003eOn previous albums, \u003ci\u003eDanilova\u003c\/i\u003e had largely played the role of auteur, meticulously crafting every aspect of Zola Jesus’s sound and look. This time, she realized that her habitual need for control was sealing her out of her art. \u003ci\u003eArkhon\u003c\/i\u003e sees Zola Jesus’s first collaboration with producer Randall Dunn (Sunn O))), Earth, Mandy soundtrack, Candyman soundtrack) and with drummer and percussionist Matt Chamberlain, whose prior work appears on albums by Fiona Apple, Bob Dylan, and David Bowie.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eArkhon\u003c\/i\u003e runs the spectrum from songs whose weight lies in their bare simplicity, like “Desire,” an elegiac piano composition about the end of a relationship that was recorded acoustically in a single take, to towering, groove-oriented tracks like “The Fall” and the tight, interlocking percussion and samples of a Slovenian folk choir in “Lost,” which propel narratives of collective despair and mutual comfort in kind. Through these turns, \u003ci\u003eArkhon\u003c\/i\u003e reveals itself as an album whose power derives from abandon. 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That letting go is the crux of \u003ci\u003eArkhon\u003c\/i\u003e, which marks a new way of moving and making for Zola Jesus.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n \u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Sacred Bones\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":45091619209384,"sku":null,"price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/drmckinleychiro.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2023-09-26at13.08.37.png?v=1695730133"},{"product_id":"kings-of-the-fucking-sea-in-concert-lp","title":"Kings of the Fucking Sea 'In Concert' LP","description":"\u003cspan class=\"sc-grmefH giygmt\" data-mce-fragment=\"1\"\u003eThe Kings of the Fucking Sea are Sara Nelson, Poni Silver, and Chet Weise. 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Due 3rd November.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e These two early cassette-only titles from the renowned guitar improviser Tashi Dorji were released a decade ago - these reissues mark their debut on vinyl. \u003cbr\u003e“‘Guitar Improvisation’ and ‘Tashi Dorji’ are the first physical releases of my guitar improvisations. They were put out by a small local, now defunct, label called Headway Recording in 2012 and 2013. The friends who ran the label had heard some of my guitar music and reached out to me about doing a cassette release. \u003cbr\u003e“‘Guitar Improvisations’ was really my first recording of improvisation - in a semi-studio setting at my friend’s basement space. It really was a formative time for me because it felt like everything opened, as far as the possibilities of what music- making meant. 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